Alston, Joshua. ‘NBC’s Smash Can Be the next Glee – by Not Being the next Glee : Guardian TV and Radio Blog’. 7 Feb. 2012 : n. pag. Print.
Attenborough, Richard and Dante, Nicholas. ‘A Chorus Line’. 2008 : n. pag. Print.
Atypon Systems. ‘Studies in Musical Theatre’. Atypon Link n. pag. Print.
Auslander, Philip. ‘Performance Analysis and Popular Music: A Manifesto’. Contemporary Theatre Review 14.1 (2004): 1–13. Web.
---. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor, [Mich.]: University of Michigan Press, 2006. Print.
Banfield, S. ‘Company’. Sondheim’s Broadway Musicals. The Michigan American music series. Ann Arbor, Mich: University of Michigan Press, 1996. 147–176. Print.
Bannister, Matthew and ebrary, Inc. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Ashgate popular and folk music series. Aldershot, England: Ashgate, 2006. Print.
Bennett, Andy. Remembering Woodstock. Aldershot: Ashgate, 2004. Print.
Brecht, Bertolt and Willett, John. Brecht on Theatre: The Development of an Aesthetic. London: Eyre Methuen, 1974. Print.
‘Buffy the Vampire Slayer: Season 6’. 2006 : n. pag. Print.
Burger, A. ‘Wicked and Wonderful Witches : Narrative and Gender Negotiations from The Wizard of Oz to Wicked’. Beyond Adaptation: Essays on Radical Transformations of Original Works. Jefferson, N.C.: McFarland & Co, 2010. 123–132. Print.
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot: Ashgate, 2007. Print.
Collins, Karen. From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate, 2008. Print.
Del Deo, Adam, and James D. Stern. ‘Every Little Step: The Journey of “A Chorus Line”’. 2008 : n. pag. Print.
Draper, Natalie. ‘Concept Meets Narrative in Sondheim’s “Company”: Metadrama as a Method of Analysis’. Studies in Musical Theatre 4.2 (2010): 171–183. Web.
Ellis, Sarah, T. ‘“No Day but Today”: Queer Temporality in Rent’. Studies in Musical Theatre 5.2 (2011): 195–207. Web.
Everett, William A., and Paul R. Laird, eds. ‘From Hair to Rent: Is €˜rockâ€TM a Four-Letter Word on Broadway?’ The Cambridge Companion to the Musical. Third edition. [Cambridge, U.K.]: Cambridge University Press. 235–249. Print.
---, eds. ‘The Creation of a Broadway Musical: Stephen Schwartz, Winnie Holzman, and Wicked’. The Cambridge Companion to the Musical. Third edition. [Cambridge, U.K.]: Cambridge University Press. 340–352. Print.
Fetterman, William. John Cage’s Theatre Pieces. Amsterdam, Netherlands: Harwood Academic Publishers, 1997. Print.
Fouz-Hernandez, Santiago. Madonna’s Drowned Worlds. Aldershot: Ashgate Publishing, 2004. Print.
Garland, Judy, Baum, L. Frank, and Fleming, Victor. ‘The Wizard of Oz’. 2001 : n. pag. Print.
Gelles, Barrie. ‘Glee and the “Ghosting” of the Musical Theatre Canon’. Popular Entertainment Studies 2.2 (2011): 89–111. Print.
‘Glee - Season 1 [DVD]’. Web. <http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B003O85FAU/ref=sr_1_4?s=dvd&ie=UTF8&qid=1358162938&sr=1-4>.
‘Glee - Season 2 [DVD]’. Web. <http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B00519H2S8/ref=sr_1_9?s=dvd&ie=UTF8&qid=1358162970&sr=1-9>.
‘Glee - Season 4 [DVD]’. Web. <http://www.amazon.co.uk/Glee-Season-DVD-Lea-Michele/dp/B0083UEVNQ/ref=sr_1_1?ie=UTF8&qid=1380794937&sr=8-1&keywords=glee+season+4>.
‘Glee: Season 3’. 2012 : n. pag. Print.
Greif, Michael and Warren, Michael John. ‘Rent’. 2009 : n. pag. Print.
Hawkins, Stan. Settling the Pop Score: Pop Texts and Identity Politics. Ashgate popular and folk music series. Aldershot: Ashgate, 2002. Print.
Inglis, Ian and ebrary, Inc. Performance and Popular Music: History, Place and Time. Ashgate popular and folk music series. Aldershot, Hants, England: Ashgate, 2006. Print.
Isherwood, Charles. ‘On This Rock, Build a Future for Musicals’. 24 June 2007 : Sec. AR-5. Print.
Jones, Carys Wyn. The Rock Canon: Canonical Values in the Reception of Rock Albums. Ashgate popular and folk music series. Aldershot, Hants: Ashgate, 2008. Print.
Laird, Paul, R. ‘“It Couldn’t Happen Here in Oz”: Wicked and the Creation of a “Critic-Proof” Musical’. Studies in Musical Theatre 5.1 (2011): 35–47. Web.
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Lehman, Engel and Kissel, Howard. ‘Romance’. Words with Music. New ed. New York: Roundhouse [distributor], 2004. 106–119. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1753156>.
Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Aldershot: Ashgate, 2007. Print.
Lodge, Mary Jo. ‘Beyond “Jumping the Shark”: The New Television Musical’. Studies in Musical Theatre 1.3 (2007): 293–305. Web.
