‘Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110’ (no date) Raritan: a quarterly review [Preprint]. Available at: http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm.
Adshead-Lansdale, Janet and Layson, June (1994) Dance history: an introduction. 2nd ed. London: Routledge.
Ann Daly (1987) ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’, The Drama Review: TDR, 31(1), pp. 8–21. Available at: http://www.jstor.org/stable/1145763.
‘Ashton: La Fille Mal Gardee DVD’ (no date). Available at: http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics.
Bales, Melanie and Eliot, Karen (2013) Dance on its own terms: histories and methodologies. New York: Oxford University Press.
Banes, Sally (1998) Dancing women: female bodies onstage. London: Routledge.
Blasis, C. (no date) The code of Terpsichore: a practical and historical treatise, on the ballet, dancing, and pantomime , with a complete theory of the art of dancing , intended as well for the instruction of amateurs as the use of professional persons. Brooklyn, N.Y: Dance Horizons.
‘Brown, David (1993) “Tchaikovsky’s Ballets: Sleeping Beauty”, Dance Now, vol. 2, no. 2, Summer, 34-41’ (no date) Dance now [Preprint].
Burke, P. (2001) Eyewitnessing: the uses of images as historical evidence. London: Reaktion.
Burke, P. (2004) What is cultural history? Oxford: Polity.
Burke, P. and ebrary, Inc (2001) Eyewitnessing: the uses of images as historical evidence [electronic resource]. London: Reaktion Books. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748.
Burt, Ramsay (1995) The male dancer: bodies, spectacle, sexualities. London: Routledge.
Caddy, D. (2012) The Ballets Russes and beyond: music and dance in belle-p̌oque Paris [electronic resource]. Cambridge: Cambridge University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u.
Carroll, Noël (1996) Theorizing the moving image. Cambridge: Cambridge University Press.
Carter, A. (2004a) Rethinking dance history: a reader. London: Routledge.
Carter, A. (2004b) Rethinking dance history: a reader. London: Routledge.
Carter, Alexandra (2005) ‘London, 1908: A Synchronic View of Dance History.’, Dance Research, 23(1). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live.
‘Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV recording, Educational Broadcasting Corporation France’ (no date).
Cave, Richard and Worth, Libby (eds) (2012) Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books Ltd.
Chapman, John V. (1988) ‘Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850.’, Dance Chronicle, 11(3). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live.
Chapman, John V. (1989) ‘Jules Janin and the Ballet.’, Dance Research, 7(1). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live.
Chopin, Frédéric et al. (2011) ‘Les Sylphides/Giselle’. [London]: ICA Classics.
De Mille, A. (1951) ‘Marie Rambert (extract)’, in Dance to the piper: memoirs of the ballet. London: H.Hamilton, pp. 164–169. Available at: https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099.
De Valois, N. (1977) ‘The Formation of an Establishment’, in Step by step: the formation of an establishment. London: W.H. Allen, pp. 26–30. Available at: https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099.
‘Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films’ (no date).
Denby, E., Mackay, W. and Cornfield, R. (1986) ‘Balanchine’s American Ballet’, in Dance writings. London: Dance Books, pp. 40–42. Available at: https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb.
Dils, A. and Albright, A.C. (2001a) Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press.
Dils, A. and Albright, A.C. (2001b) Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press.
Dils, A. and Albright, A.C. (2001c) Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press.
Eliot, K. (2007) Dancing lives: five female dancers from the Ballet d’Action to Merce Cunningham. Urbana, Ill: University of Illinois Press.
Fisher, J. and Shay, A. (2009) When men dance: choreographing masculinities across borders. New York: Oxford University Press.
Franko, M. (1993) Dance as text: ideologies of the baroque body. Cambridge: Cambridge University Press.
Garafola, L. (2005a) Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press.
Garafola, L. (2005b) Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press.
‘Gerhard, Rosemary (1995) “Images of the Generations”, Dancing Times, vol. LXXXV, no. 1016, May, 835’ (no date) Dancing times [Preprint].
