Adelman, Janet. 1992a. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge.
———. 1992b. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge.
Aebischer, Pascale. 2004. Shakespeare’s Violated Bodies: Stage and Screen Performance. Cambridge, U.K.: Cambridge University Press.
Alfar, Cristina Leon. 2003. ‘Looking for Goneril and Regan’. In Privacy, Domesticity, and Women in Early Modern England, 167–69. Aldershot, Hants, U.K.: Ashgate.
Archer, Jayne Elisabeth; Goldring. 2011. Intellectual and Cultural World Ofthe Early Modern Inns of Court. Manchester: Manchester University Press.
Bloom, Harold. 1988. William Shakespeare’s Antony and Cleopatra. New York: Chelsea House.
Chernaik, Warren L. 2013a. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10470742.
———. 2013b. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10470742.
Colie, Rosalie L., and F T. Flahiff. 1974. Some Facets of ‘King Lear’: Essays in Prismatic Criticism. London: Heinemann Educational.
Cook, Ann Jennalie. 2014a. Making a Match: Courtship in Shakespeare and His Society. Electronic resource. Princeton: Princeton University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live.
———. 2014b. Making a Match: Courtship in Shakespeare and His Society. Electronic resource. Princeton: Princeton University Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live.
Cook, Carol. 1986a. ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’. PMLA 101 (2). https://doi.org/10.2307/462403.
———. 1986b. ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’. PMLA 101 (2). https://doi.org/10.2307/462403.
Cousins, A. D.; Derrin. 2018. Shakespeare and the Soliloquy in Early Modern English Drama. New York, USA: Cambridge University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051.
Cousins, A. D., and Daniel Derrin, eds. 2018. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051.
David McCandless. 1994. ‘Helena’s Bed-Trick: Gender and Performance in All’s Well That Ends Well’. Shakespeare Quarterly 45 (4): 449–68. http://www.jstor.org/stable/2870966?seq=1#page_scan_tab_contents.
Deborah Willis. 2002a. ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’. Shakespeare Quarterly 53 (1): 21–52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents.
———. 2002b. ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’. Shakespeare Quarterly 53 (1): 21–52. https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents.
Ellis, Anthony. 2009. Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. Vol. Anglo-Italian Renaissance studies series. Farnham: Ashgate.
Erne, Lukas. 2013. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: New York.
Franssen, Paul. 2016. Shakespeare’s Literary Lives : Theauthor as Character in Fiction Andfilm. Cambridge, United Kingdom: Cambridge University Press. http://ebooks.cambridge.org/ref/id/CBO9781316410851.
Gabriel Egan. 27AD. The New Oxford Shakespeare: Complete Set: Modern Critical Edition, Critical Reference Edition, Authorship Companion. OUP Oxford; Critical edition. https://www.amazon.co.uk/New-Oxford-Shakespeare-Reference-Authorship/dp/0198791321/ref=sr_1_2?ie=UTF8&qid=1547594552&sr=8-2&keywords=new+oxford+shakespeare+terri+bourus.
Greenblatt, Stephen. 2013. Hamlet in Purgatory (Electronic Resource). [New] edition. Vol. Princeton classics. Princeton: Princeton University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1275329.
Howard, Jean E., and Phyllis Rackin. 1997. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (Electronic Resource). Vol. Feminist readings of Shakespeare. London [England]: Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=10057214.
Kahn, Coppélia. 1997a. Roman Shakespeare: Warriors, Wounds, and Women. London: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363.
———. 1997b. Roman Shakespeare: Warriors, Wounds, and Women. London: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363.
———. 1997c. Roman Shakespeare: Warriors, Wounds, and Women. Vol. Feminist readings of Shakespeare. London: Routledge.
Kingsley-Smith, Jane. 2003a. ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’. In Shakespeare’s Drama of Exile, 106–36. London: Macmillan. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099.
———. 2003b. ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’. In Shakespeare’s Drama of Exile, 106–36. London: Macmillan. https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099.
Lawrence Danson. 1983. ‘Henry V: King, Chorus, and Critics’. Shakespeare Quarterly 34 (1): 27–43. http://www.jstor.org/stable/2870218?seq=1#page_scan_tab_contents.
Leggatt, Alexander. 1988. Shakespeare’s Political Drama: The History Plays and the Roman Plays. London: Routledge.
———. 2005a. Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511483660.
———. 2005b. Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511483660.
