1.
Burger, A. Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked. In: Beyond Adaptation: Essays on Radical Transformations of Original Works. McFarland & Co; 2010:123-132.
2.
Laird, Paul, R. ‘It Couldn’t Happen Here in Oz’: Wicked and the creation of a ‘critic-proof’ musical. Studies in Musical Theatre. 2011;5(1):35-47. doi:10.1386/smt.5.1.35_1
3.
Wolf, Stacy. It’s all about popular : Wicked divas and internet girl fans. In: Changed for Good: A Feminist History of the Broadway Musical. Oxford University Press; 2011:219-236.
4.
Everett WA, Laird PR, eds. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked. In: The Cambridge Companion to the Musical. Third edition. Cambridge University Press; :340-352.
5.
Ellis, Sarah, T. ‘No day but today’: Queer temporality in Rent. Studies in Musical Theatre. 2011;5(2):195-207. doi:10.1386/smt.5.2.195_1
6.
Everett WA, Laird PR, eds. From Hair to Rent: is ‘rockâ€TM a four-letter word on Broadway? In: The Cambridge Companion to the Musical. Third edition. Cambridge University Press; :235-249.
7.
Wolf, Stacy Ellen. ‘Defying Gravity’: Queer Conventions in the Musical Wicked. Theatre Journal. 2008;60(1):1-21. doi:10.1353/tj.2008.0075
8.
Lehman, Engel, Kissel, Howard. Romance. In: Words with Music. New ed. Roundhouse [distributor]; 2004:106-119. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156
9.
Isherwood, Charles. On This Rock, Build a Future for Musicals. Published online 24 June 2007:Sec. AR-5.
10.
McNulty, C. ‘Spring Awakening’ is all about the strife. Published online 1 November 2008.
11.
Vandevender, Bryan M. A substitute for love: the performance of sex in ‘Spring Awakening’. Studies in Musical Theatre. 2009;3(3):293-302. doi:10.1386/smt.3.3.293/1
12.
Gelles, Barrie. Glee and the ‘Ghosting’ of the Musical Theatre Canon. Popular Entertainment Studies. 2011;2(2):89-111.
13.
Lodge, Mary Jo. Beyond ‘Jumping the Shark’: the new television musical. Studies in Musical Theatre. 2007;1(3):293-305. doi:10.1386/smt.1.3.293_1
14.
Alston, Joshua. NBC’s Smash can be the next Glee – by not being the next Glee : Guardian TV and Radio Blog. Published online 7 February 2012.
15.
Glee - Season 4 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4
16.
Auslander, Philip. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review. 2004;14(1):1-13. doi:10.1080/1026716032000128674
17.
Meizel, Katherine. Making the Dream a Reality (Show): The Celebration of Failure in American Idol. Popular Music and Society. 2009;32(4):475-488.
18.
Moore, Tracey. Teaching the Broadway singing style in the era of American Idol. Studies in Musical Theatre. 2006;1(1):85-95. doi:10.1386/smt.1.1.85_1
19.
Prece, Paul, William A. E. The megamusical: the creation, internationalisation and impact of a genre. In: The Cambridge Companion to the Musical. Vol Cambridge Companions to Music. Cambridge University Press; 2008:250-269. doi:10.1017/CCOL9780521862387.015
20.
Siropoulos, Vagelis. Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical. Image & Narrative. 2010;11(3):128-145.
21.
Sternfeld, Jessica. ‘To Love Another Person Is to See the Face of God’ Les Misérables. In: The Megamusical. Vol Profiles in popular music. Indiana University Press; 2006:175-225. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
22.
Siropoulos, Vagelis. The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee. Gramma: Journal of Theory and Criticism. 2010;10:137-150.
23.
Siropoulos, Vagelis. Megamusicals, spectacle and the postdramatic aesthetics of late capitalism. Studies in Musical Theatre. 2011;5(1):13-34. doi:10.1386/smt.5.1.13_1
24.
Wollman, Elizabeth, Sternfeld, Jessica. Musical theatre and the almighty dollar: What a tangled web they weave. Studies in Musical Theatre. 2011;5(1):3-12. doi:10.1386/smt.5.1.3_2
25.
Rebellato, Dan. Does the mega-musical boom mean theatre’s bust?: Guardian Theatre Blog. Published online 18 January 2011.
26.
Banfield, S. Company. In: Sondheim’s Broadway Musicals. Vol The Michigan American music series. University of Michigan Press; 1996:147-176.
27.
Draper, Natalie. Concept meets narrative in Sondheim’s ‘Company’: Metadrama as a method of analysis. Studies in Musical Theatre. 2010;4(2):171-183. doi:10.1386/smt.4.2.171_1
28.
