Alston, Joshua. 2012. ‘NBC’s Smash Can Be the next Glee – by Not Being the next Glee : Guardian TV and Radio Blog’. London: guardian.co.uk.
Attenborough, Richard and Dante, Nicholas. 2008. ‘A Chorus Line’. Videorecording. [UK]: Optimum Home Entertainment.
Atypon Systems. n.d. ‘Studies in Musical Theatre’. Electronic resource Atypon Link.
Auslander, Philip. 2004. ‘Performance Analysis and Popular Music: A Manifesto’. Contemporary Theatre Review 14 (1): 1–13. https://doi.org/10.1080/1026716032000128674.
———. 2006. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor, [Mich.]: University of Michigan Press.
Banfield, S. 1996. ‘Company’. In Sondheim’s Broadway Musicals, The Michigan American music series:147–76. Ann Arbor, Mich: University of Michigan Press.
Bannister, Matthew and ebrary, Inc. 2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Electronic resource. Vol. Ashgate popular and folk music series. Aldershot, England: Ashgate.
Bennett, Andy. 2004. Remembering Woodstock. Aldershot: Ashgate.
Brecht, Bertolt and Willett, John. 1974. Brecht on Theatre: The Development of an Aesthetic. London: Eyre Methuen.
‘Buffy the Vampire Slayer: Season 6’. 2006. Videorecording. 20th Century Fox Home Entertainment.
Burger, A. 2010. ‘Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked’. Electronic resource. In Beyond Adaptation: Essays on Radical Transformations of Original Works, 123–32. Jefferson, N.C.: McFarland & Co.
Cohen, Sara. 2007. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot: Ashgate.
Collins, Karen. 2008. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate.
Del Deo, Adam, and James D. Stern. 2008. ‘Every Little Step: The Journey of “A Chorus Line”’. Videorecording. U.S.A.: Sony Pictures.
Draper, Natalie. 2010. ‘Concept Meets Narrative in Sondheim’s “Company”: Metadrama as a Method of Analysis’. Studies in Musical Theatre 4 (2): 171–83. https://doi.org/10.1386/smt.4.2.171_1.
Ellis, Sarah, T. 2011. ‘“No Day but Today”: Queer Temporality in Rent’. Studies in Musical Theatre 5 (2): 195–207. https://doi.org/10.1386/smt.5.2.195_1.
Everett, William A., and Paul R. Laird, eds. n.d. ‘From Hair to Rent: Is €˜rockâ€TM a Four-Letter Word on Broadway?’ In The Cambridge Companion to the Musical, Third edition, 235–49. [Cambridge, U.K.]: Cambridge University Press.
———, eds. n.d. ‘The Creation of a Broadway Musical: Stephen Schwartz, Winnie Holzman, and Wicked’. In The Cambridge Companion to the Musical, Third edition, 340–52. [Cambridge, U.K.]: Cambridge University Press.
Fetterman, William. 1997. John Cage’s Theatre Pieces. Amsterdam, Netherlands: Harwood Academic Publishers.
Fouz-Hernandez, Santiago. 2004. Madonna’s Drowned Worlds. Aldershot: Ashgate Publishing.
Garland, Judy, Baum, L. Frank, and Fleming, Victor. 2001. ‘The Wizard of Oz’. Videorecording. [U.K.]: Warner Home Video.
Gelles, Barrie. 2011. ‘Glee and the “Ghosting” of the Musical Theatre Canon’. Popular Entertainment Studies 2 (2): 89–111.
‘Glee - Season 1 [DVD]’. n.d. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4.
‘Glee - Season 2 [DVD]’. n.d. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9.
‘Glee - Season 4 [DVD]’. n.d. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4.
‘Glee: Season 3’. 2012. Videorecording. [UK]: 20th Century Fox Home Ent.
Greif, Michael and Warren, Michael John. 2009. ‘Rent’. Videorecording. [UK]: Sony Pictures Home Ent.
Hawkins, Stan. 2002. Settling the Pop Score: Pop Texts and Identity Politics. Vol. Ashgate popular and folk music series. Aldershot: Ashgate.
Inglis, Ian and ebrary, Inc. 2006. Performance and Popular Music: History, Place and Time. Electronic resource. Vol. Ashgate popular and folk music series. Aldershot, Hants, England: Ashgate.
Isherwood, Charles. 2007. ‘On This Rock, Build a Future for Musicals’.
Jones, Carys Wyn. 2008. The Rock Canon: Canonical Values in the Reception of Rock Albums. Vol. Ashgate popular and folk music series. Aldershot, Hants: Ashgate.
Laird, Paul, R. 2011. ‘“It Couldn’t Happen Here in Oz”: Wicked and the Creation of a “Critic-Proof” Musical’. Studies in Musical Theatre 5 (1): 35–47. https://doi.org/10.1386/smt.5.1.35_1.
Lamb, Andrew. 2000. 150 Years of Popular Musical Theatre. New Haven [Conn.]: Yale University Press.
Lehman, Engel and Kissel, Howard. 2004. ‘Romance’. In Words with Music, New ed, 106–19. New York: Roundhouse [distributor]. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156.
Leonard, Marion. 2007. Gender in the Music Industry: Rock, Discourse and Girl Power. Aldershot: Ashgate.
Lodge, Mary Jo. 2007. ‘Beyond “Jumping the Shark”: The New Television Musical’. Studies in Musical Theatre 1 (3): 293–305. https://doi.org/10.1386/smt.1.3.293_1.
Lundskaer-Nielsen, Miranda. 2008. Directors and the New Musical Drama. Palgrave Macmillan. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u.
