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W. Shakespeare, The Norton Shakespeare, Third Edition. New York: W.W. Norton & Company, 2016 [Online]. Available: https://app.kortext.com/borrow/213586
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A. D. Cousins and D. Derrin, Eds., Shakespeare and the soliloquy in early modern English drama. Cambridge: Cambridge University Press, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
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W. Shakespeare et al., The Norton Shakespeare: Comedies, 3rd edition. New York: W. W. Norton, 2016.
[4]
W. Shakespeare et al., The Norton Shakespeare: Tragedies, 3rd edition. New York: W. W. Norton, 2016.
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W. Shakespeare et al., The Norton Shakespeare: Histories, 3rd ed. New York: W. W. Norton, 2016.
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W. Shakespeare et al., The Norton Shakespeare: Romances and poems, 3rd ed. New York: W. W. Norton, 2016.
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Gabriel Egan, The New Oxford Shakespeare: Complete Set: Modern Critical Edition, Critical Reference Edition, Authorship Companion. OUP Oxford; Critical edition, 27AD [Online]. Available: https://www.amazon.co.uk/New-Oxford-Shakespeare-Reference-Authorship/dp/0198791321/ref=sr_1_2?ie=UTF8&qid=1547594552&sr=8-2&keywords=new+oxford+shakespeare+terri+bourus
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W. Shakespeare, S. Greenblatt, W. Cohen, J. E. Howard, K. E. Maus, and A. Gurr, The Norton Shakespeare: based on the Oxford edition, 2nd ed. New York: W. W. Norton, 2008.
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S. W. Wells and L. C. Orlin, Shakespeare: an Oxford guide, vol. An Oxford guide. Oxford: Oxford University Press, 2003.
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E. Smith, Cambridge introduction to Shakespeare, vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2007 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780511321368&uid=^u
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L. Erne, Shakespeare as Literary Dramatist, 2nd ed. Cambridge: New York, 2013.
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K. Ryan, Shakespeare, 3rd ed. Basingstoke: Palgrave, 2002 [Online]. Available: https://web-a-ebscohost-com.roe.idm.oclc.org/ehost/detail/detail?vid=0&sid=43750cbe-f60b-44f0-8801-f837b890d96f%40sessionmgr4008&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=78756&db=nlebk
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Margreta de Grazia and Peter Stallybrass, ‘The Materiality of the Shakespearean Text’, Shakespeare Quarterly, vol. 44, no. 3, pp. 255–283, 1993 [Online]. Available: http://www.jstor.org/stable/2871419?seq=1#page_scan_tab_contents
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S. Palfrey and T. Stern, Shakespeare in parts. Oxford: Oxford University Press, 2007 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=415764
[15]
E. J. Smith, Shakespeare’s First Folio : four centuries of an iconic book. Oxford: Open University Press, 2016.
[16]
P. Franssen, Shakespeare’s literary lives : theauthor as character in fiction andfilm. Cambridge, United Kingdom: Cambridge University Press, 2016 [Online]. Available: http://ebooks.cambridge.org/ref/id/CBO9781316410851
[17]
J. E. G. Archer, Intellectual and cultural world ofthe early modern Inns of Court. Manchester: Manchester University Press, 2011.
[18]
W. Shakespeare and J. Bate, Titus Andronicus. London: The Arden Shakespeare/Thomson Learning, 2006.
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R. S. Miola, Shakespeare’s Rome. Cambridge: Cambridge University Press, 1983.
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P. Aebischer, Shakespeare’s violated bodies: stage and screen performance. Cambridge, U.K.: Cambridge University Press, 2004.
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W. L. Chernaik, The myth of Rome in Shakespeare and his contemporaries. Cambridge: Cambridge University Press, 2013 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10470742
[22]
C. Kahn, Roman Shakespeare: warriors, wounds, and women. London: Routledge, 1997 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
[23]
Deborah Willis, ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’, Shakespeare Quarterly, vol. 53, no. 1, pp. 21–52, 2002 [Online]. Available: https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
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A. Leggatt, Shakespeare’s tragedies: violation and identity. Cambridge: Cambridge University Press, 2005 [Online]. Available: https://doi.org/10.1017/CBO9780511483660
[25]
R. S. Miola, Shakespeare’s Rome. Cambridge: Cambridge University Press, 1983.
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W. L. Chernaik, The myth of Rome in Shakespeare and his contemporaries. Cambridge: Cambridge University Press, 2013 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10470742
[27]
C. Kahn, Roman Shakespeare: warriors, wounds, and women. London: Routledge, 1997 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=170363
[28]
H. Zander, Julius Caesar: new critical essays. New York: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952
[29]
G. Wills and ebrary, Inc, Rome and rhetoric: Shakespeare’s Julius Caesar. New Haven, CT: Yale University Press, 2011 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10512355
[30]
W. Shakespeare, Much ado about nothing, Revised edition. London: Bloomsbury Arden Shakespeare, 2016.
[31]
A. J. Cook, Making a Match: Courtship in Shakespeare and His Society. Princeton: Princeton University Press, 2014 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
[32]
C. T. Neely, Broken nuptials in Shakespeare’s plays, Illini Books ed. Urbana: University of Illinois Press, 1993.
[33]
C. Cook, ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’, PMLA, vol. 101, no. 2, Mar. 1986, doi: 10.2307/462403.
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W. Shakespeare and G. Taylor, Henry V, vol. The Oxford Shakespeare. Oxford: Oxford University Press, 2008.
