Adelman, J. (1992a). Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to The Tempest. Routledge.
Adelman, J. (1992b). Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to The Tempest. Routledge.
Aebischer, P. (2004). Shakespeare’s violated bodies: stage and screen performance. Cambridge University Press.
Alfar, C. L. (2003). Looking for Goneril and Regan. In Privacy, domesticity, and women in early modern England (pp. 167–169). Ashgate.
Archer, J. E. G. (2011). Intellectual and cultural world ofthe early modern Inns of Court. Manchester University Press.
Bloom, H. (1988). William Shakespeare’s Antony and Cleopatra. Chelsea House.
Chernaik, W. L. (2013a). The myth of Rome in Shakespeare and his contemporaries. Cambridge University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10470742
Chernaik, W. L. (2013b). The myth of Rome in Shakespeare and his contemporaries. Cambridge University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10470742
Colie, R. L., & Flahiff, F. T. (1974). Some facets of ‘King Lear’: essays in prismatic criticism. Heinemann Educational.
Cook, A. J. (2014a). Making a Match: Courtship in Shakespeare and His Society [Electronic resource]. Princeton University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
Cook, A. J. (2014b). Making a Match: Courtship in Shakespeare and His Society [Electronic resource]. Princeton University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
Cook, C. (1986a). ‘The Sign and Semblance of Her Honor’: Reading Gender Difference in Much Ado about Nothing. PMLA, 101(2). https://doi.org/10.2307/462403
Cook, C. (1986b). ‘The Sign and Semblance of Her Honor’: Reading Gender Difference in Much Ado about Nothing. PMLA, 101(2). https://doi.org/10.2307/462403
Cousins, A. D. ; D. (2018). Shakespeare and the soliloquy in early modern English drama. Cambridge University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
Cousins, A. D., & Derrin, D. (Eds.). (2018). Shakespeare and the soliloquy in early modern English drama. Cambridge University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
David McCandless. (1994). Helena’s Bed-trick: Gender and Performance in All’s Well That Ends Well. Shakespeare Quarterly, 45(4), 449–468. http://www.jstor.org/stable/2870966?seq=1#page_scan_tab_contents
Deborah Willis. (2002a). ‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus’. Shakespeare Quarterly, 53(1), 21–52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
Deborah Willis. (2002b). ‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus’. Shakespeare Quarterly, 53(1), 21–52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
Ellis, A. (2009). Old age, masculinity, and early modern drama: comic elders on the Italian and Shakespearean stage: Vol. Anglo-Italian Renaissance studies series. Ashgate.
Erne, L. (2013). Shakespeare as Literary Dramatist (2nd ed). New York.
Franssen, P. (2016). Shakespeare’s literary lives : theauthor as character in fiction andfilm. Cambridge University Press. http://ebooks.cambridge.org/ref/id/CBO9781316410851
Gabriel Egan. (27 C.E.). The New Oxford Shakespeare: Complete Set: Modern Critical Edition, Critical Reference Edition, Authorship Companion. OUP Oxford; Critical edition. https://www.amazon.co.uk/New-Oxford-Shakespeare-Reference-Authorship/dp/0198791321/ref=sr_1_2?ie=UTF8&qid=1547594552&sr=8-2&keywords=new+oxford+shakespeare+terri+bourus
Greenblatt, S. (2013). Hamlet in purgatory (electronic resource): Vol. Princeton classics ([New] edition). Princeton University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1275329
Howard, J. E., & Rackin, P. (1997). Engendering a nation: a feminist account of Shakespeare’s English histories (electronic resource): Vol. Feminist readings of Shakespeare. Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=10057214
Kahn, C. (1997a). Roman Shakespeare: warriors, wounds, and women. Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
Kahn, C. (1997b). Roman Shakespeare: warriors, wounds, and women. Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
Kahn, C. (1997c). Roman Shakespeare: warriors, wounds, and women: Vol. Feminist readings of Shakespeare. Routledge.
Kingsley-Smith, J. (2003a). ‘Hereafter, in a Better World Than This’: The End of Exile in As You Like It and King Lear. In Shakespeare’s drama of exile (pp. 106–136). Macmillan. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
Kingsley-Smith, J. (2003b). ‘Hereafter, in a Better World Than This’: The End of Exile in As You Like It and King Lear. In Shakespeare’s drama of exile (pp. 106–136). Macmillan. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
Lawrence Danson. (1983). Henry V: King, Chorus, and Critics. Shakespeare Quarterly, 34(1), 27–43. http://www.jstor.org/stable/2870218?seq=1#page_scan_tab_contents
Leggatt, A. (1988). Shakespeare’s political drama: the history plays and the Roman plays. Routledge.
