Bibliography for Dance, Culture and Society - (DAN020N258A) BETA

Adewole, F. (2017) ‘The Construction of the Black dance/ African Peoples dance sector in Britain’, in C. Adair and R. Burt (eds) British dance: Black routes. London: Routledge, pp. 125–148. Available at: https://contentstore.cla.co.uk/secure/link?id=a13d05f3-47cd-e811-80cd-005056af4099.

Adrienne L. Kaeppler (2003) ‘An Introduction to Dance Aesthetics’, Yearbook for Traditional Music, 35, pp. 153–162. Available at: http://www.jstor.org/stable/4149325?seq=1#page_scan_tab_contents.

Albright, A.C. (1997) Choreographing difference: the body and identity in contemporary dance. Hanover, N.H.: Wesleyan University Press. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=776743.

Andrée Grau (1992) ‘Intercultural Research in the Performing Arts’, Dance Research: The Journal of the Society for Dance Research, 10(2), pp. 3–29. Available at: http://www.jstor.org/stable/1290652?seq=1#page_scan_tab_contents.

Andrée Grau (1993) ‘John Blacking and the Development of Dance Anthropology in the United Kingdom’, Dance Research Journal, 25(2), pp. 21–31. Available at: https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478551?seq=1#page_scan_tab_contents.

Ann Daly (1987) ‘The Balanchine Woman: Of Hummingbirds and Channel Swimmers’, The Drama Review, 31(1), pp. 8–21. Available at: http://www.jstor.org/stable/1145763?seq=1#page_scan_tab_contents.

Ann Daly (2000) ‘Trends in dance scholarship: feminist theory across the millennium divide’, Dance Research Journal, 32(1), pp. 39–42. Available at: http://www.jstor.org/stable/1478274?seq=1#page_scan_tab_contents.

Balme, C.B. (2016) Theatrical public sphere. First paperback edition. Cambridge, United Kingdom: Cambridge University Press.

Banes, S. (1978) ‘Grand Union: The Presentation of Everyday Life as Dance’, Dance Research Journal, 10(2). Available at: https://doi.org/10.2307/1478002.

Barthes, R. (1983) ‘Striptease’, in What is dance?: readings in theory and criticism. Oxford: Oxford University Press, pp. 512–514. Available at: https://contentstore.cla.co.uk/secure/link?id=1d7ae52e-854a-e611-80bd-0cc47a6bddeb.

Best, D. (1986) ‘Culture-Consciousness: Understanding the Arts of other Cultures’, Journal of Art & Design Education, 5(1–2), pp. 33–44. Available at: https://doi.org/10.1111/j.1476-8070.1986.tb00185.x.

Blacking, J. and National Association for Education in the Arts (1986) Culture and the arts: paper delivered at the University of London Institute of Education on 16 November 1985 to the National Association for Education in the Arts. London: National Association for Education in the Arts.

Bourdieu, P. (1998) Practical reason: on the theory of action. Cambridge: Polity Press.

Brandstetter, G. et al. (eds) (2013) Dance [and] theory. Bielefeld: Transcript. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1918302.

Brown, C. (1994) ‘Re-tracing our steps: the possibilities for feminist dance histories (electronic resource)’, in Dance history: an introduction. 2nd ed. London: Routledge, pp. 198–218. Available at: https://www.dawsonera.com/readonline/9780203137369/startPage/198.

Burt, R. (2007) The male dancer: bodies, spectacle, sexualities (electronic resource). 2nd ed. London: Routledge. Available at: https://www.dawsonera.com/abstract/9780203960974.

Carter, A. (1996) ‘Bodies of knowledge: dance and feminist analysis’, in Analysing performance: a critical reader. Manchester: Manchester University Press, pp. 43–55. Available at: https://contentstore.cla.co.uk/secure/link?id=f71e5fcc-aa38-e811-80cd-005056af4099.

Carter, A. (1999) ‘Dying Swans or Sitting Ducks?’, Performance Research, 4(3), pp. 91–98. Available at: https://doi.org/10.1080/13528165.1999.10871700.

