Bibliography for Music, Theatre and Performance - (DRA020N233S) BETA

1.

Burger, A.: Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. In: Beyond adaptation: essays on radical transformations of original works. pp. 123–132. McFarland & Co, Jefferson, N.C. (2010).

2.

Laird, Paul, R.: ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre. 5, 35–47 (2011). https://doi.org/10.1386/smt.5.1.35_1.

3.

Wolf, Stacy: It’s all about popular : Wicked divas and internet girl fans. In: Changed for good: a feminist history of the Broadway musical. pp. 219–236. Oxford University Press, New York (2011).

4.

Everett, W.A., Laird, P.R. eds: The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. In: The Cambridge companion to the musical. pp. 340–352. Cambridge University Press, [Cambridge, U.K.].

5.

Ellis, Sarah, T.: ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre. 5, 195–207 (2011). https://doi.org/10.1386/smt.5.2.195_1.

6.

Everett, W.A., Laird, P.R. eds: From Hair to Rent: is ‘rockâ€^TM a four-letter word on Broadway? In: The Cambridge companion to the musical. pp. 235–249. Cambridge University Press, [Cambridge, U.K.].

7.

Wolf, Stacy Ellen: ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal. 60, 1–21 (2008). https://doi.org/10.1353/tj.2008.0075.

8.

Lehman, Engel, Kissel, Howard: Romance. In: Words with music. pp. 106–119. Roundhouse [distributor], New York (2004).

9.

Isherwood, Charles: On This Rock, Build a Future for Musicals, (2007).

10.

McNulty, C: ‘Spring Awakening’ is all about the strife, (2008).

11.

Vandevender, Bryan M: A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre. 3, 293–302 (2009). https://doi.org/10.1386/smt.3.3.293/1.

12.

Gelles, Barrie: Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies. 2, 89–111 (2011).

13.

Lodge, Mary Jo: Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre. 1, 293–305 (2007). https://doi.org/10.1386/smt.1.3.293_1.

14.

Alston, Joshua: NBC’s Smash can be the next Glee – by not being the next Glee : Guardian TV and Radio Blog, (2012).

15.

Glee - Season 4 [DVD], http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4.

16.

Auslander, Philip: Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review. 14, 1–13 (2004). https://doi.org/10.1080/1026716032000128674.

17.

Meizel, Katherine: Making the Dream a Reality (Show): The Celebration of Failure in American Idol. Popular Music and Society. 32, 475–488 (2009).

18.

Moore, Tracey: Teaching the Broadway singing style in the era of American Idol. Studies in Musical Theatre. 1, 85–95 (2006). https://doi.org/10.1386/smt.1.1.85_1.

19.

Prece, Paul, William A., E.: The megamusical: the creation, internationalisation and impact of a genre. In: The Cambridge Companion to the Musical. pp. 250–269. Cambridge University Press, Cambridge (2008). https://doi.org/10.1017/CCOL9780521862387.015.

20.

Siropoulos, Vagelis: Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative. 11, 128–145 (2010).

21.

Sternfeld, Jessica: ‘To Love Another Person Is to See the Face of God’ Les Misérables. In: The megamusical. pp. 175–225. Indiana University Press, Bloomington (2006).

22.

Siropoulos, Vagelis: The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism. 10, 137–150 (2010).

23.

Siropoulos, Vagelis: Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre. 5, 13–34 (2011). https://doi.org/10.1386/smt.5.1.13_1.

24.

Wollman, Elizabeth, Sternfeld, Jessica: Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre. 5, 3–12 (2011). https://doi.org/10.1386/smt.5.1.3_2.

25.

Rebellato, Dan: Does the mega-musical boom mean theatre’s bust?: Guardian Theatre Blog, (2011).

26.

Banfield, S: Company. In: Sondheim’s Broadway musicals. pp. 147–176. University of Michigan Press, Ann Arbor, Mich (1996).

27.

Draper, Natalie: Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre. 4, 171–183 (2010). https://doi.org/10.1386/smt.4.2.171_1.

28.

Young-Gerber, Christine: ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre. 4, 331–342 (2010). https://doi.org/10.1386/smt.4.3.331_1.

29.

Auslander, Philip: Performing glam rock: gender and theatricality in popular music. University of Michigan Press, Ann Arbor, [Mich.] (2006).

30.

Bannister, Matthew, ebrary, Inc: White boys, white noise: masculinities and 1980s indie guitar rock. Ashgate, Aldershot, England (2006).

31.

