‘Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110’. Raritan: a quarterly review n. pag. Web. <http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm>.
Adshead-Lansdale, Janet and Layson, June. Dance History: An Introduction. 2nd ed. London: Routledge, 1994. Print.
Ann Daly. ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’. The Drama Review: TDR 31.1 (1987): 8–21. Web. <http://www.jstor.org/stable/1145763>.
‘Ashton: La Fille Mal Gardee DVD’. Web. <http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics>.
Bales, Melanie and Eliot, Karen. Dance on Its Own Terms: Histories and Methodologies. New York: Oxford University Press, 2013. Print.
Banes, Sally. Dancing Women: Female Bodies Onstage. London: Routledge, 1998. Print.
Blasis, Carlo. The Code of Terpsichore: A Practical and Historical Treatise, on the Ballet, Dancing, and Pantomime , with a Complete Theory of the Art of Dancing , Intended as Well for the Instruction of Amateurs as the Use of Professional Persons. Brooklyn, N.Y: Dance Horizons. Print.
‘Brown, David (1993) “Tchaikovsky’s Ballets: Sleeping Beauty”, Dance Now, Vol. 2, No. 2, Summer, 34-41’. Dance now n. pag. Print.
Burke, Peter. Eyewitnessing: The Uses of Images as Historical Evidence. Picturing history. London: Reaktion, 2001. Print.
---. What Is Cultural History? Oxford: Polity, 2004. Print.
Burke, Peter and ebrary, Inc. Eyewitnessing: The Uses of Images as Historical Evidence. Picturing history series. London: Reaktion Books, 2001. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748>.
Burt, Ramsay. The Male Dancer: Bodies, Spectacle, Sexualities. London: Routledge, 1995. Print.
Caddy, Davinia. The Ballets Russes and beyond: Music and Dance in Belle-P̌oque Paris. New perspectives in music history and criticism. Cambridge: Cambridge University Press, 2012. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u>.
Carroll, Noël. Theorizing the Moving Image. Cambridge studies in film. Cambridge: Cambridge University Press, 1996. Print.
Carter, Alexandra. ‘London, 1908: A Synchronic View of Dance History.’ Dance Research 23.1 (2005): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live>.
Carter, Alexandra. Rethinking Dance History: A Reader. London: Routledge, 2004. Print.
---. Rethinking Dance History: A Reader. London: Routledge, 2004. Print.
‘Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV Recording, Educational Broadcasting Corporation France’. : n. pag. Print.
Cave, Richard, and Worth, Libby, eds. Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books Ltd, 2012. Print.
Chapman, John V. ‘Jules Janin and the Ballet.’ Dance Research 7.1 (1989): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live>.
---. ‘Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850.’ Dance Chronicle 11.3 (1988): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live>.
Chopin, Frédéric et al. ‘Les Sylphides/Giselle’. 2011 : n. pag. Print.
De Mille, Agnes. ‘Marie Rambert (Extract)’. Dance to the Piper: Memoirs of the Ballet. London: H.Hamilton, 1951. 164–169. Web. <https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099>.
De Valois, Ninette. ‘The Formation of an Establishment’. Step by Step: The Formation of an Establishment. London: W.H. Allen, 1977. 26–30. Web. <https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099>.
‘Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films’. : n. pag. Print.
Denby, Edwin, William Mackay, and Robert Cornfield. ‘Balanchine’s American Ballet’. Dance Writings. London: Dance Books, 1986. 40–42. Web. <https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb>.
Dils, Ann, and Ann Cooper Albright. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press, 2001. Print.
---. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press, 2001. Print.
---. Moving History / Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyn University Press, 2001. Print.
Eliot, Karen. Dancing Lives: Five Female Dancers from the Ballet d’Action to Merce Cunningham. Urbana, Ill: University of Illinois Press, 2007. Print.
Fisher, Jennifer, and Anthony Shay. When Men Dance: Choreographing Masculinities across Borders. New York: Oxford University Press, 2009. Print.
Franko, Mark. Dance as Text: Ideologies of the Baroque Body. RES monographs on anthropology and aesthetics. Cambridge: Cambridge University Press, 1993. Print.
Garafola, Lynn. Legacies of Twentieth-Century Dance. Hanover, N.H.: Wesleyan University Press, 2005. Print.
---. Legacies of Twentieth-Century Dance. Hanover, N.H.: Wesleyan University Press, 2005. Print.
