1.
Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. Beyond adaptation: essays on radical transformations of original works. Jefferson, N.C.: McFarland & Co; 2010. p. 123–132.
2.
Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre. 2011;5(1):35–47.
3.
Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. Changed for good: a feminist history of the Broadway musical. New York: Oxford University Press; 2011. p. 219–236.
4.
Everett WA, Laird PR, editors. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press; p. 340–352.
5.
Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre. 2011;5(2):195–207.
6.
Everett WA, Laird PR, editors. From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? The Cambridge companion to the musical. Third edition. [Cambridge, U.K.]: Cambridge University Press; p. 235–249.
7.
Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal. 2008;60(1):1–21.
8.
Lehman, Engel, Kissel, Howard. Romance. Words with music [Internet]. New ed. New York: Roundhouse [distributor]; 2004. p. 106–119. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156
9.
Isherwood, Charles. On This Rock, Build a Future for Musicals. 2007. p. Sec. AR-5.
10.
McNulty, C. ‘Spring Awakening’ is all about the strife. Los Angeles: latimes; 2008.
11.
Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre. 2009;3(3):293–302.
12.
Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies. School of Drama, Fine Art and Music, Faculty of Education & Arts, The University of Newcastle, Australia; 2011;2(2):89–111.
13.
Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre. 2007;1(3):293–305.
14.
Alston, Joshua. NBC’s Smash can be the next Glee – by not being the next Glee : Guardian TV and Radio Blog. London: guardian.co.uk; 2012.
15.
Glee - Season 4 [DVD] [Internet]. Available from: http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4
16.
Auslander, Philip. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review. 2004;14(1):1–13.
17.
Meizel, Katherine. Making the Dream a Reality (Show): The Celebration of Failure in American Idol. Popular Music and Society. 2009;32(4):475–488.
18.
Moore, Tracey. Teaching the Broadway singing style in the era of American Idol. Studies in Musical Theatre. 2006;1(1):85–95.
19.
Prece, Paul, William A. E. The megamusical: the creation, internationalisation and impact of a genre. The Cambridge Companion to the Musical [Internet]. Cambridge: Cambridge University Press; 2008. p. 250–269. Available from: http://dx.doi.org/10.1017/CCOL9780521862387
20.
Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative. 2010;11(3):128–145.
21.
Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. The megamusical [Internet]. Bloomington: Indiana University Press; 2006. p. 175–225. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
22.
Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism. School of English, Aristotle University of Thessaloniki, Greece; 2010;10:137–150.
23.
Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre. 2011;5(1):13–34.
24.
Wollman, Elizabeth, Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre. 2011;5(1):3–12.
25.
Rebellato, Dan. Does the mega-musical boom mean theatre’s bust?: Guardian Theatre Blog. London: guardian.co.uk; 2011.
26.
Banfield, S. Company. Sondheim’s Broadway musicals. Ann Arbor, Mich: University of Michigan Press; 1996. p. 147–176.
27.
Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre. 2010;4(2):171–183.
28.
Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre. 2010;4(3):331–342.
29.
Auslander, Philip. Performing glam rock: gender and theatricality in popular music. Ann Arbor, [Mich.]: University of Michigan Press; 2006.
30.
Bannister, Matthew, ebrary, Inc. White boys, white noise: masculinities and 1980s indie guitar rock. Aldershot, England: Ashgate; 2006.
31.
Bennett, Andy. Remembering Woodstock. Aldershot: Ashgate; 2004.
32.
Brecht, Bertolt, Willett, John. Brecht on theatre: the development of an aesthetic. London: Eyre Methuen; 1974.
33.
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot: Ashgate; 2007.
34.
Collins, Karen. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate; 2008.
35.
Fetterman, William. John Cage’s theatre pieces. Amsterdam, Netherlands: Harwood Academic Publishers; 1997.
36.
Fouz-Hernandez, Santiago. Madonna’s Drowned Worlds. Aldershot: Ashgate Publishing; 2004.
37.
Hawkins, Stan. Settling the pop score: pop texts and identity politics. Aldershot: Ashgate; 2002.
38.