Loomba, Ania. 2002. ‘The Imperial Romance of Anthony and Cleopatra’. In Shakespeare, Race, and Colonialism, Oxford Shakespeare topics:112–34. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=6714d9d4-4ad4-e711-80cd-005056af4099.
Margreta de Grazia and Peter Stallybrass. 1993. ‘The Materiality of the Shakespearean Text’. Shakespeare Quarterly 44 (3): 255–83. http://www.jstor.org/stable/2871419?seq=1#page_scan_tab_contents.
McMullan, Gordon. 2007. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511483790.
Mercer, Peter. 1987. Hamlet and the Acting of Revenge. Vol. Contemporary interpretations of Shakespeare. London: Macmillan.
Michael Neill. 1993. ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’. The Yearbook of English Studies 23: 270–92. http://www.jstor.org/stable/3507984?seq=1#page_scan_tab_contents.
———. 1994. ‘Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare’s Histories’. Shakespeare Quarterly 45 (1): 1–32. http://www.jstor.org/stable/2871290?seq=1#page_scan_tab_contents.
Miola, Robert S. 1983a. Shakespeare’s Rome. Cambridge: Cambridge University Press.
———. 1983b. Shakespeare’s Rome. Cambridge: Cambridge University Press.
Muir, Kenneth and International Shakespeare Conference. 1969. Shakespeare Survey: An Annual Survey of Shakespearian Study & Production, 22. London: Cambridge U.P.
Neely, Carol Thomas. 1993a. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press.
———. 1993b. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press.
———. 1993c. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press.
Olivier, Laurence Olivier. 2003. ‘Henry V’. Videorecording. [UK]: ITV DVD.
Palfrey, Simon, and Tiffany Stern. 2007. Shakespeare in Parts. Oxford: Oxford University Press. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=415764.
Parker, Patricia A., and Geoffrey H. Hartman. 1985. Shakespeare and the Question of Theory (Electronic Resource). New York: Methuen. http://site.ebrary.com/lib/roehampton/Doc?id=10097432.
Pirie, David. 1972. ‘Hamlet without the Prince’. Critical Quarterly 14 (4): 293–314.
Ryan, Kiernan. 2002. Shakespeare. 3rd ed. Basingstoke: Palgrave. https://web-a-ebscohost-com.roe.idm.oclc.org/ehost/detail/detail?vid=0&sid=43750cbe-f60b-44f0-8801-f837b890d96f%40sessionmgr4008&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=78756&db=nlebk.
Shakespeare, William. 2008. Hamlet. Oxford ; New York: Oxford University Press.
———. 2016a. Much Ado about Nothing. Edited by Claire McEachern. Revised edition. London: Bloomsbury Arden Shakespeare.
———. 2016b. Much Ado about Nothing. Edited by Claire McEachern. Revised edition. London: Bloomsbury Arden Shakespeare.
———. 2016c. The Norton Shakespeare. Edited by Stephen Greenblatt, Walter Cohen, Suzanne Gossett, Jean E. Howard, Katharine Eisaman Maus, and Gordon McMullan. Third Edition. New York: W.W. Norton & Company. https://app.kortext.com/borrow/213586.
Shakespeare, William, and Jonathan Bate. 2006a. Titus Andronicus. London: The Arden Shakespeare/Thomson Learning.
———. 2006b. Titus Andronicus. London: The Arden Shakespeare/Thomson Learning.
Shakespeare, William, and R. A. Foakes. 1997. King Lear (Electronic Resource). New ed. Vol. The Arden Shakespeare. Walton-on-Thames: Nelson. http://www.dramaonlinelibrary.com/plays/king-lear-iid-130992.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Suzanne Gossett, Jean E. Howard, Katharine Eisaman Maus, and Gordon McMullan. 2016a. The Norton Shakespeare: Comedies. 3rd edition. New York: W. W. Norton.
———. 2016b. The Norton Shakespeare: Histories. 3rd ed. New York: W. W. Norton.
———. 2016c. The Norton Shakespeare: Romances and Poems. 3rd ed. New York: W. W. Norton.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Suzanne Gossett, Jean E. Howard, Katharine Eisaman Maus, Gordon McMullan, and Andrew Gurr. 2016. The Norton Shakespeare: Tragedies. 3rd edition. New York: W. W. Norton.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. 2008. The Norton Shakespeare: Based on the Oxford Edition. 2nd ed. New York: W. W. Norton.
