Alexander, Bill and Billington, Michael. Approaches to Twelfth Night. RSC directors’ Shakespeare. London: Hern, 1990. Print.
Artaud, Antonin and Corti, Victor. The Theatre and Its Double: Essays. Signature series. London: Calder & Boyars, 1970. Print.
---. The Theatre and Its Double: Essays. Signature series. London: Calder & Boyars, 1970. Print.
Barba, Eugenio. On Directing and Dramaturgy: Burning the House. London: Routledge, 2010. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u>.
---. The Paper Canoe: A Guide to Theatre Anthropology. London: Routledge, 1994. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u>.
Barba, Eugenio and Savarese, Nicola. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. 2nd ed. London: Routledge, 2006. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433>.
Barker, Clive. Theatre Games: A New Approach to Drama Training. London: Eyre Methuen, 1977. Print.
Berkoff, Steven and Kafka, Franz. Meditations on Metamorphosis. London: Faber and Faber, 1995. Print.
Bernier, Eric, Lepage, Robert, and Ex Machina. The Seven Streams of the River Ota. Methuen modern plays. London: Methuen Drama, 1996. Print.
Boal, Augusto. Games for Actors and Non-Actors. 2nd ed. London: Routledge, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u>.
Bogart, Anne. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge, 2001. Print.
---. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge, 2001. Web. <https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u>.
Bogart, Anne and Landau, Tina. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. New York: Theatre Communications Group, 2005. Print.
---. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. New York: Theatre Communications Group, 2005. Print.
Bogdanov, Michael and Pennington, Michael. The English Shakespeare Company: The Story of the Wars of the Roses, 1986-1989. London: Hern, 1990. Print.
Braun, Edward. The Director and the Stage: From Naturalism to Grotowski. London: Methuen, 1982. Print.
Brayshaw, T and Witts, N, eds. The Twentieth Century Performance Reader. 3rd edition. London: Routledge, 2013. Print.
Brook, Peter. The Empty Space. Modern classics. London: Penguin, 2008. Print.
---. The Empty Space. Modern classics. London: Penguin, 2008. Print.
---. The Shifting Point. London: Methuen, 1997. Print.
Chekhov, Michael, Hurst du Prey, Deirdre, and Gordon, Mel. Lessons for the Professional Actor. New York: Performing Arts Journal, 1985. Print.
Clurman, Harold. On Directing. New York: Fireside Book, 1997. Print.
Cole, Susan Letzler. Directors in Rehearsal: A Hidden World. New York: Routledge, 1992. Print.
Cole, Toby and Chinoy, Helen Krich. Directors on Directing: A Source Book of the Modern Theatre. 3rd ed. London: Owen, 1970. Print.
Copeau, Jacques, Rudlin, John, and Paul, Norman H. Copeau: Texts on Theatre. London: Routledge, 1990. Print.
---. Copeau: Texts on Theatre. London: Routledge, 1990. Print.
Delgado, Maria M. and Heritage, Paul. In Contact with the Gods?: Directors Talk Theatre. Manchester: Manchester University Press, 1996. Print.
Delgado, Maria M., and Dan Rebellato. Contemporary European Theatre Directors. London: Routledge, 2010. Print.
Dixon, Michael Bigelow, and Joel A. Smith. Anne Bogart: Viewpoints. 1st ed. Lyme, NH: Smith and Kraus, 1995. Print.
Dixon, Steve and ebrary, Inc. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Leonardo. Cambridge, MA: MIT Press, 2007. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10185585>.
Donkin, Ellen and Clement, Susan. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. Ann Arbor, Mich: University of Michigan Press, 1993. Print.
Etchells, Tim and ebrary, Inc. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451>.
Fo, Dario and Hood, Stuart. The Tricks of the Trade. London: Methuen Drama, 1991. Print.
Frost, Anthony and Yarrow, Ralph. Improvisation in Drama. New directions in theatre. Basingstoke: Macmillan Education, 1990. Print.
Gaskill, William. A Sense of Direction. London: Faber, 1988. Print.
Giannachi, Gabriella and Luckhurst, Mary. On Directing: Interviews with Directors. London: Faber, 1999. Print.
Goorney, Howard. The Theatre Workshop Story. London: Eyre Methuen, 1981. Print.
Grotowski, Jerzy and Barba, Eugenio. Towards a Poor Theatre. 1st Routledge ed. New York: Routledge, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u>.
