Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S)

Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110. (n.d.). Raritan: A Quarterly Review. http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm

Adshead-Lansdale, Janet & Layson, June. (1994). Dance history: an introduction (2nd ed). Routledge.

Ann Daly. (1987). The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review: TDR, 31(1), 8–21. http://www.jstor.org/stable/1145763

Ashton: La Fille Mal Gardee DVD. (n.d.). http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics

Bales, Melanie & Eliot, Karen. (2013). Dance on its own terms: histories and methodologies. Oxford University Press.

Banes, Sally. (1998). Dancing women: female bodies onstage. Routledge.

Blasis, C. (n.d.). The code of Terpsichore: a practical and historical treatise, on the ballet, dancing, and pantomime , with a complete theory of the art of dancing , intended as well for the instruction of amateurs as the use of professional persons. Dance Horizons.

Brown, David (1993) ‘Tchaikovsky’s Ballets: Sleeping Beauty’, Dance Now, vol. 2, no. 2, Summer, 34-41. (n.d.). Dance Now.

Burke, P. (2001). Eyewitnessing: the uses of images as historical evidence: Vol. Picturing history. Reaktion.

Burke, P. (2004). What is cultural history? Polity.

Burke, P. & ebrary, Inc. (2001). Eyewitnessing: the uses of images as historical evidence: Vol. Picturing history series [Electronic resource]. Reaktion Books. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748

Burt, Ramsay. (1995). The male dancer: bodies, spectacle, sexualities. Routledge.

Caddy, D. (2012). The Ballets Russes and beyond: music and dance in belle-p̌oque Paris: Vol. New perspectives in music history and criticism [Electronic resource]. Cambridge University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u

Carroll, Noël. (1996). Theorizing the moving image: Vol. Cambridge studies in film. Cambridge University Press.

Carter, A. (2004a). Rethinking dance history: a reader. Routledge.

Carter, A. (2004b). Rethinking dance history: a reader. Routledge.

Carter, Alexandra. (2005). London, 1908: A Synchronic View of Dance History. Dance Research, 23(1). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live

Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV recording, Educational Broadcasting Corporation France. (n.d.).

Cave, Richard, & Worth, Libby (Eds.). (2012). Ninette De Valois: Adventurous Traditionalist. Dance Books Ltd.

Chapman, John V. (1988). Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850. Dance Chronicle, 11(3). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live

Chapman, John V. (1989). Jules Janin and the Ballet. Dance Research, 7(1). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live

Chopin, Frédéric, Adam, Adolphe, Fokine, Michel, Coralli, Eugène, & Perrot, Jules. (2011). Les Sylphides/Giselle [Videorecording]. ICA Classics.

De Mille, A. (1951). Marie Rambert (extract). In Dance to the piper: memoirs of the ballet (pp. 164–169). H.Hamilton. https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099

De Valois, N. (1977). The Formation of an Establishment. In Step by step: the formation of an establishment (pp. 26–30). W.H. Allen. https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099

Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films. (n.d.).

Denby, E., Mackay, W., & Cornfield, R. (1986). Balanchine’s American Ballet. In Dance writings (pp. 40–42). Dance Books. https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb

Dils, A., & Albright, A. C. (2001a). Moving history / dancing cultures: a dance history reader. Wesleyn University Press.

Dils, A., & Albright, A. C. (2001b). Moving history / dancing cultures: a dance history reader. Wesleyn University Press.

Dils, A., & Albright, A. C. (2001c). Moving history / dancing cultures: a dance history reader. Wesleyn University Press.

Eliot, K. (2007). Dancing lives: five female dancers from the Ballet d’Action to Merce Cunningham. University of Illinois Press.

Fisher, J., & Shay, A. (2009). When men dance: choreographing masculinities across borders. Oxford University Press.

Franko, M. (1993). Dance as text: ideologies of the baroque body: Vol. RES monographs on anthropology and aesthetics. Cambridge University Press.

Garafola, L. (2005a). Legacies of twentieth-century dance. Wesleyan University Press.

