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De Mille A. Marie Rambert (extract). In: Dance to the Piper: Memoirs of the Ballet. H.Hamilton; 1951:164-169. https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099
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De Valois N. The Formation of an Establishment. In: Step by Step: The Formation of an Establishment. W.H. Allen; 1977:26-30. https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099
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Karina L, Kant M. Documentary Appendix: 1933 (extract). In: Hitler’s Dancers: German Modern Dance and the Third Reich. Berghahn; 2004:193-194. https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099
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Tosh J. The Pursuit of History: Aims, Methods and New Directions in the Study of Modern History. 5th ed. Longman; 2010. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u
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Layson J, Adshead-Lansdale J. Dance History: An Introduction. 2nd ed. Routledge; 1994. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u
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Burke P. Eyewitnessing: The Uses of Images as Historical Evidence. Vol Picturing history. Reaktion; 2001.
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Ann Daly. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review: TDR. 1987;31(1):8-21. http://www.jstor.org/stable/1145763
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Caddy D. The Ballets Russes and beyond: Music and Dance in Belle-P̌oque Paris. Vol New perspectives in music history and criticism. Cambridge University Press; 2012. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u
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Blasis C. The Code of Terpsichore: A Practical and Historical Treatise, on the Ballet, Dancing, and Pantomime , with a Complete Theory of the Art of Dancing , Intended as Well for the Instruction of Amateurs as the Use of Professional Persons. Dance Horizons
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Preston-Dunlop V, Sanchez-Colberg A. Dance and the Performative: A Choreological Perspective : Laban and Beyond. Verve; 2002.
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Smith,Marian. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press; 2010.
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Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110. Raritan: a quarterly review. http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm
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Bales, Melanie, Eliot, Karen. Dance on Its Own Terms: Histories and Methodologies. Oxford University Press; 2013.
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Gershenzon, Pavel (1997) ‘Sergei Vikharev: Rehearsing Symphony in C’, Ballet Review, vol. 25, no. 3, Fall, 28-33. Ballet review.
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Carroll, Noël. Theorizing the Moving Image. Vol Cambridge studies in film. Cambridge University Press; 1996.
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Manchester PW. Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), pp. 143-150, .
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Chopin, Frédéric, Adam, Adolphe, Fokine, Michel, Coralli, Eugène, Perrot, Jules. Les Sylphides/Giselle. Published online 2011.
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Burt, Ramsay. The Male Dancer: Bodies, Spectacle, Sexualities. Routledge; 1995.
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Szymajda J, ed. European Dance since 1989: Commuitas and the Other. Routledge; 2014.
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