Shakespeare, William, and Michael Neill. 2008. Anthony and Cleopatra. Vol. The Oxford Shakespeare. Oxford: Oxford University Press.
Shakespeare, William, and Stephen Orgel. 1996. The Winter’s Tale. Vol. The Oxford Shakespeare. Oxford: Oxford University Press.
Shakespeare, William, and Susan Snyder. 1993. All’s Well That Ends Well. Vol. The Oxford Shakespeare. Oxford: Clarendon Press.
Shakespeare, William, and Gary Taylor. 2008. Henry V. Vol. The Oxford Shakespeare. Oxford: Oxford University Press.
Shakespeare, William, Ann Thompson, and Neil Taylor. 2006a. Hamlet. Vol. The Arden Shakespeare. Third series. London: Arden Shakespeare.
———. 2006b. Hamlet: The Texts of 1603 and 1623. Vol. Arden Shakespeare. Third series. London: Arden Shakespeare.
Shakespeare, William, Ann Thompson (Ed), and Neil Taylor (Ed). 2006a. Hamlet (The First Folio, 1623) (Electronic Resource). Hamlet: The Texts of 1603 and 1623. Vol. Arden Shakespeare. Third series. London: Arden Shakespeare. https://doi.org/10.5040/9781408188125.00000040.
———. 2006b. ‘Hamlet (The First Quarto; 1603) (Electronic Resource)’. In Hamlet: The Texts of 1603 and 1623. Vol. Arden Shakespeare. Third series. London: Arden. https://doi.org/10.5040/9781408188125.00000018.
———. 2006c. Hamlet (The Second Quarto, 1604–05) (Electronic Resource). Hamlet. Vol. The Arden Shakespeare. Third series. London: Arden Shakespeare. https://doi.org/10.5040/9781408160404.00000005.
Shakespearean Sensations : Experiencing Literature in Early Modern England. 2015. First paperback edition. Cambridge, United Kingdom: Cambridge University Press.
Smith, Emma. 2007. Cambridge Introduction to Shakespeare. Electronic resource. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780511321368&uid=^u.
Smith, Emma Josephine. 2016. Shakespeare’s First Folio : Four Centuries of an Iconic Book. Oxford: Open University Press.
Stanton, Kay. 2014. Shakespeare’s ’whores’ : Erotics, Politics and Poetics. Basingstoke: Palgrave Macmillan.
Taylor, Gary, and Michael Warren. 1983. The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear. Vol. Oxford Shakespeare studies. Oxford [Oxfordshire]: Clarendon Press.
Thomas, Vivian. 1987. The Moral Universe of Shakespeare’s Problem Plays. London: Croom Helm.
Thompson, Ann. 2016. Hamlet: A Critical Reader. London: Bloomsbury Publishing.
Thorne, Alison. 2003. Shakespeare’s Romances. Vol. New casebooks. Basingstoke: Palgrave Macmillan.
Thornton Burnett, Mark. 1994. ‘The Heart of the Mystery: Hamlet and Secrets’. In New Essays on Hamlet, The Hamlet collection:21–46. New York: AMS Press.
Ure, Peter. 1964. William Shakespeare: The Problem Plays -Troilus and Cressida - All’s Well That Ends Well - Measure for Measure - Timon of Athens. Vol. Writers and their work. London: Published for The British Council and The National Book League by Longman.
‘Victorian Illustrated Shakespeare Archive | by Michael John Goodman’. n.d. https://shakespeareillustration.org/.
Walter S. H. Lim. 2001. ‘Knowledge and Belief in “The Winter’s Tale”’. Studies in English Literature, 1500-1900 41 (2): 317–34. http://www.jstor.org/stable/1556191?seq=1#page_scan_tab_contents.
Wells, Stanley W., and Lena Cowen Orlin. 2003. Shakespeare: An Oxford Guide. Vol. An Oxford guide. Oxford: Oxford University Press.
Wills, Garry and ebrary, Inc. 2011a. Rome and Rhetoric: Shakespeare’s Julius Caesar. Electronic resource. New Haven, CT: Yale University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10512355.
———. 2011b. Rome and Rhetoric: Shakespeare’s Julius Caesar. Electronic resource. New Haven, CT: Yale University Press. http://site.ebrary.com/lib/roehampton/Doc?id=10512355.
Zander, Horst. 2005a. Julius Caesar: New Critical Essays. New York: Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952.
———. 2005b. Julius Caesar: New Critical Essays. New York: Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952.