Garafola, L. (2005b). Legacies of twentieth-century dance. Wesleyan University Press.

Gerhard, Rosemary (1995) ‘Images of the Generations’, Dancing Times, vol. LXXXV, no. 1016, May, 835. (n.d.). Dancing Times.

Gershenzon, Pavel (1997) ‘Sergei Vikharev: Rehearsing Symphony in C’, Ballet Review, vol. 25, no. 3, Fall, 28-33. (n.d.). Ballet Review.

Goldfine, Dayna & Geller, Dan. (2006). Ballets Russes [DVD Recording] [Videorecording]. Revolver Entertainment.

Guest, I. (1953). The ballet of the Second Empire: 1858-1870. A. and C. Black.

Guest, I. (1970). Fanny Elssler. Black.

Hammond, Sandra Noll. (1992). STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES. Dance Research, 10(2). http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live

Jenkins, K. (1991). Re-thinking history. Routledge.

Jordan, Stephanie (1993) ‘Ashton and The Sleeping Beauty’, Dance Now, vol. 2, no. 2, Summer, 43-49. (n.d.). Dance Now.

Jowitt, Deborah. (1988). Time and the dancing image (1st ed). W. Morrow.

Karina, L., & Kant, M. (2004). Documentary Appendix: 1933 (extract). In Hitler’s dancers: German modern dance and the Third Reich (pp. 193–194). Berghahn. https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099

Kolb, A. (2011). Dance and politics. P. Lang. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u

Layson, J., & Adshead-Lansdale, J. (1994a). Dance history: an introduction (2nd ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

Layson, J., & Adshead-Lansdale, J. (1994b). Dance history: an introduction (2nd ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

Levinson, André, Acocella, Joan Ross, & Garafola, Lynn. (1991). André Levinson on dance: writings from Paris in the twenties. Wesleyan University Press.

Manchester, P. W. (n.d.). Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), pp. 143-150, .

McFee, Graham. (1994). The concept of dance education. Routledge.

Money, K. (1982). Anna Pavlova: her life and art. Collins.

Morris, Geraldine. (2012). Frederick Ashton’s ballets: style, performance, choreography. Dance.

Munslow, A. (2004). Introduction: Theory and Practice. In Experiments in rethinking history (pp. 7–11). Routledge. https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099

Preston-Dunlop, V., & Sanchez-Colberg, A. (2002). Dance and the performative: a choreological perspective : Laban and beyond. Verve.

Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International inc. (n.d.).

Prokof’ev, S. S., Ashton, Frederick, & Sadler’s Wells Royal Ballet. (2004). Cinderella [Videorecording]. Video Artists International.

Scholl, Tim. (1994). From Petipa to Balanchine: classical revival and the modernization of ballet. Routledge.

Smith, M. E. (2012a). La Sylphide: Paris 1832 and beyond. Dance.

Smith, M. E. (2012b). La Sylphide: Paris 1832 and beyond. Dance.

Smith, M. E. (2012c). La Sylphide: Paris 1832 and beyond. Dance.

Smith, Marian Elizabeth. (2012). La Sylphide: 1832 and beyond. Dance.

Smith,Marian. (2010). Ballet and Opera in the Age of ‘Giselle’. Princeton University Press.

Society for Dance Research. (n.d.). Dance research: the journal of the Society for Dance Research.

Society for Dance Research, JSTOR (Organization), & Project MUSE. (1983). Dance research: the journal of the Society for Dance Research [Electronic resource]. International Bibliography of Theatre&Dance with Full Text.

Society of Dance History Scholars. (n.d.). Proceedings Society of Dance History Scholars.

Szymajda, J. (Ed.). (2014). European dance since 1989: commuitas and the other. Routledge.

Tosh, J. (2010). The pursuit of history: aims, methods and new directions in the study of modern history (5th ed) [Electronic resource]. Longman. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u

Vaughan, D. (1977). Frederick Ashton and his ballets. A. and C. Black.

Vaughan, David. (1999). Frederick Ashton and his ballets (2nd ed). Dance Books.

Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S) BETA