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A. Leggatt, Shakespeare’s political drama: the history plays and the Roman plays. London: Routledge, 1988.
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J. E. Howard and P. Rackin, Engendering a nation: a feminist account of Shakespeare’s English histories (electronic resource), vol. Feminist readings of Shakespeare. London [England]: Routledge, 1997 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10057214
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Michael Neill, ‘Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare’s Histories’, Shakespeare Quarterly, vol. 45, no. 1, pp. 1–32, 1994 [Online]. Available: http://www.jstor.org/stable/2871290?seq=1#page_scan_tab_contents
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Lawrence Danson, ‘Henry V: King, Chorus, and Critics’, Shakespeare Quarterly, vol. 34, no. 1, pp. 27–43, 1983 [Online]. Available: http://www.jstor.org/stable/2870218?seq=1#page_scan_tab_contents
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L. O. Olivier, ‘Henry V’. ITV DVD, [UK], 2003.
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W. Shakespeare, A. Thompson, and N. Taylor, Hamlet, vol. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2006.
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W. Shakespeare, A. Thompson, and N. Taylor, Hamlet: the texts of 1603 and 1623, vol. Arden Shakespeare. Third series. London: Arden Shakespeare, 2006.
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W. Shakespeare, Hamlet. Oxford ; New York: Oxford University Press, 2008.
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W. Shakespeare, A. Thompson (Ed), and N. Taylor (Ed), Hamlet (The First Folio, 1623) (electronic resource), vol. Arden Shakespeare. Third series. London: Arden Shakespeare, 2006 [Online]. Available: http://www.dramaonlinelibrary.com/plays/hamlet-iid-127865
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W. Shakespeare, A. Thompson (Ed), and N. Taylor (Ed), ‘Hamlet (The First Quarto; 1603) (electronic resource)’, in Hamlet: the texts of 1603 and 1623, vol. Arden Shakespeare. Third series, London: Arden, 2006 [Online]. Available: http://www.dramaonlinelibrary.com/plays/hamlet-iid-127846
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W. Shakespeare, A. Thompson (Ed), and N. Taylor (Ed), Hamlet (The Second Quarto, 1604–05) (electronic resource), vol. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2006 [Online]. Available: http://www.dramaonlinelibrary.com/plays/hamlet-iid-121359
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A. Thompson, Hamlet: A Critical Reader. London: Bloomsbury Publishing, 2016.
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P. Mercer, Hamlet and the acting of revenge, vol. Contemporary interpretations of Shakespeare. London: Macmillan, 1987.
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S. Greenblatt, Hamlet in purgatory (electronic resource), [New] edition., vol. Princeton classics. Princeton: Princeton University Press, 2013 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1275329
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M. Thornton Burnett, ‘The Heart of the Mystery: Hamlet and Secrets’, in New essays on Hamlet, vol. The Hamlet collection, New York: AMS Press, 1994, pp. 21–46.
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D. Pirie, ‘Hamlet without the Prince’, Critical Quarterly, vol. 14, no. 4, pp. 293–314, 1972.
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A. D. ; D. Cousins, Shakespeare and the soliloquy in early modern English drama. New York, USA: Cambridge University Press, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=5473051
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P. A. Parker and G. H. Hartman, Shakespeare and the question of theory (electronic resource). New York: Methuen, 1985 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10097432
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W. Shakespeare and S. Snyder, All’s well that ends well, vol. The Oxford Shakespeare. Oxford: Clarendon Press, 1993.
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P. Ure, William Shakespeare: the problem plays -Troilus and Cressida - all’s well that ends well - Measure for Measure - Timon of Athens, vol. Writers and their work. London: Published for The British Council and The National Book League by Longman, 1964.
[55]
V. Thomas, The moral universe of Shakespeare’s problem plays. London: Croom Helm, 1987.
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David McCandless, ‘Helena’s Bed-trick: Gender and Performance in All’s Well That Ends Well’, Shakespeare Quarterly, vol. 45, no. 4, pp. 449–468, 1994 [Online]. Available: http://www.jstor.org/stable/2870966?seq=1#page_scan_tab_contents
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K. Muir and International Shakespeare Conference, Shakespeare survey: an annual survey of Shakespearian study & production, 22. London: Cambridge U.P, 1969.
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W. Shakespeare and R. A. Foakes, King Lear (electronic resource), New ed., vol. The Arden Shakespeare. Walton-on-Thames: Nelson, 1997 [Online]. Available: http://www.dramaonlinelibrary.com/plays/king-lear-iid-130992
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J. Kingsley-Smith, ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’, in Shakespeare’s drama of exile, London: Macmillan, 2003, pp. 106–136 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
[60]
R. L. Colie and F. T. Flahiff, Some facets of ‘King Lear’: essays in prismatic criticism. London: Heinemann Educational, 1974.
