[1]
Bogart, Anne, A director prepares: seven essays on art and theatre. London: Routledge, 2001.
[2]
Bogart, Anne and Landau, Tina, The viewpoints book: a practical guide to viewpoints and composition, 1st ed. New York: Theatre Communications Group, 2005.
[3]
M. M. Delgado and D. Rebellato, Contemporary European theatre directors. London: Routledge, 2010.
[4]
Artaud, Antonin and Corti, Victor, The theatre and its double: essays, vol. Signature series. London: Calder & Boyars, 1970.
[5]
Artaud, Antonin and Corti, Victor, The theatre and its double: essays, vol. Signature series. London: Calder & Boyars, 1970.
[6]
Barba, Eugenio and Savarese, Nicola, A dictionary of theatre anthropology: the secret art of the performer, 2nd ed. London: Routledge, 2006 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433
[7]
Barba, Eugenio, On directing and dramaturgy: burning the house. London: Routledge, 2010 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u
[8]
Braun, Edward, The director and the stage: from naturalism to Grotowski. London: Methuen, 1982.
[9]
Brook, Peter, The empty space, vol. Modern classics. London: Penguin, 2008.
[10]
Brook, Peter, The shifting point. London: Methuen, 1997.
[11]
Cole, Susan Letzler, Directors in rehearsal: a hidden world. New York: Routledge, 1992.
[12]
Copeau, Jacques, Rudlin, John, and Paul, Norman H., Copeau: texts on theatre. London: Routledge, 1990.
[13]
Delgado, Maria M. and Heritage, Paul, In contact with the Gods?: directors talk theatre. Manchester: Manchester University Press, 1996.
[14]
M. B. Dixon and J. A. Smith, Anne Bogart: viewpoints, 1st ed. Lyme, NH: Smith and Kraus, 1995.
[15]
Dixon, Steve and ebrary, Inc, Digital performance: a history of new media in theater, dance, performance art, and installation, vol. Leonardo. Cambridge, MA: MIT Press, 2007 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10185585
[16]
Donkin, Ellen and Clement, Susan, Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor, Mich: University of Michigan Press, 1993.
[17]
Fo, Dario and Hood, Stuart, The tricks of the trade. London: Methuen Drama, 1991.
[18]
Grotowski, Jerzy and Barba, Eugenio, Towards a poor theatre, 1st Routledge ed. New York: Routledge, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
[19]
Hill, Leslie and Paris, Helen, Performance and place, vol. Performance interventions. Basingstoke: Palgrave Macmillan, 2006.
[20]
Kiernander, Adrian, Ariane Mnouchkine and the Theát̂re du Soleil, vol. Directors in perspective. Cambridge: Cambridge University Press, 2008.
[21]
Marowitz, Charles, Prospero’s staff: acting and directing in the contemporary theatre, vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press, 1986.
[22]
Mitchell, Katie, The director’s craft: a handbook for the theatre. London: Routledge, 2009.
[23]
Mitter, Shomit and ebrary, Inc, Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: Routledge, 2000 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=5002486
[24]
Mitter, Shomit and Shevtsova, Maria, Fifty key theatre directors, vol. Routledge key guides. London: Routledge, 2005.
[25]
Nelson, Richard, Jones, David, and Chambers, Colin, Making plays: the writer-director relationship in the theatre today. London: Faber and Faber, 1995.
[26]
Schneider, Rebecca and Cody, Gabrielle H., Re - direction: a theoretical and practical guide, vol. Worlds of performance. London: Routledge, 2002.
[27]
Thomas, James Michael, Script analysis for actors, directors, and designers, 2nd ed. Boston: Focal Press, 1999.
[28]
Whitmore, Jon, Directing postmodern theater: shaping signification in performance, vol. Theater--theory/text/performance. Ann Arbor: University of Michigan Press, 1994.
[29]
Zarrilli, Phillip B., Acting (re)considered: a theoretical and practical guide, vol. Worlds of performance. London: Routledge, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u
[30]
Etchells, Tim and ebrary, Inc, Certain fragments: contemporary performance and forced entertainment. London: Routledge, 1999 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451
[31]
Frost, Anthony and Yarrow, Ralph, Improvisation in drama, vol. New directions in theatre. Basingstoke: Macmillan Education, 1990.
[32]
Goorney, Howard, The Theatre Workshop story. London: Eyre Methuen, 1981.
[33]
D. Heddon and J. Milling, Devising Performance: a Critical History, 2nd ed. Basingstoke: Palgrave Macmillan, 2015.
[34]
A. Oddey, Devising theatre: a practical and theoretical handbook. Hoboken: Taylor and Francis, 2013 [Online]. Available: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404
[35]
Alexander, Bill and Billington, Michael, Approaches to Twelfth Night, vol. RSC directors’ Shakespeare. London: Hern, 1990.