Young-Gerber, Christine. ‘Attention must be paid’, cried the balladeer: The concept musical defined. Studies in Musical Theatre. 2010;4(3):331-342. doi:10.1386/smt.4.3.331_1
29.
Auslander, Philip. Performing Glam Rock: Gender and Theatricality in Popular Music. University of Michigan Press; 2006.
30.
Bannister, Matthew, ebrary, Inc. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Vol Ashgate popular and folk music series. Ashgate; 2006.
31.
Bennett, Andy. Remembering Woodstock. Ashgate; 2004.
32.
Brecht, Bertolt, Willett, John. Brecht on Theatre: The Development of an Aesthetic. Eyre Methuen; 1974.
33.
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Ashgate; 2007.
34.
Collins, Karen. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Ashgate; 2008.
35.
Fetterman, William. John Cage’s Theatre Pieces. Harwood Academic Publishers; 1997.
36.
Fouz-Hernandez, Santiago. Madonna’s Drowned Worlds. Ashgate Publishing; 2004.
37.
Hawkins, Stan. Settling the Pop Score: Pop Texts and Identity Politics. Vol Ashgate popular and folk music series. Ashgate; 2002.
38.
Inglis, Ian, ebrary, Inc. Performance and Popular Music: History, Place and Time. Vol Ashgate popular and folk music series. Ashgate; 2006.
39.
Jones, Carys Wyn. The Rock Canon: Canonical Values in the Reception of Rock Albums. Vol Ashgate popular and folk music series. Ashgate; 2008.
40.
Lamb, Andrew. 150 Years of Popular Musical Theatre. Yale University Press; 2000.
41.
Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Ashgate; 2007.
42.
Miller, Scott. Strike up the Band: A New History of Musical Theatre. Heinemann; 2007.
43.
Moore, Allan F. Rock, the Primary Text: Developing a Musicology of Rock. Vol Ashgate popular and folk music series. 2nd ed. Ashgate; 2001.
44.
Peddie, Ian. The Resisting Muse. Ashgate; 2006.
45.
Reising, Russell. Speak To Me. Ashgate; 2006.
46.
Sternfeld J. The Megamusical. Indiana University Press; 2007. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916
47.
Tate, Joseph. Music and Art of Radiohead. Ashgate; 2005.
48.
Whiteley, Sheila, Bennett, Andy, Hawkins, Stan. Music, Space and Place: Popular Music and Cultural Identity. Vol Ashgate popular and folk music series. Ashgate; 2004.
49.
Wollman E. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. University of Michigan Press; 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10395622
50.
Swayne, Steve, ebrary, Inc. How Sondheim Found His Sound. 1st ed. University of Michigan Press; 2007. https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247
51.
Whedon, Joss. Once More with Feeling: Buffy the Vampire Slayer Script Book. Vol Buffy the Vampire Slayer. Pocket; 2002.
52.
Sondheim, Stephen, Furth, George. Company. Nick Hern; 1996.
53.
McMillin, Scott. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Princeton University Press; 2006. http://site.ebrary.com/lib/roehampton/Doc?id=10961871
54.
Woll, Allen. Black Musical Theatre: From Coontown to Dreamgirls. Louisiana State University Press; 1989.
55.
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama. Palgrave Macmillan; 2008. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u
56.
Greif, Michael, Warren, Michael John. Rent. Published online 2009.
57.
Garland, Judy, Baum, L. Frank, Fleming, Victor. The wizard of Oz. Published online 2001.
58.
Sondheim S, Doyle J. Company: a musical comedy. Published online 2007.
59.
Mendes, Sam. Company. 1997;Performance.
60.
Attenborough, Richard, Dante, Nicholas. A chorus line. Published online 2008.
61.
Rapaport, Pola, Held, Wolfgang. Hair: Let the sun shine in : the musical that transformed a generation. Published online 2007.
62.
Price, Lonny. Sondheim: The birthday concert: the birthday concert. Published online 2011.
63.
The Stephen Sondheim Collection. Published online 2008.
64.
Buffy the vampire slayer: Season 6. Published online 2006.
65.
Phantom of the opera: behind the mask. Published online 2006.
66.
Sondheim, Stephen, Burton, Tim. Sweeney Todd: the demon barber of Fleet Street. Published online 2008.
67.
Glee - Season 1 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4
68.
Glee - Season 2 [DVD]. http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9
69.
Glee: Season 3. Published online 2012.
70.
Smash - Season 1 [DVD]. http://www.amazon.co.uk/Smash-Season-DVD-Debra-Messing/dp/B0072CM1SI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1358163078&sr=1-1
71.
Del Deo A, Stern JD. Every little step: the journey of ‘A Chorus Line’. Published online 2008.
72.
The Sondheim review. 1994;International Bibliography of Theatre&Dance with Full Text.
73.
Atypon Systems. Studies in Musical Theatre. Atypon Link.
