‘Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110’. n.d. Raritan: A Quarterly Review. http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm.
Adshead-Lansdale, Janet and Layson, June. 1994. Dance History: An Introduction. 2nd ed. London: Routledge.
Ann Daly. 1987. ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’. The Drama Review: TDR 31 (1): 8–21. http://www.jstor.org/stable/1145763.
‘Ashton: La Fille Mal Gardee DVD’. n.d. http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics.
Bales, Melanie and Eliot, Karen. 2013. Dance on Its Own Terms: Histories and Methodologies. New York: Oxford University Press.
Banes, Sally. 1998. Dancing Women: Female Bodies Onstage. London: Routledge.
Blasis, Carlo. n.d. The Code of Terpsichore: A Practical and Historical Treatise, on the Ballet, Dancing, and Pantomime , with a Complete Theory of the Art of Dancing , Intended as Well for the Instruction of Amateurs as the Use of Professional Persons. Brooklyn, N.Y: Dance Horizons.
‘Brown, David (1993) “Tchaikovsky’s Ballets: Sleeping Beauty”, Dance Now, Vol. 2, No. 2, Summer, 34-41’. n.d. Dance Now.
Burke, Peter. 2001. Eyewitnessing: The Uses of Images as Historical Evidence. Vol. Picturing history. London: Reaktion.
———. 2004. What Is Cultural History? Oxford: Polity.
Burke, Peter and ebrary, Inc. 2001. Eyewitnessing: The Uses of Images as Historical Evidence. Electronic resource. Vol. Picturing history series. London: Reaktion Books. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748.
Burt, Ramsay. 1995. The Male Dancer: Bodies, Spectacle, Sexualities. London: Routledge.
Caddy, Davinia. 2012. The Ballets Russes and beyond: Music and Dance in Belle-P̌oque Paris. Electronic resource. Vol. New perspectives in music history and criticism. Cambridge: Cambridge University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u.
Carroll, Noël. 1996. Theorizing the Moving Image. Vol. Cambridge studies in film. Cambridge: Cambridge University Press.
Carter, Alexandra. 2004a. Rethinking Dance History: A Reader. London: Routledge.
———. 2004b. Rethinking Dance History: A Reader. London: Routledge.
Carter, Alexandra. 2005. ‘London, 1908: A Synchronic View of Dance History.’ Dance Research 23 (1). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live.
‘Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV Recording, Educational Broadcasting Corporation France’. n.d.
Cave, Richard, and Worth, Libby, eds. 2012. Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books Ltd.
Chapman, John V. 1988. ‘Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850.’ Dance Chronicle 11 (3). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live.
———. 1989. ‘Jules Janin and the Ballet.’ Dance Research 7 (1). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live.
Chopin, Frédéric, Adam, Adolphe, Fokine, Michel, Coralli, Eugène, and Perrot, Jules. 2011. ‘Les Sylphides/Giselle’. Videorecording. [London]: ICA Classics.
De Mille, Agnes. 1951. ‘Marie Rambert (Extract)’. In Dance to the Piper: Memoirs of the Ballet, 164–69. London: H.Hamilton. https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099.
De Valois, Ninette. 1977. ‘The Formation of an Establishment’. In Step by Step: The Formation of an Establishment, 26–30. London: W.H. Allen. https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099.
‘Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films’. n.d.
Denby, Edwin, William Mackay, and Robert Cornfield. 1986. ‘Balanchine’s American Ballet’. In Dance Writings, 40–42. London: Dance Books. https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb.
Dils, Ann, and Ann Cooper Albright. 2001a. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press.
———. 2001b. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press.
———. 2001c. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press.
Eliot, Karen. 2007. Dancing Lives: Five Female Dancers from the Ballet d’Action to Merce Cunningham. Urbana, Ill: University of Illinois Press.
Fisher, Jennifer, and Anthony Shay. 2009. When Men Dance: Choreographing Masculinities across Borders. New York: Oxford University Press.
Franko, Mark. 1993. Dance as Text: Ideologies of the Baroque Body. Vol. RES monographs on anthropology and aesthetics. Cambridge: Cambridge University Press.
