Acocella, J., Garafola, L. and Green, J. (1992) ‘The Rite of Spring Considered as a Nineteenth-Century Ballet’, Ballet Review, 20(2 (Summer)), pp. 68–99.
Acocella, J.R. and Morris, M. (1993) Mark Morris. New York: Farrar Straus Giroux.
Albright, D. (2000a) Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: University of Chicago Press.
Albright, D. (2000b) Untwisting the serpent: modernism in music, literature, and other arts. Chicago, Ill: University of Chicago Press.
‘American Ballet Theatre (01) Chopin Les Sylphides - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=LBJNc3h7Hp8.
Bernard, M. and Centre National de la Danse (2001) De la création chorégraphique. Paris: Centre national de la danse.
Bracewell, M. and Cotter, S. (2010) Michael Clark. London: Violette Editions.
Cage, J. (1968) Silence: lectures and writings by John Cage. London: Calder and Boyars.
Celant, G. (1999) Merce Cunningham. Milano: Charta.
Chion, M. (1994) ‘Lines and points: Horizontal and vertical perspectives on audio-visual relations’, in Audio-vision: sound on screen. New York: Columbia University Press, pp. 35–65.
Chion, M. and Gorbman, C. (1994) Audio-vision: sound on screen. New York: Columbia University Press.
‘Chopin’s Valse op. 70, no.1’ (no date). Available at: http://conquest.imslp.info/files/imglnks/usimg/b/b1/IMSLP82917-PMLP02375-FChopin_Waltzes_Op70.pdf.
Cohan, R. (1992) Choreographers/composers/collaboration. Chur: Harwood Academic.
Cook, N. (2000) Analysing musical multimedia. Oxford: Oxford University Press.
Copeland, R. (2004) Merce Cunningham: the modernizing of modern dance [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203641989&uid=^u.
Copeland, R. and Cohen, M. (1983) What is dance?: readings in theory and criticism. Oxford: Oxford University Press.
Crimp, D. (no date) ‘Yvonne Rainer, Muciz Lover.’, Grey Room, (22), pp. 48–67. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=19508361&site=ehost-live.
Davies, S. (1994a) ‘Music and Language’, in Musical meaning and expression. Ithaca, N. Y.: Cornell University Press, pp. 39–49.
Davies, S. (1994b) Musical meaning and expression. Ithaca, N. Y.: Cornell University Press.
Dayan, P. (2011) Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond [electronic resource]. Farnham: Ashgate. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781409427933&uid=^u.
Denby, E., Cornfield, R. and MacKay, W. (1986) Dance writings. London: Dance Books.
Harris-Warrick, R. and Marsh, C.G. (1994) Musical theatre at the court of Louis XIV: Le mariage de la Grosse Cathos. Cambridge: Cambridge University Press.
Hodgins, P. (1992) Relationships between score and choreography in twentieth-century dance: music, movement and metaphor. Lampeter: Edwin Mellen Press.
Hodson, M. and Stravinsky, I. (1996) Nijinsky’s crime against grace: reconstruction score of the original choreography for Le sacre du printemps. Stuyvesant, NY: Pendragon Press.
Humphrey, D. and Pollack, B. (1997a) The art of making dances. London: Dance.
Humphrey, D. and Pollack, B. (1997b) The art of making dances. London: Dance.
‘Joffrey Ballet 1987 Rite of Spring (3 of 3)’ (30AD). Available at: https://www.youtube.com/watch?v=C_7ndqgwxcM.
‘Joffrey Ballet 1989 Rite of Spring (1 of 3)’ (30AD). Available at: https://www.youtube.com/watch?v=jF1OQkHybEQ.
‘Joffrey Ballet Rite of Spring 1987 (2 of 3)’ (30AD). Available at: https://www.youtube.com/watch?v=iH1t0pCchxM.
Jordan, S. (2000a) ‘Hearing the Dance, watching the music + notes’, in Moving music: dialogues with music in twentieth-century ballet. London: Dance.
Jordan, S. (2000b) Moving music: dialogues with music in twentieth-century ballet. London: Dance.
Jordan, S. (2000c) Moving music: dialogues with music in twentieth-century ballet. London: Dance.
Jordan, S. (2000d) Moving music: dialogues with music in twentieth-century ballet. London: Dance.
Jordan, S. (2000e) Moving music: dialogues with music in twentieth-century ballet. London: Dance.
Jordan, S. (2007) Stravinsky dances: re-visions across a century. Alton: Dance Books.
Jordan, S. (2015a) ‘A Framework for Analysis’, in Mark Morris: musician, choreographer. Alton: Dance, pp. 91–123.
