1.
Shakespeare W. The Norton Shakespeare. Third Edition. (Greenblatt S, Cohen W, Gossett S, Howard JE, Maus KE, McMullan G, eds.). W.W. Norton & Company; 2016. https://app.kortext.com/borrow/213586
2.
Cousins AD, Derrin D, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge University Press; 2018. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
3.
Shakespeare W, Greenblatt S, Cohen W, et al. The Norton Shakespeare: Comedies. 3rd edition. W. W. Norton; 2016.
4.
Shakespeare W, Greenblatt S, Cohen W, et al. The Norton Shakespeare: Tragedies. 3rd edition. W. W. Norton; 2016.
5.
Shakespeare W, Greenblatt S, Cohen W, et al. The Norton Shakespeare: Histories. 3rd ed. W. W. Norton; 2016.
6.
Shakespeare W, Greenblatt S, Cohen W, et al. The Norton Shakespeare: Romances and Poems. 3rd ed. W. W. Norton; 2016.
7.
Gabriel Egan. The New Oxford Shakespeare: Complete Set: Modern Critical Edition, Critical Reference Edition, Authorship Companion. OUP Oxford; Critical edition; 27AD. https://www.amazon.co.uk/New-Oxford-Shakespeare-Reference-Authorship/dp/0198791321/ref=sr_1_2?ie=UTF8&qid=1547594552&sr=8-2&keywords=new+oxford+shakespeare+terri+bourus
8.
Shakespeare W, Greenblatt S, Cohen W, Howard JE, Maus KE, Gurr A. The Norton Shakespeare: Based on the Oxford Edition. 2nd ed. W. W. Norton; 2008.
9.
Wells SW, Orlin LC. Shakespeare: An Oxford Guide. Vol An Oxford guide. Oxford University Press; 2003.
10.
Smith E. Cambridge Introduction to Shakespeare. Vol Cambridge introductions to literature. Cambridge University Press; 2007. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780511321368&uid=^u
11.
Erne L. Shakespeare as Literary Dramatist. 2nd ed. New York; 2013.
12.
Ryan K. Shakespeare. 3rd ed. Palgrave; 2002. https://web-a-ebscohost-com.roe.idm.oclc.org/ehost/detail/detail?vid=0&sid=43750cbe-f60b-44f0-8801-f837b890d96f%40sessionmgr4008&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=78756&db=nlebk
13.
Margreta de Grazia and Peter Stallybrass. The Materiality of the Shakespearean Text. Shakespeare Quarterly. 1993;44(3):255-283. http://www.jstor.org/stable/2871419?seq=1#page_scan_tab_contents
14.
Palfrey S, Stern T. Shakespeare in Parts. Oxford University Press; 2007. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=415764
15.
Smith EJ. Shakespeare’s First Folio : Four Centuries of an Iconic Book. Open University Press; 2016.
16.
Franssen P. Shakespeare’s Literary Lives : Theauthor as Character in Fiction Andfilm. Cambridge University Press; 2016. http://ebooks.cambridge.org/ref/id/CBO9781316410851
17.
Archer JEG. Intellectual and Cultural World Ofthe Early Modern Inns of Court. Manchester University Press; 2011.
18.
Shakespeare W, Bate J. Titus Andronicus. The Arden Shakespeare/Thomson Learning; 2006.
19.
Miola RS. Shakespeare’s Rome. Cambridge University Press; 1983.
20.
Aebischer P. Shakespeare’s Violated Bodies: Stage and Screen Performance. Cambridge University Press; 2004.
21.
Chernaik WL. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge University Press; 2013. http://site.ebrary.com/lib/roehampton/Doc?id=10470742
22.
Kahn C. Roman Shakespeare: Warriors, Wounds, and Women. Routledge; 1997. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
23.
Deborah Willis. ‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus’. Shakespeare Quarterly. 2002;53(1):21-52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
24.
Leggatt A. Shakespeare’s Tragedies: Violation and Identity. Cambridge University Press; 2005. https://doi.org/10.1017/CBO9780511483660
25.
Miola RS. Shakespeare’s Rome. Cambridge University Press; 1983.
26.
Chernaik WL. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge University Press; 2013. http://site.ebrary.com/lib/roehampton/Doc?id=10470742
27.
Kahn C. Roman Shakespeare: Warriors, Wounds, and Women. Routledge; 1997. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
28.
Zander H. Julius Caesar: New Critical Essays. Routledge; 2005. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952
29.
Wills G, ebrary, Inc. Rome and Rhetoric: Shakespeare’s Julius Caesar. Yale University Press; 2011. http://site.ebrary.com/lib/roehampton/Doc?id=10512355
30.