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama. Palgrave Macmillan, 2008. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230611245&uid=^u>.
McMillin, Scott. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Oxford: Princeton University Press, 2006. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10961871>.
McNulty, C. ‘“Spring Awakening” Is All about the Strife’. 1 Nov. 2008 : n. pag. Print.
Meizel, Katherine. ‘Making the Dream a Reality (Show): The Celebration of Failure in American Idol’. Popular Music and Society 32.4 (2009): 475–488. Print.
Mendes, Sam. ‘Company’. 1997 : n. pag. Print.
Miller, Scott. Strike up the Band: A New History of Musical Theatre. Portsmouth, NH: Heinemann, 2007. Print.
Moore, Allan F. Rock, the Primary Text: Developing a Musicology of Rock. 2nd ed. Ashgate popular and folk music series. Aldershot: Ashgate, 2001. Print.
Moore, Tracey. ‘Teaching the Broadway Singing Style in the Era of American Idol’. Studies in Musical Theatre 1.1 (2006): 85–95. Web.
Peddie, Ian. The Resisting Muse. Aldershot: Ashgate, 2006. Print.
‘Phantom of the Opera: Behind the Mask’. 2006 : n. pag. Print.
Prece, Paul, and Everett William A. ‘The Megamusical: The Creation, Internationalisation and Impact of a Genre’. The Cambridge Companion to the Musical. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2008. 250–269. Web. <http://dx.doi.org/10.1017/CCOL9780521862387>.
Price, Lonny. ‘Sondheim: The Birthday Concert: The Birthday Concert’. 2011 : n. pag. Print.
Rapaport, Pola and Held, Wolfgang. ‘Hair: Let the Sun Shine in : The Musical That Transformed a Generation’. 2007 : n. pag. Print.
Rebellato, Dan. ‘Does the Mega-Musical Boom Mean Theatre’s Bust?: Guardian Theatre Blog’. 18 Jan. 2011 : n. pag. Print.
Reising, Russell. Speak To Me. Aldershot: Ashgate, 2006. Print.
Siropoulos, Vagelis. ‘Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical’. Image & Narrative 11.3 (2010): 128–145. Print.
---. ‘Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism’. Studies in Musical Theatre 5.1 (2011): 13–34. Web.
---. ‘The Bohemian Iconoclast and the Corporate Giant: Julie Taymor’s Staging of Disney’s The Lion King, or The Portrait of the Avant-Garde Artist as a Corporate Employee’. Gramma: Journal of Theory and Criticism 10 (2010): 137–150. Print.
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Sondheim, Stephen and Burton, Tim. ‘Sweeney Todd: The Demon Barber of Fleet Street’. 2008 : n. pag. Print.
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Sondheim, Stephen and Furth, George. Company. London: Nick Hern, 1996. Print.
Sternfeld, Jessica. The Megamusical. Bloomington, Ind: Indiana University Press, 2007. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916>.
Sternfeld, Jessica. ‘“To Love Another Person Is to See the Face of God” Les Misérables’. The Megamusical. Profiles in popular music. Bloomington: Indiana University Press, 2006. 175–225. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=312916>.
Swayne, Steve and ebrary, Inc. How Sondheim Found His Sound. 1st ed. Ann Arbor [Mich.]: University of Michigan Press, 2007. Web. <https://roe.idm.oclc.org/login?url=https://www.jstor.org/stable/10.3998/mpub.99247>.
Tate, Joseph. Music and Art of Radiohead. Aldershot: Ashgate, 2005. Print.
‘The Sondheim Review’. International Bibliography of Theatre&Dance with Full Text (1994): n. pag. Print.
‘The Stephen Sondheim Collection’. 2008 : n. pag. Print.
Vandevender, Bryan M. ‘A Substitute for Love: The Performance of Sex in “Spring Awakening”’. Studies in Musical Theatre 3.3 (2009): 293–302. Web.
Whedon, Joss. Once More with Feeling: Buffy the Vampire Slayer Script Book. Buffy the Vampire Slayer. London: Pocket, 2002. Print.
Whiteley, Sheila, Bennett, Andy, and Hawkins, Stan. Music, Space and Place: Popular Music and Cultural Identity. Ashgate popular and folk music series. Aldershot: Ashgate, 2004. Print.
Wolf, Stacy. ‘It’s All about Popular : Wicked Divas and Internet Girl Fans’. Changed for Good: A Feminist History of the Broadway Musical. New York: Oxford University Press, 2011. 219–236. Print.
Wolf, Stacy Ellen. ‘“Defying Gravity”: Queer Conventions in the Musical Wicked’. Theatre Journal 60.1 (2008): 1–21. Web.
Woll, Allen. Black Musical Theatre: From Coontown to Dreamgirls. Baton Rouge: Louisiana State University Press, 1989. Print.
Wollman, Elizabeth. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor, Mich: University of Michigan Press, 2010. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10395622>.
Wollman, Elizabeth and Sternfeld, Jessica. ‘Musical Theatre and the Almighty Dollar: What a Tangled Web They Weave’. Studies in Musical Theatre 5.1 (2011): 3–12. Web.
Young-Gerber, Christine. ‘“Attention Must Be Paid”, Cried the Balladeer: The Concept Musical Defined’. Studies in Musical Theatre 4.3 (2010): 331–342. Web.