Garafola, Lynn. 2005a. Legacies of Twentieth-Century Dance. Hanover, N.H.: Wesleyan University Press.
———. 2005b. Legacies of Twentieth-Century Dance. Hanover, N.H.: Wesleyan University Press.
‘Gerhard, Rosemary (1995) “Images of the Generations”, Dancing Times, Vol. LXXXV, No. 1016, May, 835’. n.d. Dancing Times.
‘Gershenzon, Pavel (1997) “Sergei Vikharev: Rehearsing Symphony in C”, Ballet Review, Vol. 25, No. 3, Fall, 28-33’. n.d. Ballet Review.
Goldfine, Dayna and Geller, Dan. 2006. ‘Ballets Russes [DVD Recording]’. Videorecording. London: Revolver Entertainment.
Guest, Ivor. 1953. The Ballet of the Second Empire: 1858-1870. London: A. and C. Black.
———. 1970. Fanny Elssler. London: Black.
Hammond, Sandra Noll. 1992. ‘STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES.’ Dance Research 10 (2). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live.
Jenkins, Keith. 1991. Re-Thinking History. London: Routledge.
‘Jordan, Stephanie (1993) “Ashton and The Sleeping Beauty”, Dance Now, Vol. 2, No. 2, Summer, 43-49’. n.d. Dance Now.
Jowitt, Deborah. 1988. Time and the Dancing Image. 1st ed. New York: W. Morrow.
Karina, Lilian, and Marion Kant. 2004. ‘Documentary Appendix: 1933 (Extract)’. In Hitler’s Dancers: German Modern Dance and the Third Reich, 193–94. New York: Berghahn. https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099.
Kolb, Alexandra. 2011. Dance and Politics. Oxford: P. Lang. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u.
Layson, June, and Janet Adshead-Lansdale. 1994a. Dance History: An Introduction. Electronic resource. 2nd ed. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u.
———. 1994b. Dance History: An Introduction. Electronic resource. 2nd ed. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u.
Levinson, André, Acocella, Joan Ross, and Garafola, Lynn. 1991. André Levinson on Dance: Writings from Paris in the Twenties. Hanover, N.H.: Wesleyan University Press.
Manchester, P W. n.d. ‘Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), Pp. 143-150, ’.
McFee, Graham. 1994. The Concept of Dance Education. London: Routledge.
Money, Keith. 1982. Anna Pavlova: Her Life and Art. London: Collins.
Morris, Geraldine. 2012. Frederick Ashton’s Ballets: Style, Performance, Choreography. Binsted: Dance.
Munslow, Alun. 2004. ‘Introduction: Theory and Practice’. In Experiments in Rethinking History, 7–11. New York: Routledge. https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099.
Preston-Dunlop, Valerie, and Ana Sanchez-Colberg. 2002. Dance and the Performative: A Choreological Perspective : Laban and Beyond. London: Verve.
‘Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International Inc’. n.d.
Prokof’ev, S. S., Ashton, Frederick, and Sadler’s Wells Royal Ballet. 2004. ‘Cinderella’. Videorecording. Pleasantville, NY: Video Artists International.
Scholl, Tim. 1994. From Petipa to Balanchine: Classical Revival and the Modernization of Ballet. London: Routledge.
Smith, Marian Elizabeth. 2012. La Sylphide: 1832 and Beyond. Alton: Dance.
Smith, Marian Elizabeth. 2012a. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance.
———. 2012b. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance.
———. 2012c. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance.
Smith,Marian. 2010. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press.
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Society for Dance Research, JSTOR (Organization), and Project MUSE. 1983. ‘Dance Research: The Journal of the Society for Dance Research’. Electronic resource International Bibliography of Theatre&Dance with Full Text.
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Szymajda, Joanna, ed. 2014. European Dance since 1989: Commuitas and the Other. Abingdon, Oxon: Routledge.
Tosh, John. 2010. The Pursuit of History: Aims, Methods and New Directions in the Study of Modern History. Electronic resource. 5th ed. Harlow: Longman. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u.
Vaughan, David. 1977. Frederick Ashton and His Ballets. London: A. and C. Black.
Vaughan, David. 1999. Frederick Ashton and His Ballets. 2nd ed. London: Dance Books.