McMillin, Scott. 2006. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Oxford: Princeton University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10961871.
McNulty, C. 2008. ‘“Spring Awakening” Is All about the Strife’. Los Angeles: latimes.
Meizel, Katherine. 2009. ‘Making the Dream a Reality (Show): The Celebration of Failure in American Idol’. Popular Music and Society 32 (4): 475–88.
Mendes, Sam. 1997. ‘Company’. Videorecording. London: BBC.
Miller, Scott. 2007. Strike up the Band: A New History of Musical Theatre. Portsmouth, NH: Heinemann.
Moore, Allan F. 2001. Rock, the Primary Text: Developing a Musicology of Rock. 2nd ed. Vol. Ashgate popular and folk music series. Aldershot: Ashgate.
Moore, Tracey. 2006. ‘Teaching the Broadway Singing Style in the Era of American Idol’. Studies in Musical Theatre 1 (1): 85–95. https://doi.org/10.1386/smt.1.1.85_1.
Peddie, Ian. 2006. The Resisting Muse. Aldershot: Ashgate.
‘Phantom of the Opera: Behind the Mask’. 2006. Videorecording. London: BBC 2.
Prece, Paul, and Everett William A. 2008. ‘The Megamusical: The Creation, Internationalisation and Impact of a Genre’. Electronic resource. In The Cambridge Companion to the Musical, Cambridge Companions to Music:250–69. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521862387.015.
Price, Lonny. 2011. ‘Sondheim: The Birthday Concert: The Birthday Concert’. Videorecording. Decca.
Rapaport, Pola and Held, Wolfgang. 2007. ‘Hair: Let the Sun Shine in : The Musical That Transformed a Generation’. Videorecording. New York: Alive Mind.
Rebellato, Dan. 2011. ‘Does the Mega-Musical Boom Mean Theatre’s Bust?: Guardian Theatre Blog’. London: guardian.co.uk.
Reising, Russell. 2006. Speak To Me. Aldershot: Ashgate.
Siropoulos, Vagelis. 2010a. ‘Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical’. Image & Narrative 11 (3): 128–45.
———. 2010b. ‘The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee’. Gramma: Journal of Theory and Criticism 10: 137–50.
———. 2011. ‘Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism’. Studies in Musical Theatre 5 (1): 13–34. https://doi.org/10.1386/smt.5.1.13_1.
‘Smash - Season 1 [DVD]’. n.d. http://www.amazon.co.uk/Smash-Season-DVD-Debra-Messing/dp/B0072CM1SI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1358163078&sr=1-1.
Sondheim, Stephen and Burton, Tim. 2008. ‘Sweeney Todd: The Demon Barber of Fleet Street’. Videorecording. [UK]: Warner Home Video.
Sondheim, Stephen, and John Doyle. 2007. ‘Company: A Musical Comedy’. Videorecording. Image Entertainment.
Sondheim, Stephen and Furth, George. 1996. Company. London: Nick Hern.
Sternfeld, Jessica. 2006. ‘“To Love Another Person Is to See the Face of God” Les Misérables’. Electronic resource. In The Megamusical, Profiles in popular music:175–225. Bloomington: Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.
Sternfeld, Jessica. 2007. The Megamusical. Bloomington, Ind: Indiana University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916.
Swayne, Steve and ebrary, Inc. 2007. How Sondheim Found His Sound. Electronic resource. 1st ed. Ann Arbor [Mich.]: University of Michigan Press. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247.
Tate, Joseph. 2005. Music and Art of Radiohead. Aldershot: Ashgate.
‘The Sondheim Review’. 1994. Electronic resource International Bibliography of Theatre&Dance with Full Text.
‘The Stephen Sondheim Collection’. 2008. Bmg.
Vandevender, Bryan M. 2009. ‘A Substitute for Love: The Performance of Sex in “Spring Awakening”’. Studies in Musical Theatre 3 (3): 293–302. https://doi.org/10.1386/smt.3.3.293/1.
Whedon, Joss. 2002. Once More with Feeling: Buffy the Vampire Slayer Script Book. Vol. Buffy the Vampire Slayer. London: Pocket.
Whiteley, Sheila, Bennett, Andy, and Hawkins, Stan. 2004. Music, Space and Place: Popular Music and Cultural Identity. Vol. Ashgate popular and folk music series. Aldershot: Ashgate.
Wolf, Stacy. 2011. ‘It’s All about Popular : Wicked Divas and Internet Girl Fans’. Electronic resource. In Changed for Good: A Feminist History of the Broadway Musical, 219–36. New York: Oxford University Press.
Wolf, Stacy Ellen. 2008. ‘“Defying Gravity”: Queer Conventions in the Musical Wicked’. Theatre Journal 60 (1): 1–21. https://doi.org/10.1353/tj.2008.0075.
Woll, Allen. 1989. Black Musical Theatre: From Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press.
Wollman, Elizabeth. 2010. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor, Mich: University of Michigan Press. http://site.ebrary.com/lib/roehampton/Doc?id=10395622.
Wollman, Elizabeth and Sternfeld, Jessica. 2011. ‘Musical Theatre and the Almighty Dollar: What a Tangled Web They Weave’. Studies in Musical Theatre 5 (1): 3–12. https://doi.org/10.1386/smt.5.1.3_2.
Young-Gerber, Christine. 2010. ‘“Attention Must Be Paid”, Cried the Balladeer: The Concept Musical Defined’. Studies in Musical Theatre 4 (3): 331–42. https://doi.org/10.1386/smt.4.3.331_1.