Jordan, S. (2015b) Mark Morris: musician, choreographer. Alton: Dance.
Jordan, S. and George Balanchine Foundation (2002) ‘Music dances: Balanchine choreographs Stravinsky’. New York: George Balanchine Foundation.
Joseph, C.M. (2002) Stravinsky & Balanchine: a journey of invention [electronic resource]. New Haven: Yale University Press. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=3420344.
Joseph, C.M. (2011) Stravinsky’s ballets. New Haven, [Conn.]: Yale University Press.
Lawson, J. (1973a) A history of ballet and its makers. London (9 Cecil Court, W.C.2): Dance Books.
Lawson, J. (1973b) ‘Fokine on Les Sylphides’, in A history of ballet and its makers. London: Dance Books, pp. 100–101.
Ma, Y.-Y. et al. (1998) ‘Yo-Yo Ma: inspired by Bach, Vol.2: Falling down stairs ; Sarabande’. New York: Sony Classical.
Making music for modern dance: collaboration in the formative years of a new American art (2011). New York: Oxford University Press.
‘Mark Morris Dido and Aeneas Dido’s Lament - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ZrzC_KLI8KM.
McMains, J. and Thomas, B. (2013) ‘Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars’, Dance Chronicle, 36(2), pp. 196–217. Available at: https://doi.org/10.1080/01472526.2013.792714.
Meredith Monk - Media - Book of Days (no date). Available at: http://www.meredithmonk.org/media/opera.html.
Monk, M. and Killacky, J.R. (2006) ‘Meredith Monk: Ellis Island; Book of days’. [New York, N.Y.]: [The House Foundation for the Arts].
‘Month in the Country Part 1’ (11AD). Available at: https://www.youtube.com/watch?v=DqWSu5ij1Bw.
‘Month in the Country Part 2’ (12AD). Available at: https://www.youtube.com/watch?v=aD1WGzkjR9g.
‘Month in the Country Part 3’ (13AD). Available at: https://www.youtube.com/watch?v=yLYdYV6reeg.
‘Month in the Country Part 4’ (14AD). Available at: https://www.youtube.com/watch?v=NW5XN4gTrpM.
‘Month in the Country Part 5’ (15AD). Available at: https://www.youtube.com/watch?v=gud8TqrVeQY.
Morgenroth, J. (2004) Speaking of dance: twelve contemporary choreographers on their craft. London: Routledge.
Music Theory for Musicians and Normal People (no date). Available at: http://tobyrush.com/theorypages/index.html.
Music-dance : sound and motion in contemporary discourse (2018). Abingdon, Oxon: Routledge.
musictheory.net (no date). Available at: http://www.musictheory.net/.
Nureyev, R. et al. (1980) ‘Invitation to the dance’. London: BBC.
Oliveros, P. (2005) Deep listening: a composer’s sound practice. New York: IUniverse.
Roehampton University: Stravinsky the Global Dancer. Database. (no date). Available at: http://ws1.roehampton.ac.uk/stravinsky/.
Sawyer, E. (1986) Dance with the music: the world of the ballet musician. Cambridge: Cambridge University Press.
Schroedter, S. (2012) Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste. Würzburg: Königshausen & Neumann.
Servos, N. and Weigelt, G. (1984) Pina Bausch - Wuppertal dance theater, or, The art of training a goldfish: excursions into dance. Köln: Ballett-Büchnen-Verlag.
Smith, M. (2010) Ballet and Opera in the Age of ‘Giselle’. Princeton University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781400832477&uid=^u.
‘Stravinsky- Rite of Spring “Opening”’ (27AD). Available at: https://www.youtube.com/watch?v=NOTjyCM3Ou4&feature=fvwrel.
‘Stravinsky- Rite of Spring “Sacrificial Dance”’ (27AD). Available at: https://www.youtube.com/watch?v=s7pV2cX0qxs&feature=channel&list=UL.
Taylor, E. and Associated Board of the Royal Schools of Music (1989) The AB guide to music theory. London: Associated Board of the Royal Schools of Music.
Teck, K. (1989) Music for the dance: reflections on a collaborative art. London: Greenwood Press.
teoria : Music Theory Web (no date). Available at: http://www.teoria.com/.
Twiner, A. and Muncey, R. (1986) The Muncey music book. London: Dance.
Walsh, S. (1999) Stravinsky: a creative spring : Russia and France, 1882-1934 [electronic resource]. 1st ed. New York: Alfred A. Knopf.
Zbikowski, L.M. (2002) ‘Music Theory, Multimedia and the Construction of Meaning’, Integral, pp. 251–268. Available at: https://moodle.roehampton.ac.uk/mod/resource/view.php?id=173637.