Inglis, Ian, ebrary, Inc. Performance and popular music: history, place and time. Aldershot, Hants, England: Ashgate; 2006.
39.
Jones, Carys Wyn. The rock canon: canonical values in the reception of rock albums. Aldershot, Hants: Ashgate; 2008.
40.
Lamb, Andrew. 150 years of popular musical theatre. New Haven [Conn.]: Yale University Press; 2000.
41.
Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Aldershot: Ashgate; 2007.
42.
Miller, Scott. Strike up the band: a new history of musical theatre. Portsmouth, NH: Heinemann; 2007.
43.
Moore, Allan F. Rock, the primary text: developing a musicology of rock. 2nd ed. Aldershot: Ashgate; 2001.
44.
Peddie, Ian. The Resisting Muse. Aldershot: Ashgate; 2006.
45.
Reising, Russell. Speak To Me. Aldershot: Ashgate; 2006.
46.
Sternfeld J. The megamusical [Internet]. Bloomington, Ind: Indiana University Press; 2007. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
47.
Tate, Joseph. Music and Art of Radiohead. Aldershot: Ashgate; 2005.
48.
Whiteley, Sheila, Bennett, Andy, Hawkins, Stan. Music, space and place: popular music and cultural identity. Aldershot: Ashgate; 2004.
49.
Wollman E. The theater will rock: a history of the rock musical, from Hair to Hedwig [Internet]. Ann Arbor, Mich: University of Michigan Press; 2010. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10395622
50.
Swayne, Steve, ebrary, Inc. How Sondheim found his sound [Internet]. 1st ed. Ann Arbor [Mich.]: University of Michigan Press; 2007. Available from: https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247
51.
Whedon, Joss. Once more with feeling: Buffy the Vampire Slayer script book. London: Pocket; 2002.
52.
Sondheim, Stephen, Furth, George. Company. London: Nick Hern; 1996.
53.
McMillin, Scott. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim [Internet]. Oxford: Princeton University Press; 2006. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10961871
54.
Woll, Allen. Black musical theatre: from Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press; 1989.
55.
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama [Internet]. Palgrave Macmillan; 2008. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u
56.
Greif, Michael, Warren, Michael John. Rent. [UK]: Sony Pictures Home Ent; 2009.
57.
Garland, Judy, Baum, L. Frank, Fleming, Victor. The wizard of Oz. [U.K.]: Warner Home Video; 2001.
58.
Sondheim S, Doyle J. Company: a musical comedy. Image Entertainment; 2007.
59.
Mendes, Sam. Company. London: BBC; 1997.
60.
Attenborough, Richard, Dante, Nicholas. A chorus line. [UK]: Optimum Home Entertainment; 2008.
61.
Rapaport, Pola, Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. New York: Alive Mind; 2007.
62.
Price, Lonny. Sondheim: The birthday concert: the birthday concert. Decca; 2011.
63.
The Stephen Sondheim Collection. Bmg; 2008.
64.
Buffy the vampire slayer: Season 6. 20th Century Fox Home Entertainment; 2006.
65.
Phantom of the opera: behind the mask. London: BBC 2; 2006.
66.
Sondheim, Stephen, Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. Widescreen. [UK]: Warner Home Video; 2008.
67.
Glee - Season 1 [DVD] [Internet]. Available from: http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4
68.
Glee - Season 2 [DVD] [Internet]. Available from: http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9
69.
Glee: Season 3. [UK]: 20th Century Fox Home Ent; 2012.
70.
Smash - Season 1 [DVD] [Internet]. Available from: http://www.amazon.co.uk/Smash-Season-DVD-Debra-Messing/dp/B0072CM1SI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1358163078&sr=1-1
71.
Del Deo A, Stern JD. Every little step: the journey of ‘A Chorus Line’. U.S.A.: Sony Pictures; 2008.
72.
The Sondheim review. Chicago, IL: Sondheim Review; 1994;International Bibliography of Theatre&Dance with Full Text.
73.
Atypon Systems. Studies in Musical Theatre. Bristol, United Kingdom: Intellect, Ltd; Atypon Link.