Bennett, Andy: Remembering Woodstock. Ashgate, Aldershot (2004).

32.

Brecht, Bertolt, Willett, John: Brecht on theatre: the development of an aesthetic. Eyre Methuen, London (1974).

33.

Cohen, Sara: Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Ashgate, Aldershot (2007).

34.

Collins, Karen: From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Ashgate, Aldershot (2008).

35.

Fetterman, William: John Cage’s theatre pieces. Harwood Academic Publishers, Amsterdam, Netherlands (1997).

36.

Fouz-Hernandez, Santiago: Madonna’s Drowned Worlds. Ashgate Publishing, Aldershot (2004).

37.

Hawkins, Stan: Settling the pop score: pop texts and identity politics. Ashgate, Aldershot (2002).

38.

Inglis, Ian, ebrary, Inc: Performance and popular music: history, place and time. Ashgate, Aldershot, Hants, England (2006).

39.

Jones, Carys Wyn: The rock canon: canonical values in the reception of rock albums. Ashgate, Aldershot, Hants (2008).

40.

Lamb, Andrew: 150 years of popular musical theatre. Yale University Press, New Haven [Conn.] (2000).

41.

Leonard, Marion: Gender in the Music Industry: Rock, Discourse and Girl Power. Ashgate, Aldershot (2007).

42.

Miller, Scott: Strike up the band: a new history of musical theatre. Heinemann, Portsmouth, NH (2007).

43.

Moore, Allan F.: Rock, the primary text: developing a musicology of rock. Ashgate, Aldershot (2001).

44.

Peddie, Ian: The Resisting Muse. Ashgate, Aldershot (2006).

45.

Reising, Russell: Speak To Me. Ashgate, Aldershot (2006).

46.

Sternfeld, J.: The megamusical. Indiana University Press, Bloomington, Ind (2007).

47.

Tate, Joseph: Music and Art of Radiohead. Ashgate, Aldershot (2005).

48.

Whiteley, Sheila, Bennett, Andy, Hawkins, Stan: Music, space and place: popular music and cultural identity. Ashgate, Aldershot (2004).

49.

Wollman, E.: The theater will rock: a history of the rock musical, from Hair to Hedwig. University of Michigan Press, Ann Arbor, Mich (2010).

50.

Swayne, Steve, ebrary, Inc: How Sondheim found his sound. University of Michigan Press, Ann Arbor [Mich.] (2007).

51.

Whedon, Joss: Once more with feeling: Buffy the Vampire Slayer script book. Pocket, London (2002).

52.

Sondheim, Stephen, Furth, George: Company. Nick Hern, London (1996).

53.

McMillin, Scott: The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton University Press, Oxford (2006).

54.

Woll, Allen: Black musical theatre: from Coontown to Dreamgirls. Louisiana State University Press, Baton Rouge (1989).

55.

Lundskaer-Nielsen, Miranda: Directors and the New Musical Drama. Palgrave Macmillan (2008).

56.

Greif, Michael, Warren, Michael John: Rent, (2009).

57.

Garland, Judy, Baum, L. Frank, Fleming, Victor: The wizard of Oz, (2001).

58.

Sondheim, S., Doyle, J.: Company: a musical comedy, (2007).

59.

Mendes, Sam: Company, (1997).

60.

Attenborough, Richard, Dante, Nicholas: A chorus line, (2008).

61.

Rapaport, Pola, Held, Wolfgang: Hair: Let the sun shine in : the musical that transformed a generation, (2007).

62.

Price, Lonny: Sondheim: The birthday concert: the birthday concert, (2011).

63.

The Stephen Sondheim Collection, (2008).

64.

Buffy the vampire slayer: Season 6, (2006).

65.

Phantom of the opera: behind the mask, (2006).

66.

Sondheim, Stephen, Burton, Tim: Sweeney Todd: the demon barber of Fleet Street, (2008).

67.

Glee - Season 1 [DVD], http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4.

68.

Glee - Season 2 [DVD], http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9.

69.

Glee: Season 3, (2012).

70.

Smash - Season 1 [DVD], http://www.amazon.co.uk/Smash-Season-DVD-Debra-Messing/dp/B0072CM1SI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1358163078&sr=1-1.

71.

Del Deo, A., Stern, J.D.: Every little step: the journey of ‘A Chorus Line’, (2008).

72.

The Sondheim review. International Bibliography of Theatre&Dance with Full Text, (1994).

73.

Atypon Systems: Studies in Musical Theatre. Atypon Link,.