Catherine Foley (2001) ‘Perceptions of Irish Step Dance: National, Global, and Local’, Dance Research Journal, 33(1), pp. 34–45. Available at: https://roe.idm.oclc.org/login?url=http://www.jstor.org/stable/1478855?seq=1#page_scan_tab_contents.

Cohen-Stratyner, B. (2001) ‘Issues in Social and Vernacular Dance (Social Dance: Contexts and Definitions)’, Dance Research Journal, 33(2), pp. 121–124. Available at: http://www.jstor.org/stable/1477809.

Daly, A. (2002) Critical gestures: writings on dance and culture. Hanover, N.H.: Wesleyan University Press.

Dancing in the millennium (Conference) et al. (2000) Dancing in the millennium: an international conference : proceedings : July 19-23, 2000, Washington Marriott Hotel, George Washington University, Kennedy Center. [np].

David, A. (2008) ‘Local Diasporas / Global Trajectories: New aspects of religious “performance” in British Tamil Hindu practice’, Performance Research, 13(3), pp. 89–99. Available at: https://doi.org/10.1080/13528160902819364.

David, A.R. (2006) ‘When the Body becomes the Dance - the “Orientalist” Gaze and the Idealised Male Dancing Body’, pulse, pp. 13–15.

David, A.R. (2007) ‘Beyond the Silver Screen: Bollywood and Filmi Dance in the UK’, South Asia Research, 27(1), pp. 5–24.

David, A.R. (2009) ‘Performing for the gods? Dance and embodied ritual in British Hindu temples’, South Asian Popular Culture, 7(3), pp. 217–231. Available at: https://doi.org/10.1080/14746680903125580.

Davis, K. (1997) Embodied practices: feminist perspectives on the body. London: SAGE.

Dempster, E. (2008) ‘The Choreography of the Pedestrian’, Performance Research, 13(1), pp. 23–28. Available at: https://doi.org/10.1080/13528160802465458.

Desmond, J. (1997a) ‘Embodying difference: issues in dance and cultural studies’, in The Routledge dance studies reader. London: Routledge, pp. 154–162.

Desmond, J. (1997b) Meaning in motion: new cultural studies of dance. Durham, N.C.: Duke University Press.

Dils, A. and Albright, A.C. (2001) Moving history / dancing cultures: a dance history reader. Middletown, Conn: Wesleyan University Press.

Dodds, S. (2011a) Dancing on the canon: embodiments of value in popular dance. Basingstoke: Palgrave Macmillan. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780230305656&uid=^u.

Dodds, S. (2011b) Dancing on the canon: embodiments of value in popular dance. Basingstoke: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656.

Dodds, S. (2011c) Dancing on the canon: embodiments of value in popular dance (electronic resource). Basingstoke: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230305656.

Douglas, M. (2002) Purity and danger: an analysis of concept of pollution and taboo (electronic resource). London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203361832.

Dyck, N. and Archetti, E.P. (2003) Sport, dance and embodied identities. Oxford: Berg.

‘Faultline/Bruise Blood in India/London’ (no date). Available at: http://www.rescen.net/Shobana_Jeyasingh/HmH/delhi.html.

Featherstone, M. and Nottingham Trent University. Theory, Culture & Society Centre (2000) Body modification (electronic resource). London: Sage. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10567159.

Foucault, M. (1991a) Discipline and punish: the birth of the prison. London: Penguin.

Foucault, M. (1991b) ‘Docile Bodies’, in Discipline and punish: the birth of the prison. London: Penguin, pp. 135–141. Available at: https://contentstore.cla.co.uk//secure/link?id=36ccb402-854a-e611-80bd-0cc47a6bddeb.

Franco, S., Nordera, M., and Centre national de la danse (France) (2007) Dance discourses: keywords in dance research. London: Routledge. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171.

Frosh, J.D. (1999) ‘Dance Ethnography’, in Researching dance: evolving modes of inquiry. London: Dance Books, pp. 249–280.

Goffman, E. (1971) The presentation of self in everyday life. Harmondsworth: Penguin.