‘Gershenzon, Pavel (1997) “Sergei Vikharev: Rehearsing Symphony in C”, Ballet Review, vol. 25, no. 3, Fall, 28-33’ (no date) Ballet review [Preprint].
Goldfine, Dayna and Geller, Dan (2006) ‘Ballets Russes [DVD Recording]’. London: Revolver Entertainment.
Guest, I. (1953) The ballet of the Second Empire: 1858-1870. London: A. and C. Black.
Guest, I. (1970) Fanny Elssler. London: Black.
Hammond, Sandra Noll (1992) ‘STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES.’, Dance Research, 10(2). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live.
Jenkins, K. (1991) Re-thinking history. London: Routledge.
‘Jordan, Stephanie (1993) “Ashton and The Sleeping Beauty”, Dance Now, vol. 2, no. 2, Summer, 43-49’ (no date) Dance now [Preprint].
Jowitt, Deborah (1988) Time and the dancing image. 1st ed. New York: W. Morrow.
Karina, L. and Kant, M. (2004) ‘Documentary Appendix: 1933 (extract)’, in Hitler’s dancers: German modern dance and the Third Reich. New York: Berghahn, pp. 193–194. Available at: https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099.
Kolb, A. (2011) Dance and politics. Oxford: P. Lang. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u.
Layson, J. and Adshead-Lansdale, J. (1994a) Dance history: an introduction [electronic resource]. 2nd ed. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u.
Layson, J. and Adshead-Lansdale, J. (1994b) Dance history: an introduction [electronic resource]. 2nd ed. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u.
Levinson, André, Acocella, Joan Ross, and Garafola, Lynn (1991) André Levinson on dance: writings from Paris in the twenties. Hanover, N.H.: Wesleyan University Press.
Manchester, P.W. (no date) ‘Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), pp. 143-150, ’.
McFee, Graham (1994) The concept of dance education. London: Routledge.
Money, K. (1982) Anna Pavlova: her life and art. London: Collins.
Morris, Geraldine (2012) Frederick Ashton’s ballets: style, performance, choreography. Binsted: Dance.
Munslow, A. (2004) ‘Introduction: Theory and Practice’, in Experiments in rethinking history. New York: Routledge, pp. 7–11. Available at: https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099.
Preston-Dunlop, V. and Sanchez-Colberg, A. (2002) Dance and the performative: a choreological perspective : Laban and beyond. London: Verve.
‘Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International inc’ (no date).
Prokof’ev, S. S., Ashton, Frederick, and Sadler’s Wells Royal Ballet (2004) ‘Cinderella’. Pleasantville, NY: Video Artists International.
Scholl, Tim (1994) From Petipa to Balanchine: classical revival and the modernization of ballet. London: Routledge.
Smith, Marian Elizabeth (2012) La Sylphide: 1832 and beyond. Alton: Dance.
Smith, M.E. (2012a) La Sylphide: Paris 1832 and beyond. [Alton?]: Dance.
Smith, M.E. (2012b) La Sylphide: Paris 1832 and beyond. [Alton?]: Dance.
Smith, M.E. (2012c) La Sylphide: Paris 1832 and beyond. [Alton?]: Dance.
Smith,Marian (2010) Ballet and Opera in the Age of ‘Giselle’. Princeton University Press.
Society for Dance Research (no date) ‘Dance research: the journal of the Society for Dance Research’.
Society for Dance Research, JSTOR (Organization), and Project MUSE. (1983) ‘Dance research: the journal of the Society for Dance Research’, International Bibliography of Theatre&Dance with Full Text.
Society of Dance History Scholars (no date) ‘Proceedings Society of Dance History Scholars’.
Szymajda, J. (ed.) (2014) European dance since 1989: commuitas and the other. Abingdon, Oxon: Routledge.
Tosh, J. (2010) The pursuit of history: aims, methods and new directions in the study of modern history [electronic resource]. 5th ed. Harlow: Longman. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u.
Vaughan, D. (1977) Frederick Ashton and his ballets. London: A. and C. Black.
Vaughan, David (1999) Frederick Ashton and his ballets. 2nd ed. London: Dance Books.
