Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge, 1992. Print.
---. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge, 1992. Print.
Aebischer, Pascale. Shakespeare’s Violated Bodies: Stage and Screen Performance. Cambridge, U.K.: Cambridge University Press, 2004. Print.
Alfar, Cristina Leon. ‘Looking for Goneril and Regan’. Privacy, Domesticity, and Women in Early Modern England. Aldershot, Hants, U.K.: Ashgate, 2003. 167–9. Print.
Archer, Jayne Elisabeth; Goldring. Intellectual and Cultural World Ofthe Early Modern Inns of Court. Manchester: Manchester University Press, 2011. Print.
Bloom, Harold. William Shakespeare’s Antony and Cleopatra. New York: Chelsea House, 1988. Print.
Chernaik, Warren L. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press, 2013. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10470742>.
---. The Myth of Rome in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press, 2013. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10470742>.
Colie, Rosalie L., and F T. Flahiff. Some Facets of ‘King Lear’: Essays in Prismatic Criticism. London: Heinemann Educational, 1974. Print.
Cook, Ann Jennalie. Making a Match: Courtship in Shakespeare and His Society. Princeton: Princeton University Press, 2014. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live>.
---. Making a Match: Courtship in Shakespeare and His Society. Princeton: Princeton University Press, 2014. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live>.
Cook, Carol. ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’. PMLA 101.2 (1986): n. pag. Web.
---. ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’. PMLA 101.2 (1986): n. pag. Web.
Cousins, A. D.; Derrin. Shakespeare and the Soliloquy in Early Modern English Drama. New York, USA: Cambridge University Press, 2018. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051>.
Cousins, A. D., and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051>.
David McCandless. ‘Helena’s Bed-Trick: Gender and Performance in All’s Well That Ends Well’. Shakespeare Quarterly 45.4 (1994): 449–468. Web. <http://www.jstor.org/stable/2870966?seq=1#page_scan_tab_contents>.
Deborah Willis. ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’. Shakespeare Quarterly 53.1 (2002): 21–52. Web. <https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents>.
---. ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’. Shakespeare Quarterly 53.1 (2002): 21–52. Web. <https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents>.
Ellis, Anthony. Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. Anglo-Italian Renaissance studies series. Farnham: Ashgate, 2009. Print.
Erne, Lukas. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: New York, 2013. Print.
Franssen, Paul. Shakespeare’s Literary Lives : Theauthor as Character in Fiction Andfilm. Cambridge, United Kingdom: Cambridge University Press, 2016. Web. <http://ebooks.cambridge.org/ref/id/CBO9781316410851>.
Gabriel Egan. The New Oxford Shakespeare: Complete Set: Modern Critical Edition, Critical Reference Edition, Authorship Companion. OUP Oxford; Critical edition, 27AD. Web. <https://www.amazon.co.uk/New-Oxford-Shakespeare-Reference-Authorship/dp/0198791321/ref=sr_1_2?ie=UTF8&qid=1547594552&sr=8-2&keywords=new+oxford+shakespeare+terri+bourus>.
Greenblatt, Stephen. Hamlet in Purgatory (Electronic Resource). [New] edition. Princeton classics. Princeton: Princeton University Press, 2013. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1275329>.
Howard, Jean E., and Phyllis Rackin. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (Electronic Resource). Feminist readings of Shakespeare. London [England]: Routledge, 1997. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10057214>.
Kahn, Coppélia. Roman Shakespeare: Warriors, Wounds, and Women. London: Routledge, 1997. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363>.
---. Roman Shakespeare: Warriors, Wounds, and Women. London: Routledge, 1997. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363>.
---. Roman Shakespeare: Warriors, Wounds, and Women. Feminist readings of Shakespeare. London: Routledge, 1997. Print.
Kingsley-Smith, Jane. ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’. Shakespeare’s Drama of Exile. London: Macmillan, 2003. 106–136. Web. <https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099>.
---. ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’. Shakespeare’s Drama of Exile. London: Macmillan, 2003. 106–136. Web. <https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099>.
Lawrence Danson. ‘Henry V: King, Chorus, and Critics’. Shakespeare Quarterly 34.1 (1983): 27–43. Web. <http://www.jstor.org/stable/2870218?seq=1#page_scan_tab_contents>.
Leggatt, Alexander. Shakespeare’s Political Drama: The History Plays and the Roman Plays. London: Routledge, 1988. Print.
---. Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press, 2005. Web. <https://doi.org/10.1017/CBO9780511483660>.
---. Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press, 2005. Web. <https://doi.org/10.1017/CBO9780511483660>.
Loomba, Ania. ‘The Imperial Romance of Anthony and Cleopatra’. Shakespeare, Race, and Colonialism. Oxford Shakespeare topics. Oxford: Oxford University Press, 2002. 112–134. Web. <https://contentstore.cla.co.uk/secure/link?id=6714d9d4-4ad4-e711-80cd-005056af4099>.
Margreta de Grazia and Peter Stallybrass. ‘The Materiality of the Shakespearean Text’. Shakespeare Quarterly 44.3 (1993): 255–283. Web. <http://www.jstor.org/stable/2871419?seq=1#page_scan_tab_contents>.
McMullan, Gordon. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge: Cambridge University Press, 2007. Web. <https://doi.org/10.1017/CBO9780511483790>.
Mercer, Peter. Hamlet and the Acting of Revenge. Contemporary interpretations of Shakespeare. London: Macmillan, 1987. Print.
Michael Neill. ‘Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare’s Histories’. Shakespeare Quarterly 45.1 (1994): 1–32. Web. <http://www.jstor.org/stable/2871290?seq=1#page_scan_tab_contents>.
---. ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’. The Yearbook of English Studies 23 (1993): 270–292. Web. <http://www.jstor.org/stable/3507984?seq=1#page_scan_tab_contents>.
Miola, Robert S. Shakespeare’s Rome. Cambridge: Cambridge University Press, 1983. Print.
---. Shakespeare’s Rome. Cambridge: Cambridge University Press, 1983. Print.
Muir, Kenneth and International Shakespeare Conference. Shakespeare Survey: An Annual Survey of Shakespearian Study & Production, 22. London: Cambridge U.P, 1969. Print.
Neely, Carol Thomas. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press, 1993. Print.
---. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press, 1993. Print.
---. Broken Nuptials in Shakespeare’s Plays. Illini Books ed. Urbana: University of Illinois Press, 1993. Print.
Olivier, Laurence Olivier. ‘Henry V’. 2003 : n. pag. Print.
Palfrey, Simon, and Tiffany Stern. Shakespeare in Parts. Oxford: Oxford University Press, 2007. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=415764>.
Parker, Patricia A., and Geoffrey H. Hartman. Shakespeare and the Question of Theory (Electronic Resource). New York: Methuen, 1985. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10097432>.
Pirie, David. ‘Hamlet without the Prince’. Critical Quarterly 14.4 (1972): 293–314. Print.
Ryan, Kiernan. Shakespeare. 3rd ed. Basingstoke: Palgrave, 2002. Web. <https://web-a-ebscohost-com.roe.idm.oclc.org/ehost/detail/detail?vid=0&sid=43750cbe-f60b-44f0-8801-f837b890d96f%40sessionmgr4008&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=78756&db=nlebk>.
Shakespeare, William. Hamlet. Oxford ; New York: Oxford University Press, 2008. Print.
---. Much Ado about Nothing. Ed. Claire McEachern. Revised edition. London: Bloomsbury Arden Shakespeare, 2016. Print.
---. Much Ado about Nothing. Ed. Claire McEachern. Revised edition. London: Bloomsbury Arden Shakespeare, 2016. Print.
---. The Norton Shakespeare. Ed. Stephen Greenblatt et al. Third Edition. New York: W.W. Norton & Company, 2016. Web. <https://app.kortext.com/borrow/213586>.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, et al. The Norton Shakespeare: Based on the Oxford Edition. 2nd ed. New York: W. W. Norton, 2008. Print.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Suzanne Gossett, Jean E. Howard, Katharine Eisaman Maus, and Gordon McMullan. The Norton Shakespeare: Comedies. 3rd edition. New York: W. W. Norton, 2016. Print.
---. The Norton Shakespeare: Histories. 3rd ed. New York: W. W. Norton, 2016. Print.
---. The Norton Shakespeare: Romances and Poems. 3rd ed. New York: W. W. Norton, 2016. Print.
---. The Norton Shakespeare: Tragedies. 3rd edition. New York: W. W. Norton, 2016. Print.
Shakespeare, William, and Jonathan Bate. Titus Andronicus. London: The Arden Shakespeare/Thomson Learning, 2006. Print.
---. Titus Andronicus. London: The Arden Shakespeare/Thomson Learning, 2006. Print.