‘Gerhard, Rosemary (1995) “Images of the Generations”, Dancing Times, Vol. LXXXV, No. 1016, May, 835’. Dancing times n. pag. Print.
‘Gershenzon, Pavel (1997) “Sergei Vikharev: Rehearsing Symphony in C”, Ballet Review, Vol. 25, No. 3, Fall, 28-33’. Ballet review n. pag. Print.
Goldfine, Dayna and Geller, Dan. ‘Ballets Russes [DVD Recording]’. 2006 : n. pag. Print.
Guest, Ivor. Fanny Elssler. London: Black, 1970. Print.
---. The Ballet of the Second Empire: 1858-1870. London: A. and C. Black, 1953. Print.
Hammond, Sandra Noll. ‘STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES.’ Dance Research 10.2 (1992): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live>.
Jenkins, Keith. Re-Thinking History. London: Routledge, 1991. Print.
‘Jordan, Stephanie (1993) “Ashton and The Sleeping Beauty”, Dance Now, Vol. 2, No. 2, Summer, 43-49’. Dance now n. pag. Print.
Jowitt, Deborah. Time and the Dancing Image. 1st ed. New York: W. Morrow, 1988. Print.
Karina, Lilian, and Marion Kant. ‘Documentary Appendix: 1933 (Extract)’. Hitler’s Dancers: German Modern Dance and the Third Reich. New York: Berghahn, 2004. 193–194. Web. <https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099>.
Kolb, Alexandra. Dance and Politics. Oxford: P. Lang, 2011. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u>.
Layson, June, and Janet Adshead-Lansdale. Dance History: An Introduction. 2nd ed. London: Routledge, 1994. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u>.
---. Dance History: An Introduction. 2nd ed. London: Routledge, 1994. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u>.
Levinson, André, Acocella, Joan Ross, and Garafola, Lynn. André Levinson on Dance: Writings from Paris in the Twenties. Hanover, N.H.: Wesleyan University Press, 1991. Print.
Manchester, P W. ‘Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), Pp. 143-150, ’. n. pag. Print.
McFee, Graham. The Concept of Dance Education. London: Routledge, 1994. Print.
Money, Keith. Anna Pavlova: Her Life and Art. London: Collins, 1982. Print.
Morris, Geraldine. Frederick Ashton’s Ballets: Style, Performance, Choreography. Binsted: Dance, 2012. Print.
Munslow, Alun. ‘Introduction: Theory and Practice’. Experiments in Rethinking History. New York: Routledge, 2004. 7–11. Web. <https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099>.
Preston-Dunlop, Valerie, and Ana Sanchez-Colberg. Dance and the Performative: A Choreological Perspective : Laban and Beyond. London: Verve, 2002. Print.
‘Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International Inc’. : n. pag. Print.
Prokof’ev, S. S., Ashton, Frederick, and Sadler’s Wells Royal Ballet. ‘Cinderella’. 2004 : n. pag. Print.
Scholl, Tim. From Petipa to Balanchine: Classical Revival and the Modernization of Ballet. London: Routledge, 1994. Print.
Smith, Marian Elizabeth. La Sylphide: 1832 and Beyond. Alton: Dance, 2012. Print.
Smith, Marian Elizabeth. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance, 2012. Print.
---. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance, 2012. Print.
---. La Sylphide: Paris 1832 and Beyond. [Alton?]: Dance, 2012. Print.
Smith,Marian. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press, 2010. Print.
Society for Dance Research. ‘Dance Research: The Journal of the Society for Dance Research’. n. pag. Print.
Society for Dance Research, JSTOR (Organization), and Project MUSE. ‘Dance Research: The Journal of the Society for Dance Research’. International Bibliography of Theatre&Dance with Full Text (1983): n. pag. Print.
Society of Dance History Scholars. ‘Proceedings Society of Dance History Scholars’. n. pag. Print.
Szymajda, Joanna, ed. European Dance since 1989: Commuitas and the Other. Abingdon, Oxon: Routledge, 2014. Print.
Tosh, John. The Pursuit of History: Aims, Methods and New Directions in the Study of Modern History. 5th ed. Harlow: Longman, 2010. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u>.
Vaughan, David. Frederick Ashton and His Ballets. 2nd ed. London: Dance Books, 1999. Print.
Vaughan, David. Frederick Ashton and His Ballets. London: A. and C. Black, 1977. Print.