Leggatt, A. (2005a). Shakespeare’s tragedies: violation and identity. Cambridge University Press. https://doi.org/10.1017/CBO9780511483660
Leggatt, A. (2005b). Shakespeare’s tragedies: violation and identity. Cambridge University Press. https://doi.org/10.1017/CBO9780511483660
Loomba, A. (2002). The Imperial Romance of Anthony and Cleopatra. In Shakespeare, Race, and Colonialism: Vol. Oxford Shakespeare topics (pp. 112–134). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=6714d9d4-4ad4-e711-80cd-005056af4099
Margreta de Grazia and Peter Stallybrass. (1993). The Materiality of the Shakespearean Text. Shakespeare Quarterly, 44(3), 255–283. http://www.jstor.org/stable/2871419?seq=1#page_scan_tab_contents
McMullan, G. (2007). Shakespeare and the idea of late writing: authorship in the proximity of death. Cambridge University Press. https://doi.org/10.1017/CBO9780511483790
Mercer, P. (1987). Hamlet and the acting of revenge: Vol. Contemporary interpretations of Shakespeare. Macmillan.
Michael Neill. (1993). ‘In Everything Illegitimate’: Imagining the Bastard in Renaissance Drama. The Yearbook of English Studies, 23, 270–292. http://www.jstor.org/stable/3507984?seq=1#page_scan_tab_contents
Michael Neill. (1994). Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare’s Histories. Shakespeare Quarterly, 45(1), 1–32. http://www.jstor.org/stable/2871290?seq=1#page_scan_tab_contents
Miola, R. S. (1983a). Shakespeare’s Rome. Cambridge University Press.
Miola, R. S. (1983b). Shakespeare’s Rome. Cambridge University Press.
Muir, K. & International Shakespeare Conference. (1969). Shakespeare survey: an annual survey of Shakespearian study & production, 22. Cambridge U.P.
Neely, C. T. (1993a). Broken nuptials in Shakespeare’s plays (Illini Books ed). University of Illinois Press.
Neely, C. T. (1993b). Broken nuptials in Shakespeare’s plays (Illini Books ed). University of Illinois Press.
Neely, C. T. (1993c). Broken nuptials in Shakespeare’s plays (Illini Books ed). University of Illinois Press.
Olivier, L. O. (2003). Henry V [Videorecording]. ITV DVD.
Palfrey, S., & Stern, T. (2007). Shakespeare in parts. Oxford University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=415764
Parker, P. A., & Hartman, G. H. (1985). Shakespeare and the question of theory (electronic resource). Methuen. http://site.ebrary.com/lib/roehampton/Doc?id=10097432
Pirie, D. (1972). Hamlet without the Prince. Critical Quarterly, 14(4), 293–314.
Ryan, K. (2002). Shakespeare (3rd ed). Palgrave. https://web-a-ebscohost-com.roe.idm.oclc.org/ehost/detail/detail?vid=0&sid=43750cbe-f60b-44f0-8801-f837b890d96f%40sessionmgr4008&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=78756&db=nlebk
Shakespeare, W. (2008). Hamlet. Oxford University Press.
Shakespeare, W. (2016a). Much ado about nothing (C. McEachern, Ed.; Revised edition). Bloomsbury Arden Shakespeare.
Shakespeare, W. (2016b). Much ado about nothing (C. McEachern, Ed.; Revised edition). Bloomsbury Arden Shakespeare.
Shakespeare, W. (2016c). The Norton Shakespeare (S. Greenblatt, W. Cohen, S. Gossett, J. E. Howard, K. E. Maus, & G. McMullan, Eds.; Third Edition). W.W. Norton & Company. https://app.kortext.com/borrow/213586
Shakespeare, W., & Bate, J. (2006a). Titus Andronicus. The Arden Shakespeare/Thomson Learning.
Shakespeare, W., & Bate, J. (2006b). Titus Andronicus. The Arden Shakespeare/Thomson Learning.
Shakespeare, W., & Foakes, R. A. (1997). King Lear (electronic resource): Vol. The Arden Shakespeare (New ed). Nelson. http://www.dramaonlinelibrary.com/plays/king-lear-iid-130992
Shakespeare, W., Greenblatt, S., Cohen, W., Gossett, S., Howard, J. E., Maus, K. E., & McMullan, G. (2016a). The Norton Shakespeare: Comedies (3rd edition). W. W. Norton.
Shakespeare, W., Greenblatt, S., Cohen, W., Gossett, S., Howard, J. E., Maus, K. E., & McMullan, G. (2016b). The Norton Shakespeare: Histories (3rd ed). W. W. Norton.
Shakespeare, W., Greenblatt, S., Cohen, W., Gossett, S., Howard, J. E., Maus, K. E., & McMullan, G. (2016c). The Norton Shakespeare: Romances and poems (3rd ed). W. W. Norton.
