Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S)

[1]
A. De Mille, ‘Marie Rambert (extract)’, in Dance to the piper: memoirs of the ballet, London: H.Hamilton, 1951, pp. 164–169 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=2d347531-a1a5-e611-80c7-005056af4099

[2]
N. De Valois, ‘The Formation of an Establishment’, in Step by step: the formation of an establishment, London: W.H. Allen, 1977, pp. 26–30 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=365b34f5-767e-e611-80c6-005056af4099

[3]
E. Denby, W. Mackay, and R. Cornfield, ‘Balanchine’s American Ballet’, in Dance writings, London: Dance Books, 1986, pp. 40–42 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=8d5addbc-854a-e611-80bd-0cc47a6bddeb

[4]
L. Karina and M. Kant, ‘Documentary Appendix: 1933 (extract)’, in Hitler’s dancers: German modern dance and the Third Reich, New York: Berghahn, 2004, pp. 193–194 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=68e1439e-e78a-e611-80c7-005056af4099

[5]
A. Dils and A. C. Albright, Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press, 2001.

[6]
A. Carter, Rethinking dance history: a reader. London: Routledge, 2004.

[7]
Smith, Marian Elizabeth, La Sylphide: 1832 and beyond. Alton: Dance, 2012.

[8]
Prokof’ev, S. S., Ashton, Frederick, and Sadler’s Wells Royal Ballet, ‘Cinderella’. Video Artists International, Pleasantville, NY, 2004.

[9]
K. Jenkins, Re-thinking history. London: Routledge, 1991.

[10]
A. Munslow, ‘Introduction: Theory and Practice’, in Experiments in rethinking history, New York: Routledge, 2004, pp. 7–11 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=30e55968-006a-e611-80c6-005056af4099

[11]
J. Tosh, The pursuit of history: aims, methods and new directions in the study of modern history, 5th ed. Harlow: Longman, 2010 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781408226087&uid=^u

[12]
M. E. Smith, La Sylphide: Paris 1832 and beyond. [Alton?]: Dance, 2012.

[13]
Carter, Alexandra, ‘London, 1908: A Synchronic View of Dance History.’, Dance Research, vol. 23, no. 1, 2005 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=18957353&site=ehost-live

[14]
J. Layson and J. Adshead-Lansdale, Dance history: an introduction, 2nd ed. London: Routledge, 1994 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

[15]
Adshead-Lansdale, Janet and Layson, June, Dance history: an introduction, 2nd ed. London: Routledge, 1994.

[16]
M. E. Smith, La Sylphide: Paris 1832 and beyond. [Alton?]: Dance, 2012.

[17]
P. Burke and ebrary, Inc, Eyewitnessing: the uses of images as historical evidence, vol. Picturing history series. London: Reaktion Books, 2001 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=618748

[18]
P. Burke, Eyewitnessing: the uses of images as historical evidence, vol. Picturing history. London: Reaktion, 2001.

[19]
Vaughan, David, Frederick Ashton and his ballets, 2nd ed. London: Dance Books, 1999.

[20]
A. Dils and A. C. Albright, Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press, 2001.

[21]
K. Money, Anna Pavlova: her life and art. London: Collins, 1982.

[22]
A. Dils and A. C. Albright, Moving history / dancing cultures: a dance history reader. Middletown, CT: Wesleyn University Press, 2001.

[23]
A. Kolb, Dance and politics. Oxford: P. Lang, 2011 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com.roe.idm.oclc.org/Vleweb/Product/Index/983137?page=0&uid=^u

[24]
Ann Daly, ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’, The Drama Review: TDR, vol. 31, no. 1, pp. 8–21, 1987 [Online]. Available: http://www.jstor.org/stable/1145763

[25]
L. Garafola, Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press, 2005.

[26]
L. Garafola, Legacies of twentieth-century dance. Hanover, N.H.: Wesleyan University Press, 2005.

[27]
J. Fisher and A. Shay, When men dance: choreographing masculinities across borders. New York: Oxford University Press, 2009.

[28]
Chapman, John V., ‘Silent Drama to Silent Dream: Parisian Ballet Criticism, 1800-1850.’, Dance Chronicle, vol. 11, no. 3, 1988 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17182756&site=ehost-live

[29]
Chapman, John V., ‘Jules Janin and the Ballet.’, Dance Research, vol. 7, no. 1, 1989 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=21993395&site=ehost-live

[30]
K. Eliot, Dancing lives: five female dancers from the Ballet d’Action to Merce Cunningham. Urbana, Ill: University of Illinois Press, 2007.

[31]
I. Guest, Fanny Elssler. London: Black, 1970.

[32]
I. Guest, The ballet of the Second Empire: 1858-1870. London: A. and C. Black, 1953.

[33]
P. Burke, What is cultural history? Oxford: Polity, 2004.

[34]
Levinson, André, Acocella, Joan Ross, and Garafola, Lynn, André Levinson on dance: writings from Paris in the twenties. Hanover, N.H.: Wesleyan University Press, 1991.

[35]
Banes, Sally, Dancing women: female bodies onstage. London: Routledge, 1998.

[36]
D. Caddy, The Ballets Russes and beyond: music and dance in belle-p̌oque Paris, vol. New perspectives in music history and criticism. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781139371810&uid=^u

[37]
C. Blasis, The code of Terpsichore: a practical and historical treatise, on the ballet, dancing, and pantomime , with a complete theory of the art of dancing , intended as well for the instruction of amateurs as the use of professional persons. Brooklyn, N.Y: Dance Horizons.

