1
Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. In: Beyond adaptation: essays on radical transformations of original works. Jefferson, N.C.: : McFarland & Co 2010. 123–32.
2
Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre 2011;5:35–47. doi:10.1386/smt.5.1.35_1
3
Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. In: Changed for good: a feminist history of the Broadway musical. New York: : Oxford University Press 2011. 219–36.
4
Everett WA, Laird PR, editors. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. In: The Cambridge companion to the musical. [Cambridge, U.K.]: : Cambridge University Press 340–52.
5
Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre 2011;5:195–207. doi:10.1386/smt.5.2.195_1
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Everett WA, Laird PR, editors. From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? In: The Cambridge companion to the musical. [Cambridge, U.K.]: : Cambridge University Press 235–49.
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Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal 2008;60:1–21. doi:10.1353/tj.2008.0075
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Lehman, Engel, Kissel, Howard. Romance. In: Words with music. New York: : Roundhouse [distributor] 2004. 106–19.https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156
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Isherwood, Charles. On This Rock, Build a Future for Musicals. 2007;:Sec. AR-5.
10
McNulty, C. ‘Spring Awakening’ is all about the strife. 2008.
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Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre 2009;3:293–302. doi:10.1386/smt.3.3.293/1
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Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies 2011;2:89–111.
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Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre 2007;1:293–305. doi:10.1386/smt.1.3.293_1
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Alston, Joshua. NBC’s Smash can be the next Glee – by not being the next Glee : Guardian TV and Radio Blog. 2012.
15
Glee - Season 4 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4
16
Auslander, Philip. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review 2004;14:1–13. doi:10.1080/1026716032000128674
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Meizel, Katherine. Making the Dream a Reality (Show): The Celebration of Failure in American Idol. Popular Music and Society 2009;32:475–88.
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Moore, Tracey. Teaching the Broadway singing style in the era of American Idol. Studies in Musical Theatre 2006;1:85–95. doi:10.1386/smt.1.1.85_1
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Prece, Paul, William A. E. The megamusical: the creation, internationalisation and impact of a genre. In: The Cambridge Companion to the Musical. Cambridge: : Cambridge University Press 2008. 250–69. doi:10.1017/CCOL9780521862387.015
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Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative 2010;11:128–45.
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Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. In: The megamusical. Bloomington: : Indiana University Press 2006. 175–225.https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
22
Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism 2010;10:137–50.
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Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre 2011;5:13–34. doi:10.1386/smt.5.1.13_1
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Wollman, Elizabeth, Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre 2011;5:3–12. doi:10.1386/smt.5.1.3_2
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Rebellato, Dan. Does the mega-musical boom mean theatre’s bust?: Guardian Theatre Blog. 2011.
26
Banfield, S. Company. In: Sondheim’s Broadway musicals. Ann Arbor, Mich: : University of Michigan Press 1996. 147–76.
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Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre 2010;4:171–83. doi:10.1386/smt.4.2.171_1
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Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre 2010;4:331–42. doi:10.1386/smt.4.3.331_1
29
Auslander, Philip. Performing glam rock: gender and theatricality in popular music. Ann Arbor, [Mich.]: : University of Michigan Press 2006.
30
Bannister, Matthew, ebrary, Inc. White boys, white noise: masculinities and 1980s indie guitar rock. Aldershot, England: : Ashgate 2006.
31
Bennett, Andy. Remembering Woodstock. Aldershot: : Ashgate 2004.
32
Brecht, Bertolt, Willett, John. Brecht on theatre: the development of an aesthetic. London: : Eyre Methuen 1974.
33
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot: : Ashgate 2007.
34
Collins, Karen. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: : Ashgate 2008.
35
Fetterman, William. John Cage’s theatre pieces. Amsterdam, Netherlands: : Harwood Academic Publishers 1997.
36
Fouz-Hernandez, Santiago. Madonna’s Drowned Worlds. Aldershot: : Ashgate Publishing 2004.
37
Hawkins, Stan. Settling the pop score: pop texts and identity politics. Aldershot: : Ashgate 2002.
38
Inglis, Ian, ebrary, Inc. Performance and popular music: history, place and time. Aldershot, Hants, England: : Ashgate 2006.
39
Jones, Carys Wyn. The rock canon: canonical values in the reception of rock albums. Aldershot, Hants: : Ashgate 2008.
40
Lamb, Andrew. 150 years of popular musical theatre. New Haven [Conn.]: : Yale University Press 2000.
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Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Aldershot: : Ashgate 2007.
42
Miller, Scott. Strike up the band: a new history of musical theatre. Portsmouth, NH: : Heinemann 2007.
43
Moore, Allan F. Rock, the primary text: developing a musicology of rock. 2nd ed. Aldershot: : Ashgate 2001.
44
Peddie, Ian. The Resisting Muse. Aldershot: : Ashgate 2006.
45
Reising, Russell. Speak To Me. Aldershot: : Ashgate 2006.
46
Sternfeld J. The megamusical. Bloomington, Ind: : Indiana University Press 2007. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
47
Tate, Joseph. Music and Art of Radiohead. Aldershot: : Ashgate 2005.
48
Whiteley, Sheila, Bennett, Andy, Hawkins, Stan. Music, space and place: popular music and cultural identity. Aldershot: : Ashgate 2004.
49
Wollman E. The theater will rock: a history of the rock musical, from Hair to Hedwig. Ann Arbor, Mich: : University of Michigan Press 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10395622
50
Swayne, Steve, ebrary, Inc. How Sondheim found his sound. 1st ed. Ann Arbor [Mich.]: : University of Michigan Press 2007. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247
51
Whedon, Joss. Once more with feeling: Buffy the Vampire Slayer script book. London: : Pocket 2002.
52
Sondheim, Stephen, Furth, George. Company. London: : Nick Hern 1996.
53
McMillin, Scott. The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim. Oxford: : Princeton University Press 2006. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
54
Woll, Allen. Black musical theatre: from Coontown to Dreamgirls. Baton Rouge: : Louisiana State University Press 1989.
55
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama. Palgrave Macmillan 2008. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u
56
Greif, Michael, Warren, Michael John. Rent. 2009.
57
Garland, Judy, Baum, L. Frank, Fleming, Victor. The wizard of Oz. 2001.
58
Sondheim S, Doyle J. Company: a musical comedy. 2007.
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Mendes, Sam. Company. 1997;Performance.
60
Attenborough, Richard, Dante, Nicholas. A chorus line. 2008.
61
Rapaport, Pola, Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. 2007.
62
Price, Lonny. Sondheim: The birthday concert: the birthday concert. 2011.
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The Stephen Sondheim Collection. 2008.
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Buffy the vampire slayer: Season 6. 2006.
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Phantom of the opera: behind the mask. 2006.
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Sondheim, Stephen, Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. 2008.
67
Glee - Season 1 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4
68
Glee - Season 2 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9
70
Smash - Season 1 [DVD]. http://www.amazon.co.uk/Smash-Season-DVD-Debra-Messing/dp/B0072CM1SI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1358163078&sr=1-1
71
Del Deo A, Stern JD. Every little step: the journey of ‘A Chorus Line’. 2008.
72
The Sondheim review. 1994;International Bibliography of Theatre&Dance with Full Text.
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Atypon Systems. Studies in Musical Theatre. ;Atypon Link.
