[1]
Alexander, Bill and Billington, Michael 1990. Approaches to Twelfth Night. Hern.
[2]
Artaud, Antonin and Corti, Victor 1970. The theatre and its double: essays. Calder & Boyars.
[3]
Artaud, Antonin and Corti, Victor 1970. The theatre and its double: essays. Calder & Boyars.
[4]
Barba, Eugenio 2010. On directing and dramaturgy: burning the house. Routledge.
[5]
Barba, Eugenio 1994. The paper canoe: a guide to theatre anthropology. Routledge.
[6]
Barba, Eugenio and Savarese, Nicola 2006. A dictionary of theatre anthropology: the secret art of the performer. Routledge.
[7]
Barker, Clive 1977. Theatre games: a new approach to drama training. Eyre Methuen.
[8]
Berkoff, Steven and Kafka, Franz 1995. Meditations on Metamorphosis. Faber and Faber.
[9]
Bernier, Eric et al. 1996. The seven streams of the River Ota. Methuen Drama.
[10]
Boal, Augusto 2002. Games for actors and non-actors. Routledge.
[11]
Bogart, Anne 2001. A director prepares: seven essays on art and theatre. Routledge.
[12]
Bogart, Anne 2001. A director prepares: seven essays on art and theatre. Routledge.
[13]
Bogart, Anne and Landau, Tina 2005. The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group.
[14]
Bogart, Anne and Landau, Tina 2005. The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group.
[15]
Bogdanov, Michael and Pennington, Michael 1990. The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. Hern.
[16]
Braun, Edward 1982. The director and the stage: from naturalism to Grotowski. Methuen.
[17]
Brayshaw, T and Witts, N eds. 2013. The Twentieth Century Performance Reader. Routledge.
[18]
Brook, Peter 2008. The empty space. Penguin.
[19]
Brook, Peter 2008. The empty space. Penguin.
[20]
Brook, Peter 1997. The shifting point. Methuen.
[21]
Chekhov, Michael et al. 1985. Lessons for the professional actor. Performing Arts Journal.
[22]
Clurman, Harold 1997. On directing. Fireside Book.
[23]
Cole, Susan Letzler 1992. Directors in rehearsal: a hidden world. Routledge.
[24]
Cole, Toby and Chinoy, Helen Krich 1970. Directors on directing: a source book of the modern theatre. Owen.
[25]
Copeau, Jacques et al. 1990. Copeau: texts on theatre. Routledge.
[26]
Copeau, Jacques et al. 1990. Copeau: texts on theatre. Routledge.
[27]
Delgado, Maria M. and Heritage, Paul 1996. In contact with the Gods?: directors talk theatre. Manchester University Press.
[28]
Delgado, M.M. and Rebellato, D. 2010. Contemporary European theatre directors. Routledge.
[29]
Dixon, M.B. and Smith, J.A. 1995. Anne Bogart: viewpoints. Smith and Kraus.
[30]
Dixon, Steve and ebrary, Inc 2007. Digital performance: a history of new media in theater, dance, performance art, and installation. MIT Press.
[31]
Donkin, Ellen and Clement, Susan 1993. Upstaging Big Daddy: directing theater as if gender and race matter. University of Michigan Press.
[32]
Etchells, Tim and ebrary, Inc 1999. Certain fragments: contemporary performance and forced entertainment. Routledge.
[33]
Fo, Dario and Hood, Stuart 1991. The tricks of the trade. Methuen Drama.
[34]
Frost, Anthony and Yarrow, Ralph 1990. Improvisation in drama. Macmillan Education.
[35]
Gaskill, William 1988. A sense of direction. Faber.
[36]
Giannachi, Gabriella and Luckhurst, Mary 1999. On directing: interviews with directors. Faber.
[37]
Goorney, Howard 1981. The Theatre Workshop story. Eyre Methuen.
[38]
Grotowski, Jerzy and Barba, Eugenio 2002. Towards a poor theatre. Routledge.
[39]
Grotowski, Jerzy and Barba, Eugenio 2002. Towards a poor theatre. Routledge.
[40]
Heddon, D. and Milling, J. 2015. Devising Performance: a Critical History. Palgrave Macmillan.
[41]
Hill, Leslie and Paris, Helen 2006. Performance and place. Palgrave Macmillan.
[42]
Hirst, David L. 1993. Giorgio Strehler. Cambridge University Press.
[43]
Johnstone, Keith 2007. Impro: improvisation and the theatre. Methuen Drama.
[44]
Kiernander, Adrian 2008. Ariane Mnouchkine and the Theát̂re du Soleil. Cambridge University Press.
[45]
Kumiega, Jennifer 1985. The theatre of Grotowski. Methuen.
[46]
Lavender, Andy et al. 2001. Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. Nick Hern.
[47]
Lepage, Robert and Charest, Rémy 1997. Robert Lepage: connecting flights. Methuen.
[48]
Littlewood, Joan 2003. Joan’s book: the autobiography of Joan Littlewood. Methuen.
[49]
Manfull, Helen 1999. Taking stage: women directors on directing. Methuen Drama.
[50]
Marowitz, Charles 1986. Prospero’s staff: acting and directing in the contemporary theatre. Indiana University Press.
[51]
Marowitz, Charles 1986. Prospero’s staff: acting and directing in the contemporary theatre. Indiana University Press.
[52]
Miller, Jonathan 1986. Subsequent performances. Faber.
[53]
Mitchell, Katie 2009. The director’s craft: a handbook for the theatre. Routledge.
[54]
Mitter, Shomit and ebrary, Inc 2000. Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Routledge.
[55]
Mitter, Shomit and Shevtsova, Maria 2005. Fifty key theatre directors. Routledge.
[56]
Nelson, Richard et al. 1995. Making plays: the writer-director relationship in the theatre today. Faber and Faber.
[57]
Oddey, A. 2013. Devising theatre: a practical and theoretical handbook. Taylor and Francis.
[58]
Patterson, Michael 1981. Peter Stein: Germany’s leading theatre director. Cambridge University Press.
[59]
Platform Papers: http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers.
[60]
Schneider, Rebecca and Cody, Gabrielle H. 2002. Re - direction: a theoretical and practical guide. Routledge.
[61]
Selbourne, David and Trussler, Simon 1982. The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. Methuen.
[62]
Spolin, Viola 1999. Improvisation for the theater: a handbook of teaching and directing techniques. Northwestern University Press.
[63]
Thomas, James Michael 1999. Script analysis for actors, directors, and designers. Focal Press.
[64]
Tufnell, Miranda and Crickmay, Christopher 1993. Body space image: notes towards improvisation and performance. Dance Books.
[65]
Watson, Ian 1993. Towards a third theatre: Eugenio Barba and the Odin teatret. Routledge.
[66]
Weber, C and Munk, E 1967. Brecht as Director. The Drama Review (TDR). 12, 1 (1967), 101–107.
[67]
Whitmore, Jon 1994. Directing postmodern theater: shaping signification in performance. University of Michigan Press.
[68]
Zarrilli, Phillip B. 2002. Acting (re)considered: a theoretical and practical guide. Routledge.
[69]
1994. Joan Littlewood’s lovely war. Shooting Star for BBC.
[70]
1989. [Peter Brook] The South Bank Show Special. LWT.