[61]
G. Taylor and M. Warren, The Division of the kingdoms: Shakespeare’s two versions of King Lear, vol. Oxford Shakespeare studies. Oxford [Oxfordshire]: Clarendon Press, 1983.
[62]
A. Ellis, Old age, masculinity, and early modern drama: comic elders on the Italian and Shakespearean stage, vol. Anglo-Italian Renaissance studies series. Farnham: Ashgate, 2009.
[63]
J. Adelman, Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to The Tempest. New York: Routledge, 1992.
[64]
Michael Neill, ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’, The Yearbook of English Studies, vol. 23, pp. 270–292, 1993 [Online]. Available: http://www.jstor.org/stable/3507984?seq=1#page_scan_tab_contents
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C. L. Alfar, ‘Looking for Goneril and Regan’, in Privacy, domesticity, and women in early modern England, Aldershot, Hants, U.K.: Ashgate, 2003, pp. 167–9.
[66]
Shakespearean sensations : experiencing literature in early modern England, First paperback edition. Cambridge, United Kingdom: Cambridge University Press, 2015.
[67]
W. Shakespeare and M. Neill, Anthony and Cleopatra, vol. The Oxford Shakespeare. Oxford: Oxford University Press, 2008.
[68]
A. Loomba, ‘The Imperial Romance of Anthony and Cleopatra’, in Shakespeare, Race, and Colonialism, vol. Oxford Shakespeare topics, Oxford: Oxford University Press, 2002, pp. 112–134 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=6714d9d4-4ad4-e711-80cd-005056af4099
[69]
C. Kahn, Roman Shakespeare: warriors, wounds, and women, vol. Feminist readings of Shakespeare. London: Routledge, 1997.
[70]
H. Bloom, William Shakespeare’s Antony and Cleopatra. New York: Chelsea House, 1988.
[71]
K. Stanton, Shakespeare’s ’whores’ : erotics, politics and poetics. Basingstoke: Palgrave Macmillan, 2014.
[72]
W. Shakespeare and S. Orgel, The winter’s tale, vol. The Oxford Shakespeare. Oxford: Oxford University Press, 1996.
[73]
A. Thorne, Shakespeare’s romances, vol. New casebooks. Basingstoke: Palgrave Macmillan, 2003.
[74]
G. McMullan, Shakespeare and the idea of late writing: authorship in the proximity of death. Cambridge: Cambridge University Press, 2007 [Online]. Available: https://doi.org/10.1017/CBO9780511483790
[75]
J. Adelman, Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to The Tempest. New York: Routledge, 1992.
[76]
C. T. Neely, Broken nuptials in Shakespeare’s plays, Illini Books ed. Urbana: University of Illinois Press, 1993.
[77]
Walter S. H. Lim, ‘Knowledge and Belief in “The Winter’s Tale”’, Studies in English Literature, 1500-1900, vol. 41, no. 2, pp. 317–334, 2001 [Online]. Available: http://www.jstor.org/stable/1556191?seq=1#page_scan_tab_contents
[78]
A. Leggatt, Shakespeare’s tragedies: violation and identity. Cambridge: Cambridge University Press, 2005 [Online]. Available: https://doi.org/10.1017/CBO9780511483660
[79]
Deborah Willis, ‘“The Gnawing Vulture”: Revenge, Trauma Theory, and “Titus Andronicus”’, Shakespeare Quarterly, vol. 53, no. 1, pp. 21–52, 2002 [Online]. Available: https://www.jstor.org/stable/3844038?seq=1#page_scan_tab_contents
[80]
W. Shakespeare and J. Bate, Titus Andronicus. London: The Arden Shakespeare/Thomson Learning, 2006.
[81]
H. Zander, Julius Caesar: new critical essays. New York: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=241952
[82]
G. Wills and ebrary, Inc, Rome and rhetoric: Shakespeare’s Julius Caesar. New Haven, CT: Yale University Press, 2011 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10512355
[83]
W. Shakespeare, Much ado about nothing, Revised edition. London: Bloomsbury Arden Shakespeare, 2016.
[84]
A. J. Cook, Making a Match: Courtship in Shakespeare and His Society. Princeton: Princeton University Press, 2014 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=791092&site=ehost-live
[85]
C. T. Neely, Broken nuptials in Shakespeare’s plays, Illini Books ed. Urbana: University of Illinois Press, 1993.
[86]
C. Cook, ‘“The Sign and Semblance of Her Honor”: Reading Gender Difference in Much Ado about Nothing’, PMLA, vol. 101, no. 2, Mar. 1986, doi: 10.2307/462403.
[87]
J. Kingsley-Smith, ‘“Hereafter, in a Better World Than This”: The End of Exile in As You Like It and King Lear’, in Shakespeare’s drama of exile, London: Macmillan, 2003, pp. 106–136 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=549ab7ae-f34a-e911-80cd-005056af4099
[88]
‘Victorian Illustrated Shakespeare Archive | by Michael John Goodman’. [Online]. Available: https://shakespeareillustration.org/