[36]
Barba, Eugenio, The paper canoe: a guide to theatre anthropology. London: Routledge, 1994 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u
[37]
Berkoff, Steven and Kafka, Franz, Meditations on Metamorphosis. London: Faber and Faber, 1995.
[38]
Bernier, Eric, Lepage, Robert, and Ex Machina, The seven streams of the River Ota, vol. Methuen modern plays. London: Methuen Drama, 1996.
[39]
Bogart, Anne, A director prepares: seven essays on art and theatre. London: Routledge, 2001 [Online]. Available: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u
[40]
Bogart, Anne and Landau, Tina, The viewpoints book: a practical guide to viewpoints and composition, 1st ed. New York: Theatre Communications Group, 2005.
[41]
Bogdanov, Michael and Pennington, Michael, The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. London: Hern, 1990.
[42]
‘[Peter Brook] The South Bank Show Special’, vol. The SouthBank show. LWT, London, 1989.
[43]
Brook, Peter, The empty space, vol. Modern classics. London: Penguin, 2008.
[44]
Clurman, Harold, On directing. New York: Fireside Book, 1997.
[45]
Cole, Toby and Chinoy, Helen Krich, Directors on directing: a source book of the modern theatre, 3rd ed. London: Owen, 1970.
[46]
Copeau, Jacques, Rudlin, John, and Paul, Norman H., Copeau: texts on theatre. London: Routledge, 1990.
[47]
Gaskill, William, A sense of direction. London: Faber, 1988.
[48]
Giannachi, Gabriella and Luckhurst, Mary, On directing: interviews with directors. London: Faber, 1999.
[49]
Grotowski, Jerzy and Barba, Eugenio, Towards a poor theatre, 1st Routledge ed. New York: Routledge, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
[50]
Hirst, David L., Giorgio Strehler, vol. Directors in perspective. Cambridge: Cambridge University Press, 1993.
[51]
Brayshaw, T and Witts, N, Eds., The Twentieth Century Performance Reader, 3rd edition. London: Routledge, 2013.
[52]
Kumiega, Jennifer, The theatre of Grotowski. London: Methuen, 1985.
[53]
Lavender, Andy, Brook, Peter, Lepage, Robert, and Wilson, Robert, Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson, vol. A Nick Hern book. London: Nick Hern, 2001.
[54]
Lepage, Robert and Charest, Rémy, Robert Lepage: connecting flights. London: Methuen, 1997.
[55]
‘Joan Littlewood’s lovely war’, vol. Omnibus. Shooting Star for BBC, [U.K.], 1994.
[56]
Littlewood, Joan, Joan’s book: the autobiography of Joan Littlewood. London: Methuen, 2003.
[57]
Manfull, Helen, Taking stage: women directors on directing. London: Methuen Drama, 1999.
[58]
Marowitz, Charles, Prospero’s staff: acting and directing in the contemporary theatre, vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press, 1986.
[59]
Miller, Jonathan, Subsequent performances. London: Faber, 1986.
[60]
National Theatre, ‘Platform Papers’. [Online]. Available: http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers
[61]
Patterson, Michael, Peter Stein: Germany’s leading theatre director, vol. Directors in perspective. Cambridge: Cambridge University Press, 1981.
[62]
Selbourne, David and Trussler, Simon, The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. London: Methuen, 1982.
[63]
Watson, Ian, Towards a third theatre: Eugenio Barba and the Odin teatret. London: Routledge, 1993.
[64]
Weber, C and Munk, E, ‘Brecht as Director’, The Drama Review (TDR), vol. 12, no. 1, pp. 101–107, 1967 [Online]. Available: http://www.jstor.org/stable/1125296
[65]
Barker, Clive, Theatre games: a new approach to drama training. London: Eyre Methuen, 1977.
[66]
Boal, Augusto, Games for actors and non-actors, 2nd ed. London: Routledge, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u
[67]
Chekhov, Michael, Hurst du Prey, Deirdre, and Gordon, Mel, Lessons for the professional actor. New York: Performing Arts Journal, 1985.
[68]
Johnstone, Keith, Impro: improvisation and the theatre. London: Methuen Drama, 2007 [Online]. Available: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u
[69]
Tufnell, Miranda and Crickmay, Christopher, Body space image: notes towards improvisation and performance. London: Dance Books, 1993.
[70]
Spolin, Viola, Improvisation for the theater: a handbook of teaching and directing techniques, 3rd ed. Evanston, Ill: Northwestern University Press, 1999.