Shakespeare W. Much Ado about Nothing. Revised edition. (McEachern C, ed.). Bloomsbury Arden Shakespeare; 2016.
31.
Cook AJ. Making a Match: Courtship in Shakespeare and His Society. Princeton University Press; 2014. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
32.
Neely CT. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. University of Illinois Press; 1993.
33.
Cook C. ‘The Sign and Semblance of Her Honor’: Reading Gender Difference in Much Ado about Nothing. PMLA. 1986;101(2). doi:10.2307/462403
34.
Shakespeare W, Taylor G. Henry V. Vol The Oxford Shakespeare. Oxford University Press; 2008.
35.
Leggatt A. Shakespeare’s Political Drama: The History Plays and the Roman Plays. Routledge; 1988.
36.
Howard JE, Rackin P. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (Electronic Resource). Vol Feminist readings of Shakespeare. Routledge; 1997. http://site.ebrary.com/lib/roehampton/Doc?id=10057214
37.
Michael Neill. Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare’s Histories. Shakespeare Quarterly. 1994;45(1):1-32. http://www.jstor.org/stable/2871290?seq=1#page_scan_tab_contents
38.
Lawrence Danson. Henry V: King, Chorus, and Critics. Shakespeare Quarterly. 1983;34(1):27-43. http://www.jstor.org/stable/2870218?seq=1#page_scan_tab_contents
39.
Olivier LO. Henry V. Published online 2003.
40.
Shakespeare W, Thompson A, Taylor N. Hamlet. Vol The Arden Shakespeare. Third series. Arden Shakespeare; 2006.
41.
Shakespeare W, Thompson A, Taylor N. Hamlet: The Texts of 1603 and 1623. Vol Arden Shakespeare. Third series. Arden Shakespeare; 2006.
42.
Shakespeare W. Hamlet. Oxford University Press; 2008.
43.
Shakespeare W, Thompson (Ed) A, Taylor (Ed) N. Hamlet (The First Folio, 1623) (Electronic Resource). Vol Arden Shakespeare. Third series. Arden Shakespeare; 2006. doi:10.5040/9781408188125.00000040
44.
Shakespeare W, Thompson (Ed) A, Taylor (Ed) N. Hamlet (The First Quarto; 1603) (electronic resource). In: Hamlet: The Texts of 1603 and 1623. Vol Arden Shakespeare. Third series. Arden; 2006. doi:10.5040/9781408188125.00000018
45.
Shakespeare W, Thompson (Ed) A, Taylor (Ed) N. Hamlet (The Second Quarto, 1604–05) (Electronic Resource). Vol The Arden Shakespeare. Third series. Arden Shakespeare; 2006. doi:10.5040/9781408160404.00000005
46.
Thompson A. Hamlet: A Critical Reader. Bloomsbury Publishing; 2016.
47.
Mercer P. Hamlet and the Acting of Revenge. Vol Contemporary interpretations of Shakespeare. Macmillan; 1987.
48.
Greenblatt S. Hamlet in Purgatory (Electronic Resource). Vol Princeton classics. [New] edition. Princeton University Press; 2013. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1275329
49.
Thornton Burnett M. The Heart of the Mystery: Hamlet and Secrets. In: New Essays on Hamlet. Vol The Hamlet collection. AMS Press; 1994:21-46.
50.
Pirie D. Hamlet without the Prince. Critical Quarterly. 1972;14(4):293-314.
51.
Cousins AD; D. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge University Press; 2018. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
52.
Parker PA, Hartman GH. Shakespeare and the Question of Theory (Electronic Resource). Methuen; 1985. http://site.ebrary.com/lib/roehampton/Doc?id=10097432
53.
Shakespeare W, Snyder S. All’s Well That Ends Well. Vol The Oxford Shakespeare. Clarendon Press; 1993.
54.
Ure P. William Shakespeare: The Problem Plays -Troilus and Cressida - All’s Well That Ends Well - Measure for Measure - Timon of Athens. Vol Writers and their work. Published for The British Council and The National Book League by Longman; 1964.
55.
Thomas V. The Moral Universe of Shakespeare’s Problem Plays. Croom Helm; 1987.
56.
David McCandless. Helena’s Bed-trick: Gender and Performance in All’s Well That Ends Well. Shakespeare Quarterly. 1994;45(4):449-468. http://www.jstor.org/stable/2870966?seq=1#page_scan_tab_contents
57.
Muir K, International Shakespeare Conference. Shakespeare Survey: An Annual Survey of Shakespearian Study & Production, 22. Cambridge U.P; 1969.