Gottschild, B.D. (2003) ‘The Black Dancing Body: An Interview with Seán Curran.’, Dance Research Journal, 35(2), pp. 27–42. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=15644576&site=ehost-live.

Grau, A. (1998) ‘Myths of Origins (electronic resource)’, in The Routledge dance studies reader. London: Routledge, pp. 197–202. Available at: https://www.dawsonera.com/readonline/9780203445525/startPage/197.

Grau, A. (2007) ‘Dance, Identity, and Identification Processes in a Post-Colonial World’, in Dance discourses: keywords in dance research. London: Routledge, pp. 189–207. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315539171.

Green, J. (2001a) ‘Socially Constructed Bodies in American Dance Classrooms’, Research in Dance Education, 2(2), pp. 155–173.

Green, J. (2001b) ‘Socially Constructed Bodies in American Dance Classrooms’, Research in Dance Education, 2(2), pp. 155–173. Available at: https://doi.org/10.1080/14647890120100782.

Halifu Osumare (2002) ‘Global Breakdancing and the Intercultural Body’, Dance Research Journal, 34(2), pp. 30–45. Available at: http://www.jstor.org/stable/1478458?seq=1#page_scan_tab_contents.

Hebdige, D. (1988) ‘Chapter 7: Style as intentional communication, Style as “bricolage”, Style in revolt: Revolting style’, in Subculture: the meaning of style. London: Routledge, pp. 100–112. Available at: https://contentstore.cla.co.uk//secure/link?id=d9a26751-864a-e611-80bd-0cc47a6bddeb.

Houston, S. (2009a) ‘The touch “taboo” and the art of contact: an exploration of Contact Improvisation for prisoners’, Research in Dance Education, 10(2), pp. 97–113.

Houston, S. (2009b) ‘The touch “taboo” and the art of contact: an exploration of Contact Improvisation for prisoners’, Research in Dance Education, 10(2), pp. 97–113. Available at: https://doi.org/10.1080/14647890903019432.

Houston, S. (2015) ‘Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s’, Dance Research Journal, 47(1), pp. 26–43. Available at: https://muse.jhu.edu/journals/dance_research_journal/v047/47.1.houston.html.

Houston, S. (no date) ‘Feeling Lovely: An Examination of the Value of Beauty for People Dancing with Parkinson’s’, Dance Research Journal, 47(1), pp. 26–43. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=s3h&AN=102874082&site=ehost-live.

Howson, A. (2013) ‘The Body in Everyday Life’, in The body in society: an introduction. Second edition. Cambridge: Polity, pp. 14–38. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676364.

Jackson, S.J. and Hokowhitu, B. (2002) ‘Sport, Tribes, and Technology’, Journal of Sport and Social Issues, 26(2), pp. 125–139. Available at: https://doi.org/10.1177/0193723502262002.

Jasper, L. and Siddall, J. (1999) Managing dance: current issues and future strategies. Horndon: Northcote House.

Juan, C.S. (2001) ‘Ballroom Dance as an Indicator of Immigrant Identity in the Filipino Community’, The Journal of American Culture, 24(3–4), pp. 177–181. Available at: https://doi.org/10.1111/j.1537-4726.2001.2403_177.x.

Judy van Zile (1996) ‘Non-Polynesian Dance in Hawai’i: Issues of Identity in a Multicultural Community’, Dance Research Journal, 28(1), pp. 28–50. Available at: http://www.jstor.org/stable/1478104?seq=1#page_scan_tab_contents.

Kaeppler, A. (1996) ‘Dance’, in Encyclopedia of cultural anthropology. London: Distributed by Macmillan, pp. 309–313. Available at: https://contentstore.cla.co.uk//secure/link?id=171e36ea-854a-e611-80bd-0cc47a6bddeb.

Kaufman, B.A., Warren, M.P. and Hamilton, L. (1996) ‘Intervention in an elite ballet school’, Women’s Studies International Forum, 19(5), pp. 545–549. Available at: https://doi.org/10.1016/0277-5395(96)00049-0.

Kenan Malik’s paper on the failures of multiculturalism (no date a). Available at: http://www.kenanmalik.com/papers/engelsberg_mc.html.