[38]
A. Carter, Rethinking dance history: a reader. London: Routledge, 2004.

[39]
M. Franko, Dance as text: ideologies of the baroque body, vol. RES monographs on anthropology and aesthetics. Cambridge: Cambridge University Press, 1993.

[40]
Jowitt, Deborah, Time and the dancing image, 1st ed. New York: W. Morrow, 1988.

[41]
J. Layson and J. Adshead-Lansdale, Dance history: an introduction, 2nd ed. London: Routledge, 1994 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203137369&uid=^u

[42]
V. Preston-Dunlop and A. Sanchez-Colberg, Dance and the performative: a choreological perspective : Laban and beyond. London: Verve, 2002.

[43]
Scholl, Tim, From Petipa to Balanchine: classical revival and the modernization of ballet. London: Routledge, 1994.

[44]
Smith,Marian, Ballet and Opera in the Age of ‘Giselle’. Princeton University Press, 2010.

[45]
M. E. Smith, La Sylphide: Paris 1832 and beyond. [Alton?]: Dance, 2012.

[46]
D. Vaughan, Frederick Ashton and his ballets. London: A. and C. Black, 1977.

[47]
‘Acocella, J. and L. Garafola (1991b) Andr Levinson and the Making of a Classical Dance Esthetic, Raritan, Spring, 85-110’, Raritan: a quarterly review [Online]. Available: http://lion.chadwyck.co.uk/toc/RaritanaquarterlyreviewRutgersU/ issues.htm

[48]
‘Brown, David (1993) “Tchaikovsky’s Ballets: Sleeping Beauty”, Dance Now, vol. 2, no. 2, Summer, 34-41’, Dance now.

[49]
‘Gerhard, Rosemary (1995) “Images of the Generations”, Dancing Times, vol. LXXXV, no. 1016, May, 835’, Dancing times.

[50]
Hammond, Sandra Noll, ‘STEPS THROUGH TIME: SELECTED DANCE VOCABULARY OF THE EIGHTEENTH AND NINETEENTH CENTURIES.’, Dance Research, vol. 10, no. 2, 1992 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=22005679&site=ehost-live

[51]
‘Jordan, Stephanie (1993) “Ashton and The Sleeping Beauty”, Dance Now, vol. 2, no. 2, Summer, 43-49’, Dance now.

[52]
Society of Dance History Scholars, ‘Proceedings Society of Dance History Scholars’.

[53]
Society for Dance Research, ‘Dance research: the journal of the Society for Dance Research’.

[54]
Morris, Geraldine, Frederick Ashton’s ballets: style, performance, choreography. Binsted: Dance, 2012.

[55]
Cave, Richard and Worth, Libby, Eds., Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books Ltd, 2012.

[56]
Bales, Melanie and Eliot, Karen, Dance on its own terms: histories and methodologies. New York: Oxford University Press, 2013.

[57]
‘Gershenzon, Pavel (1997) “Sergei Vikharev: Rehearsing Symphony in C”, Ballet Review, vol. 25, no. 3, Fall, 28-33’, Ballet review.

[58]
Society for Dance Research, JSTOR (Organization), and Project MUSE., ‘Dance research: the journal of the Society for Dance Research’, vol. International Bibliography of Theatre&Dance with Full Text, 1983.

[59]
‘Cavassilas, Pierre and Mortier, Gerard (2006) Jewels, Paris: TV recording, Educational Broadcasting Corporation France’. .

[60]
‘Delouche, Dominique (1997) Markova La Legende, Paris: Doriane Films’. .

[61]
Goldfine, Dayna and Geller, Dan, ‘Ballets Russes [DVD Recording]’. Revolver Entertainment, London, 2006.

[62]
‘Producers Showcase (1955) The Sleeping Beauty/Fonteyn/Somes/Ashton/Grey, New York: Video Artists International inc’. .

[63]
Carroll, Noël, Theorizing the moving image, vol. Cambridge studies in film. Cambridge: Cambridge University Press, 1996.

[64]
P. W. Manchester, ‘Remembering Ashton: Dance Chronicle, Vol. 1, No. 2 (1977 - 1978), pp. 143-150, ’.

[65]
Chopin, Frédéric, Adam, Adolphe, Fokine, Michel, Coralli, Eugène, and Perrot, Jules, ‘Les Sylphides/Giselle’. ICA Classics, [London], 2011.

[66]
Burt, Ramsay, The male dancer: bodies, spectacle, sexualities. London: Routledge, 1995.

[67]
McFee, Graham, The concept of dance education. London: Routledge, 1994.

[68]
J. Szymajda, Ed., European dance since 1989: commuitas and the other. Abingdon, Oxon: Routledge, 2014.

[69]
‘Ashton: La Fille Mal Gardee DVD’. [Online]. Available: http://www.amazon.co.uk/Ashton-Stanley-Orchestra-Lanchberry-Classics/dp/B0096N6BFK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455190951&sr=1-1&keywords=La+fille+mal+gard%C3%A9e+Ashton+ICA+Classics

Bibliography for Theorising and Embodying Ballet's Past (DAN020L421S) BETA