58.
Shakespeare W, Foakes RA. King Lear (Electronic Resource). Vol The Arden Shakespeare. New ed. Nelson; 1997. http://www.dramaonlinelibrary.com/plays/king-lear-iid-130992
59.
Kingsley-Smith J. ‘Hereafter, in a Better World Than This’: The End of Exile in As You Like It and King Lear. In: Shakespeare’s Drama of Exile. Macmillan; 2003:106-136. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
60.
Colie RL, Flahiff FT. Some Facets of ‘King Lear’: Essays in Prismatic Criticism. Heinemann Educational; 1974.
61.
Taylor G, Warren M. The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear. Vol Oxford Shakespeare studies. Clarendon Press; 1983.
62.
Ellis A. Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. Vol Anglo-Italian Renaissance studies series. Ashgate; 2009.
63.
Adelman J. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. Routledge; 1992.
64.
Michael Neill. ‘In Everything Illegitimate’: Imagining the Bastard in Renaissance Drama. The Yearbook of English Studies. 1993;23:270-292. http://www.jstor.org/stable/3507984?seq=1#page_scan_tab_contents
65.
Alfar CL. Looking for Goneril and Regan. In: Privacy, Domesticity, and Women in Early Modern England. Ashgate; 2003:167-169.
66.
Shakespearean Sensations : Experiencing Literature in Early Modern England. First paperback edition. Cambridge University Press; 2015.
67.
Shakespeare W, Neill M. Anthony and Cleopatra. Vol The Oxford Shakespeare. Oxford University Press; 2008.
68.
Loomba A. The Imperial Romance of Anthony and Cleopatra. In: Shakespeare, Race, and Colonialism. Vol Oxford Shakespeare topics. Oxford University Press; 2002:112-134. https://contentstore.cla.co.uk/secure/link?id=6714d9d4-4ad4-e711-80cd-005056af4099
69.
Kahn C. Roman Shakespeare: Warriors, Wounds, and Women. Vol Feminist readings of Shakespeare. Routledge; 1997.
70.
Bloom H. William Shakespeare’s Antony and Cleopatra. Chelsea House; 1988.
71.
Stanton K. Shakespeare’s ’whores’ : Erotics, Politics and Poetics. Palgrave Macmillan; 2014.
72.
Shakespeare W, Orgel S. The Winter’s Tale. Vol The Oxford Shakespeare. Oxford University Press; 1996.
73.
Thorne A. Shakespeare’s Romances. Vol New casebooks. Palgrave Macmillan; 2003.
74.
McMullan G. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge University Press; 2007. https://doi.org/10.1017/CBO9780511483790
75.
Adelman J. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. Routledge; 1992.
76.
Neely CT. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. University of Illinois Press; 1993.
77.
Walter S. H. Lim. Knowledge and Belief in ‘The Winter’s Tale’. Studies in English Literature, 1500-1900. 2001;41(2):317-334. http://www.jstor.org/stable/1556191?seq=1#page_scan_tab_contents
78.
Leggatt A. Shakespeare’s Tragedies: Violation and Identity. Cambridge University Press; 2005. https://doi.org/10.1017/CBO9780511483660
79.
Deborah Willis. ‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus’. Shakespeare Quarterly. 2002;53(1):21-52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
80.
Shakespeare W, Bate J. Titus Andronicus. The Arden Shakespeare/Thomson Learning; 2006.
81.
Zander H. Julius Caesar: New Critical Essays. Routledge; 2005. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952
82.
Wills G, ebrary, Inc. Rome and Rhetoric: Shakespeare’s Julius Caesar. Yale University Press; 2011. http://site.ebrary.com/lib/roehampton/Doc?id=10512355
83.
Shakespeare W. Much Ado about Nothing. Revised edition. (McEachern C, ed.). Bloomsbury Arden Shakespeare; 2016.
84.
Cook AJ. Making a Match: Courtship in Shakespeare and His Society. Princeton University Press; 2014. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
85.
Neely CT. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. University of Illinois Press; 1993.
86.
Cook C. ‘The Sign and Semblance of Her Honor’: Reading Gender Difference in Much Ado about Nothing. PMLA. 1986;101(2). doi:10.2307/462403
87.
Kingsley-Smith J. ‘Hereafter, in a Better World Than This’: The End of Exile in As You Like It and King Lear. In: Shakespeare’s Drama of Exile. Macmillan; 2003:106-136. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
88.
Victorian Illustrated Shakespeare Archive | by Michael John Goodman. https://shakespeareillustration.org/