Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S)

1.
De Mille A. Marie Rambert (extract). Dance to the piper: memoirs of the ballet [Internet]. London: H.Hamilton; 1951. p. 164–169. Available from: https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099

2.
De Valois N. The Formation of an Establishment. Step by step: the formation of an establishment [Internet]. London: W.H. Allen; 1977. p. 26–30. Available from: https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099

3.
Denby E, Mackay W, Cornfield R. Balanchine’s American Ballet. Dance writings [Internet]. London: Dance Books; 1986. p. 40–42. Available from: https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb

4.
Karina L, Kant M. Documentary Appendix: 1933 (extract). Hitler’s dancers: German modern dance and the Third Reich [Internet]. New York: Berghahn; 2004. p. 193–194. Available from: https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099

5.
Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press; 2001.

6.
Carter A. Rethinking dance history: a reader. London: Routledge; 2004.

7.
Smith, Marian Elizabeth. La Sylphide: 1832 and beyond. Alton: Dance; 2012.

8.
Prokof’ev, S. S., Ashton, Frederick, Sadler’s Wells Royal Ballet. Cinderella. Pleasantville, NY: Video Artists International; 2004.

9.
Jenkins K. Re-thinking history. London: Routledge; 1991.

10.
Munslow A. Introduction: Theory and Practice. Experiments in rethinking history [Internet]. New York: Routledge; 2004. p. 7–11. Available from: https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099

11.
Tosh J. The pursuit of history: aims, methods and new directions in the study of modern history [Internet]. 5th ed. Harlow: Longman; 2010. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u

12.
Smith ME. La Sylphide: Paris 1832 and beyond. [Alton?]: Dance; 2012.

13.
Carter, Alexandra. London, 1908: A Synchronic View of Dance History. Dance Research [Internet]. 2005;23(1). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live

14.
Layson J, Adshead-Lansdale J. Dance history: an introduction [Internet]. 2nd ed. London: Routledge; 1994. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

15.
Adshead-Lansdale, Janet, Layson, June. Dance history: an introduction. 2nd ed. London: Routledge; 1994.

16.
Smith ME. La Sylphide: Paris 1832 and beyond. [Alton?]: Dance; 2012.

17.
Burke P, ebrary, Inc. Eyewitnessing: the uses of images as historical evidence [Internet]. London: Reaktion Books; 2001. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748

18.
Burke P. Eyewitnessing: the uses of images as historical evidence. London: Reaktion; 2001.

19.
Vaughan, David. Frederick Ashton and his ballets. 2nd ed. London: Dance Books; 1999.

20.
Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press; 2001.

21.
Money K. Anna Pavlova: her life and art. London: Collins; 1982.

22.
Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press; 2001.

23.
Kolb A. Dance and politics [Internet]. Oxford: P. Lang; 2011. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u

24.
Ann Daly. The Balanchine Woman: Of Hummingbirds and Channel Swimmers. The Drama Review: TDR [Internet]. The MIT Press; 1987;31(1):8–21. Available from: http://www.jstor.org/stable/1145763

25.
Garafola L. Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press; 2005.

26.
Garafola L. Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press; 2005.

27.
Fisher J, Shay A. When men dance: choreographing masculinities across borders. New York: Oxford University Press; 2009.

28.
Chapman, John V. Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850. Dance Chronicle [Internet]. 1988;11(3). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live

29.
Chapman, John V. Jules Janin and the Ballet. Dance Research [Internet]. 1989;7(1). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live

30.
Eliot K. Dancing lives: five female dancers from the Ballet d’Action to Merce Cunningham. Urbana, Ill: University of Illinois Press; 2007.

31.
Guest I. Fanny Elssler. London: Black; 1970.

32.
Guest I. The ballet of the Second Empire: 1858-1870. London: A. and C. Black; 1953.

33.
Burke P. What is cultural history? Oxford: Polity; 2004.

34.
Levinson, André, Acocella, Joan Ross, Garafola, Lynn. André Levinson on dance: writings from Paris in the twenties. Hanover, N.H.: Wesleyan University Press; 1991.