Kenan Malik’s paper on the failures of multiculturalism (no date b). Available at: http://www.kenanmalik.com/papers/engelsberg_mc.html.

Khan, N. (2004) ‘The Politics of Inclusion’, Animated [Preprint], (Summer). Available at: http://www.communitydance.org.uk/DB/animated-library/the-politics-of-inclusion.html?ed=14061.

Mauss, M. (1973) ‘Techniques of the body’, Economy and Society, 2(1), pp. 70–88. Available at: https://contentstore.cla.co.uk//secure/link?id=a06654ca-854a-e611-80bd-0cc47a6bddeb.

Meduri, A. (2003) ‘“Multiple Pleasures”’, in Taken by surprise: a dance improvisation reader. Hanover, N.H.: Wesleyan University Press, pp. 141–150. Available at: https://contentstore.cla.co.uk/secure/link?id=d4a671a6-5237-e811-80cd-005056af4099.

MEDURI, A. (2008) ‘Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage’, Dance Research, 26(2), pp. 223–243. Available at: https://doi.org/10.3366/E0264287508000200.

Meduri, A. (2011) ‘Worlding Dance’, Dance Research Journal, 43(02), pp. 109–112. Available at: https://doi.org/10.1017/S0149767711000155.

Meduri, A. and Spear, J.L. (2004) ‘Knowing the Dancer: East Meets West’, Victorian Literature and Culture, 32(2), pp. 435–448. Available at: http://www.jstor.org/stable/25058678?seq=1#page_scan_tab_contents.

Meduri, Avanthi (2004) ‘Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice.’, Dance Research Journal, 36, pp. 11–29. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=17332277&site=ehost-live.

Meduri, Avanthi (2008) ‘The Transfiguration of Indian /Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts.’, Asian Theatre Journal, 25(Issue 2), pp. 298–328. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=34455109&site=ehost-live.

MEDURI, AVANTHI1 (2009) ‘AT HOME IN THE WORLD: BHARATA NATYAM ON THE GLOBAL STAGE.’, Asian Theatre Journal, 26, pp. 378–382. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=47549531&site=ehost-live.

Miner, H. (1956) ‘Body Ritual among the Nacirema’, American Anthropologist, 58(3), pp. 503–507. Available at: http://www.jstor.org/stable/665280.

Mitra, R. (2015) Akram Khan: dancing new interculturalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Morris, G. (1996) Moving words: re-writing dance (electronic resource). London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991190.

Morris, G. (2009) ‘Dance Studies/Cultural Studies.’, Dance Research Journal. Summer, 41(1), pp. 82–100. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=37375438&site=ehost-live.

Munsi, U.S. (2008) Dance: transcending borders. New Delhi: Tulika Books.

Murray, David (2000) ‘Haka Fracas? The Dialectics of Identity in Discussions of a Contemporary Maori Dance.’, Australian Journal of Anthropology, 11(3). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=3762264&site=ehost-live.

Novack, C. (2010) ‘Looking at movement as culture: Contact improvisation to disco’, in The Routledge dance studies reader. 2nd ed. London: Routledge, pp. 168–180. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984.

Olsen, B. (1990) ‘Roland Barthes: from sign to text’, in Reading material culture: structuralism, hermeneutics and post-structuralism. Oxford: Basil Blackwell, pp. 163–205. Available at: https://contentstore.cla.co.uk/secure/link?id=5f9e17dd-ab38-e811-80cd-005056af4099.

Osumare, H. (2002) ‘Global Breakdancing and the Intercultural Body’, Dance Research Journal, 34(2). Available at: https://doi.org/10.2307/1478458.

Pavis, P. (1996) ‘Introduction: Towards a Theory of Interculturalism in Theatre’, in The intercultural performance reader. London: Routledge, pp. 1–21. Available at: https://contentstore.cla.co.uk/secure/link?id=b2b08461-5537-e811-80cd-005056af4099.

Plancke, C. (2010) ‘On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville.’, Africa, 80(4), pp. 620–641. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=55512319&site=ehost-live.