Shakespeare, William, and R. A. Foakes. King Lear (Electronic Resource). New ed. The Arden Shakespeare. Walton-on-Thames: Nelson, 1997. Web. <http://www.dramaonlinelibrary.com/plays/king-lear-iid-130992>.
Shakespeare, William, and Michael Neill. Anthony and Cleopatra. The Oxford Shakespeare. Oxford: Oxford University Press, 2008. Print.
Shakespeare, William, and Stephen Orgel. The Winter’s Tale. The Oxford Shakespeare. Oxford: Oxford University Press, 1996. Print.
Shakespeare, William, and Susan Snyder. All’s Well That Ends Well. The Oxford Shakespeare. Oxford: Clarendon Press, 1993. Print.
Shakespeare, William, and Gary Taylor. Henry V. The Oxford Shakespeare. Oxford: Oxford University Press, 2008. Print.
Shakespeare, William, Ann Thompson, and Neil Taylor. Hamlet. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2006. Print.
---. Hamlet: The Texts of 1603 and 1623. Arden Shakespeare. Third series. London: Arden Shakespeare, 2006. Print.
Shakespeare, William, Ann Thompson (Ed), and Neil Taylor (Ed). Hamlet (The First Folio, 1623) (Electronic Resource). Arden Shakespeare. Third series. London: Arden Shakespeare, 2006. Web. <http://www.dramaonlinelibrary.com/plays/hamlet-iid-127865>.
---. ‘Hamlet (The First Quarto; 1603) (Electronic Resource)’. Hamlet: The Texts of 1603 and 1623. Arden Shakespeare. Third series. London: Arden, 2006. Web. <http://www.dramaonlinelibrary.com/plays/hamlet-iid-127846>.
---. Hamlet (The Second Quarto, 1604–05) (Electronic Resource). The Arden Shakespeare. Third series. London: Arden Shakespeare, 2006. Web. <http://www.dramaonlinelibrary.com/plays/hamlet-iid-121359>.
Shakespearean Sensations : Experiencing Literature in Early Modern England. First paperback edition. Cambridge, United Kingdom: Cambridge University Press, 2015. Print.
Smith, Emma. Cambridge Introduction to Shakespeare. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2007. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780511321368&uid=^u>.
Smith, Emma Josephine. Shakespeare’s First Folio : Four Centuries of an Iconic Book. Oxford: Open University Press, 2016. Print.
Stanton, Kay. Shakespeare’s ’whores’ : Erotics, Politics and Poetics. Basingstoke: Palgrave Macmillan, 2014. Print.
Taylor, Gary, and Michael Warren. The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear. Oxford Shakespeare studies. Oxford [Oxfordshire]: Clarendon Press, 1983. Print.
Thomas, Vivian. The Moral Universe of Shakespeare’s Problem Plays. London: Croom Helm, 1987. Print.
Thompson, Ann. Hamlet: A Critical Reader. London: Bloomsbury Publishing, 2016. Print.
Thorne, Alison. Shakespeare’s Romances. New casebooks. Basingstoke: Palgrave Macmillan, 2003. Print.
Thornton Burnett, Mark. ‘The Heart of the Mystery: Hamlet and Secrets’. New Essays on Hamlet. The Hamlet collection. New York: AMS Press, 1994. 21–46. Print.
Ure, Peter. William Shakespeare: The Problem Plays -Troilus and Cressida - All’s Well That Ends Well - Measure for Measure - Timon of Athens. Writers and their work. London: Published for The British Council and The National Book League by Longman, 1964. Print.
‘Victorian Illustrated Shakespeare Archive | by Michael John Goodman’. N.p., n.d. Web. <https://shakespeareillustration.org/>.
Walter S. H. Lim. ‘Knowledge and Belief in “The Winter’s Tale”’. Studies in English Literature, 1500-1900 41.2 (2001): 317–334. Web. <http://www.jstor.org/stable/1556191?seq=1#page_scan_tab_contents>.
Wells, Stanley W., and Lena Cowen Orlin. Shakespeare: An Oxford Guide. An Oxford guide. Oxford: Oxford University Press, 2003. Print.
Wills, Garry and ebrary, Inc. Rome and Rhetoric: Shakespeare’s Julius Caesar. New Haven, CT: Yale University Press, 2011. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10512355>.
---. Rome and Rhetoric: Shakespeare’s Julius Caesar. New Haven, CT: Yale University Press, 2011. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10512355>.
Zander, Horst. Julius Caesar: New Critical Essays. New York: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952>.
---. Julius Caesar: New Critical Essays. New York: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952>.