35.
Banes, Sally. Dancing women: female bodies onstage. London: Routledge; 1998.

36.
Caddy D. The Ballets Russes and beyond: music and dance in belle-p̌oque Paris [Internet]. Cambridge: Cambridge University Press; 2012. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u

37.
Blasis C. The code of Terpsichore: a practical and historical treatise, on the ballet, dancing, and pantomime , with a complete theory of the art of dancing , intended as well for the instruction of amateurs as the use of professional persons. Brooklyn, N.Y: Dance Horizons;

38.
Carter A. Rethinking dance history: a reader. London: Routledge; 2004.

39.
Franko M. Dance as text: ideologies of the baroque body. Cambridge: Cambridge University Press; 1993.

40.
Jowitt, Deborah. Time and the dancing image. 1st ed. New York: W. Morrow; 1988.

41.
Layson J, Adshead-Lansdale J. Dance history: an introduction [Internet]. 2nd ed. London: Routledge; 1994. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

42.
Preston-Dunlop V, Sanchez-Colberg A. Dance and the performative: a choreological perspective : Laban and beyond. London: Verve; 2002.

43.
Scholl, Tim. From Petipa to Balanchine: classical revival and the modernization of ballet. London: Routledge; 1994.

44.
Smith,Marian. Ballet and Opera in the Age of ‘Giselle’. Princeton University Press; 2010.

45.
Smith ME. La Sylphide: Paris 1832 and beyond. [Alton?]: Dance; 2012.

46.
Vaughan D. Frederick Ashton and his ballets. London: A. and C. Black; 1977.

47.
Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110. Raritan: a quarterly review [Internet]. New Brunswick: Rutgers University; Available from: http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm

48.
Brown, David (1993) ‘Tchaikovsky’s Ballets: Sleeping Beauty’, Dance Now, vol. 2, no. 2, Summer, 34-41. Dance now. London: Dance Books;

49.
Gerhard, Rosemary (1995) ‘Images of the Generations’, Dancing Times, vol. LXXXV, no. 1016, May, 835. Dancing times. London: Dancing Times Ltd;

50.
Hammond, Sandra Noll. STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES. Dance Research [Internet]. 1992;10(2). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live

51.
Jordan, Stephanie (1993) ‘Ashton and The Sleeping Beauty’, Dance Now, vol. 2, no. 2, Summer, 43-49. Dance now. London: Dance Books;

52.
Society of Dance History Scholars. Proceedings Society of Dance History Scholars. California: Society of Dance History Scholars;

53.
Society for Dance Research. Dance research: the journal of the Society for Dance Research. London: Dance Books;

54.
Morris, Geraldine. Frederick Ashton’s ballets: style, performance, choreography. Binsted: Dance; 2012.

55.
Cave, Richard, Worth, Libby, editors. Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books Ltd; 2012.

56.
Bales, Melanie, Eliot, Karen. Dance on its own terms: histories and methodologies. New York: Oxford University Press; 2013.

57.
Gershenzon, Pavel (1997) ‘Sergei Vikharev: Rehearsing Symphony in C’, Ballet Review, vol. 25, no. 3, Fall, 28-33. Ballet review. New York: Marcel Dekker;

58.
Society for Dance Research, JSTOR (Organization), Project MUSE. Dance research: the journal of the Society for Dance Research. London, U.K.: Society for Dance Research; 1983;International Bibliography of Theatre&Dance with Full Text.

59.
Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV recording, Educational Broadcasting Corporation France.

60.
Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films.

61.
Goldfine, Dayna, Geller, Dan. Ballets Russes [DVD Recording]. London: Revolver Entertainment; 2006.

62.
Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International inc.

63.
Carroll, Noël. Theorizing the moving image. Cambridge: Cambridge University Press; 1996.

64.
Manchester PW. Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), pp. 143-150, .

65.
Chopin, Frédéric, Adam, Adolphe, Fokine, Michel, Coralli, Eugène, Perrot, Jules. Les Sylphides/Giselle. [London]: ICA Classics; 2011.

66.
Burt, Ramsay. The male dancer: bodies, spectacle, sexualities. London: Routledge; 1995.

67.
McFee, Graham. The concept of dance education. London: Routledge; 1994.

68.
Szymajda J, editor. European dance since 1989: commuitas and the other. Abingdon, Oxon: Routledge; 2014.

69.
Ashton: La Fille Mal Gardee DVD [Internet]. Available from: http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics

Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S) BETA