Prickett, S. (1994) ‘The People:  Issues of Identity Within the Revolutionary Dance,’ "Of, By and For the People:  Dancing on the Left in the 1930s’, Studies in Dance History, 1, pp. 14–22.

Prickett, S. (2010a) ‘Dancing the American Dream During World War II’, in Dance and politics. Oxford: P. Lang, pp. 167–192. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035307474.

Prickett, S. (2010b) ‘The People’s Dance: workers, politics and movement in 1930s Britain’, Dance History: Politics, Practices and Perspectives Conference Proceedings, pp. 71–79. Available at: http://www.sdr-uk.org/temp/docs/2010_SDR_dance_history_symposium_proceedings.pdf.

Prickett, S. (2012) ‘Defying Britain’s Tick-Box Culture: Kathak in Dialogue with Hip-Hop’, Dance Research, 30(2), pp. 169–185. Available at: https://doi.org/10.3366/drs.2012.0045.

Rapport, N. and Overing, J. (2000) Social and cultural anthropology: the key concepts. London: Routledge.

Royce, A.P. (2004) Anthropology of the performing arts: artistry, virtuosity, and interpretation in a cross-cultural perspective. Walnut Creek, CA: AltaMira Press.

Shapiro, S.B. (1998) Dance, power, and difference: critical and feminist perspectives on dance education. Champaign, IL: Human Kinetics.

Shilling, C. (2003a) The body and social theory (electronic resource). 2nd ed. London: SAGE. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570.

Shilling, C. (2003b) ‘The civilized body’, in The body and social theory. 2nd ed. London: SAGE, pp. 135–141. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849206570.

Shilling, C. (2012) The body and social theory. 3rd ed. London: SAGE. Available at: http://sk.sagepub.com/books/the-body-and-social-theory.

Spear, J.L. and Meduri, A. (2004) ‘Knowing the Dancer: East Meets West’, Victorian Literature and Culture, 32(2), pp. 435–448. Available at: http://www.jstor.org/stable/25058678.

Stacey Prickett (2007) ‘San Francisco Innovators and Iconoclasts: Dance and Politics in the Left Coast City’, Dance Chronicle, 30(2), pp. 237–290. Available at: http://www.jstor.org/stable/25598108?seq=1#page_scan_tab_contents.

Swartz, D. (1997) Culture & power: the sociology of Pierre Bourdieu. Chicago: University of Chicago Press.

Thomas, H. (2003) ‘The Body in Culture: Before the Body Project’, in The body, dance, and cultural theory. Basingstoke: Palgrave Macmillan, pp. 9–33. Available at: https://contentstore.cla.co.uk/secure/link?id=b3a77bc7-5037-e811-80cd-005056af4099.

Thomas, H. (2005) The body and everyday life. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348.

Thomas, H. (2013) The body and everyday life. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://dmz-shib-dg-01.dmz.roehampton.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203392348.

Turner, B.S. (1992) Regulating bodies: essays in medical sociology (electronic resource). London: Routledge. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10060633.

Turner, B.S. (1994) Orientalism, postmodernism and globalism (electronic resource). London: Routledge. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10058384.

Turner, B.S. (1996) The body and society: explorations in social theory. 2nd ed. London: SAGE.

Um, H. (2001) Diasporas and interculturalism in Asian performing arts: translating traditions. Richmond: Curzon.

Wainwright, S.P. and Turner, B.S. (2006) ‘“Just Crumbling to Bits”? An Exploration of the Body,                Ageing, Injury and Career in Classical Ballet Dancers’, Sociology, 40(2), pp. 237–255. Available at: https://doi.org/10.1177/0038038506062031.

Williams, D. (2003) Anthropology and the dance: ten lectures. New ed. Urbana, Ill: University of Illinois Press.

Wulff, H. (1998) Ballet across borders: career and culture in the world of dancers. Oxford: Berg.

Wulff, H. (2002) ‘Aesthetics at the ballet: looking at "national” style, body and clothing in the London dance world’, in British subjects: an anthropology of Britain. Oxford: Berg, pp. 67–86. Available at: https://contentstore.cla.co.uk/secure/link?id=ebba4085-ab38-e811-80cd-005056af4099.