---. Towards a Poor Theatre. 1st Routledge ed. New York: Routledge, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u>.
Heddon, Deirdre, and Jane Milling. Devising Performance: A Critical History. 2nd ed. Basingstoke: Palgrave Macmillan, 2015. Print.
Hill, Leslie and Paris, Helen. Performance and Place. Performance interventions. Basingstoke: Palgrave Macmillan, 2006. Print.
Hirst, David L. Giorgio Strehler. Directors in perspective. Cambridge: Cambridge University Press, 1993. Print.
‘Joan Littlewood’s Lovely War’. 1994 : n. pag. Print.
Johnstone, Keith. Impro: Improvisation and the Theatre. London: Methuen Drama, 2007. Web. <https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u>.
Kiernander, Adrian. Ariane Mnouchkine and the Theát̂re Du Soleil. Directors in perspective. Cambridge: Cambridge University Press, 2008. Print.
Kumiega, Jennifer. The Theatre of Grotowski. London: Methuen, 1985. Print.
Lavender, Andy et al. Hamlet in Pieces: Shakespeare Reworked : Peter Brook, Robert Lepage, Robert Wilson. A Nick Hern book. London: Nick Hern, 2001. Print.
Lepage, Robert and Charest, Rémy. Robert Lepage: Connecting Flights. London: Methuen, 1997. Print.
Littlewood, Joan. Joan’s Book: The Autobiography of Joan Littlewood. London: Methuen, 2003. Print.
Manfull, Helen. Taking Stage: Women Directors on Directing. London: Methuen Drama, 1999. Print.
Marowitz, Charles. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Indiana studies in theatre and drama. Bloomington: Indiana University Press, 1986. Print.
---. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Indiana studies in theatre and drama. Bloomington: Indiana University Press, 1986. Print.
Miller, Jonathan. Subsequent Performances. London: Faber, 1986. Print.
Mitchell, Katie. The Director’s Craft: A Handbook for the Theatre. London: Routledge, 2009. Print.
Mitter, Shomit and ebrary, Inc. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: Routledge, 2000. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=5002486>.
Mitter, Shomit and Shevtsova, Maria. Fifty Key Theatre Directors. Routledge key guides. London: Routledge, 2005. Print.
National Theatre. ‘Platform Papers’. N.p., n.d. Web. <http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers>.
Nelson, Richard, Jones, David, and Chambers, Colin. Making Plays: The Writer-Director Relationship in the Theatre Today. London: Faber and Faber, 1995. Print.
Oddey, Alison. Devising Theatre: A Practical and Theoretical Handbook. Hoboken: Taylor and Francis, 2013. Web. <https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404>.
Patterson, Michael. Peter Stein: Germany’s Leading Theatre Director. Directors in perspective. Cambridge: Cambridge University Press, 1981. Print.
‘[Peter Brook] The South Bank Show Special’. 1989 : n. pag. Print.
Schneider, Rebecca and Cody, Gabrielle H. Re - Direction: A Theoretical and Practical Guide. Worlds of performance. London: Routledge, 2002. Print.
Selbourne, David and Trussler, Simon. The Making of a Midsummer Night’s Dream: An Eye-Witness Account of Peter Brook’s Production from First Rehearsal to First Night. London: Methuen, 1982. Print.
Spolin, Viola. Improvisation for the Theater: A Handbook of Teaching and Directing Techniques. 3rd ed. Evanston, Ill: Northwestern University Press, 1999. Print.
Thomas, James Michael. Script Analysis for Actors, Directors, and Designers. 2nd ed. Boston: Focal Press, 1999. Print.
Tufnell, Miranda and Crickmay, Christopher. Body Space Image: Notes towards Improvisation and Performance. London: Dance Books, 1993. Print.
Watson, Ian. Towards a Third Theatre: Eugenio Barba and the Odin Teatret. London: Routledge, 1993. Print.
Weber, C and Munk, E. ‘Brecht as Director’. The Drama Review (TDR) 12.1 (1967): 101–107. Web. <http://www.jstor.org/stable/1125296>.
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Theater--theory/text/performance. Ann Arbor: University of Michigan Press, 1994. Print.
Zarrilli, Phillip B. Acting (Re)Considered: A Theoretical and Practical Guide. Worlds of performance. London: Routledge, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u>.