Shakespeare, W., Greenblatt, S., Cohen, W., Gossett, S., Howard, J. E., Maus, K. E., McMullan, G., & Gurr, A. (2016). The Norton Shakespeare: Tragedies (3rd edition). W. W. Norton.
Shakespeare, W., Greenblatt, S., Cohen, W., Howard, J. E., Maus, K. E., & Gurr, A. (2008). The Norton Shakespeare: based on the Oxford edition (2nd ed). W. W. Norton.
Shakespeare, W., & Neill, M. (2008). Anthony and Cleopatra: Vol. The Oxford Shakespeare. Oxford University Press.
Shakespeare, W., & Orgel, S. (1996). The winter’s tale: Vol. The Oxford Shakespeare. Oxford University Press.
Shakespeare, W., & Snyder, S. (1993). All’s well that ends well: Vol. The Oxford Shakespeare. Clarendon Press.
Shakespeare, W., & Taylor, G. (2008). Henry V: Vol. The Oxford Shakespeare. Oxford University Press.
Shakespeare, W., Thompson, A., & Taylor, N. (2006a). Hamlet: the texts of 1603 and 1623: Vol. Arden Shakespeare. Third series. Arden Shakespeare.
Shakespeare, W., Thompson, A., & Taylor, N. (2006b). Hamlet: Vol. The Arden Shakespeare. Third series. Arden Shakespeare.
Shakespeare, W., Thompson (Ed), A., & Taylor (Ed), N. (2006a). Hamlet (The First Folio, 1623) (electronic resource). In Hamlet: the texts of 1603 and 1623: Vol. Arden Shakespeare. Third series. Arden Shakespeare. https://doi.org/10.5040/9781408188125.00000040
Shakespeare, W., Thompson (Ed), A., & Taylor (Ed), N. (2006b). Hamlet (The First Quarto; 1603) (electronic resource). In Hamlet: the texts of 1603 and 1623: Vol. Arden Shakespeare. Third series. Arden. https://doi.org/10.5040/9781408188125.00000018
Shakespeare, W., Thompson (Ed), A., & Taylor (Ed), N. (2006c). Hamlet (The Second Quarto, 1604–05) (electronic resource). In Hamlet: Vol. The Arden Shakespeare. Third series. Arden Shakespeare. https://doi.org/10.5040/9781408160404.00000005
Shakespearean sensations : experiencing literature in early modern England (First paperback edition). (2015). Cambridge University Press.
Smith, E. (2007). Cambridge introduction to Shakespeare: Vol. Cambridge introductions to literature [Electronic resource]. Cambridge University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780511321368&uid=^u
Smith, E. J. (2016). Shakespeare’s First Folio : four centuries of an iconic book. Open University Press.
Stanton, K. (2014). Shakespeare’s ’whores’ : erotics, politics and poetics. Palgrave Macmillan.
Taylor, G., & Warren, M. (1983). The Division of the kingdoms: Shakespeare’s two versions of King Lear: Vol. Oxford Shakespeare studies. Clarendon Press.
Thomas, V. (1987). The moral universe of Shakespeare’s problem plays. Croom Helm.
Thompson, A. (2016). Hamlet: A Critical Reader. Bloomsbury Publishing.
Thorne, A. (2003). Shakespeare’s romances: Vol. New casebooks. Palgrave Macmillan.
Thornton Burnett, M. (1994). The Heart of the Mystery: Hamlet and Secrets. In New essays on Hamlet: Vol. The Hamlet collection (pp. 21–46). AMS Press.
Ure, P. (1964). William Shakespeare: the problem plays -Troilus and Cressida - all’s well that ends well - Measure for Measure - Timon of Athens: Vol. Writers and their work. Published for The British Council and The National Book League by Longman.
Victorian Illustrated Shakespeare Archive | by Michael John Goodman. (n.d.). https://shakespeareillustration.org/
Walter S. H. Lim. (2001). Knowledge and Belief in ‘The Winter’s Tale’. Studies in English Literature, 1500-1900, 41(2), 317–334. http://www.jstor.org/stable/1556191?seq=1#page_scan_tab_contents
Wells, S. W., & Orlin, L. C. (2003). Shakespeare: an Oxford guide: Vol. An Oxford guide. Oxford University Press.
Wills, G. & ebrary, Inc. (2011a). Rome and rhetoric: Shakespeare’s Julius Caesar [Electronic resource]. Yale University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10512355
Wills, G. & ebrary, Inc. (2011b). Rome and rhetoric: Shakespeare’s Julius Caesar [Electronic resource]. Yale University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10512355
Zander, H. (2005a). Julius Caesar: new critical essays. Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952
Zander, H. (2005b). Julius Caesar: new critical essays. Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952