1
Bogart, Anne. A director prepares: seven essays on art and theatre. London: : Routledge 2001.
2
Bogart, Anne, Landau, Tina. The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: : Theatre Communications Group 2005.
3
Delgado MM, Rebellato D. Contemporary European theatre directors. London: : Routledge 2010.
4
Artaud, Antonin, Corti, Victor. The theatre and its double: essays. London: : Calder & Boyars 1970.
5
Artaud, Antonin, Corti, Victor. The theatre and its double: essays. London: : Calder & Boyars 1970.
6
Barba, Eugenio, Savarese, Nicola. A dictionary of theatre anthropology: the secret art of the performer. 2nd ed. London: : Routledge 2006. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433
7
Barba, Eugenio. On directing and dramaturgy: burning the house. London: : Routledge 2010. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u
8
Braun, Edward. The director and the stage: from naturalism to Grotowski. London: : Methuen 1982.
9
Brook, Peter. The empty space. London: : Penguin 2008.
10
Brook, Peter. The shifting point. London: : Methuen 1997.
11
Cole, Susan Letzler. Directors in rehearsal: a hidden world. New York: : Routledge 1992.
12
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: texts on theatre. London: : Routledge 1990.
13
Delgado, Maria M., Heritage, Paul. In contact with the Gods?: directors talk theatre. Manchester: : Manchester University Press 1996.
14
Dixon MB, Smith JA. Anne Bogart: viewpoints. 1st ed. Lyme, NH: : Smith and Kraus 1995.
15
Dixon, Steve, ebrary, Inc. Digital performance: a history of new media in theater, dance, performance art, and installation. Cambridge, MA: : MIT Press 2007. http://site.ebrary.com/lib/roehampton/Doc?id=10185585
16
Donkin, Ellen, Clement, Susan. Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor, Mich: : University of Michigan Press 1993.
17
Fo, Dario, Hood, Stuart. The tricks of the trade. London: : Methuen Drama 1991.
18
Grotowski, Jerzy, Barba, Eugenio. Towards a poor theatre. 1st Routledge ed. New York: : Routledge 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
19
Hill, Leslie, Paris, Helen. Performance and place. Basingstoke: : Palgrave Macmillan 2006.
20
Kiernander, Adrian. Ariane Mnouchkine and the Theát̂re du Soleil. Cambridge: : Cambridge University Press 2008.
21
Marowitz, Charles. Prospero’s staff: acting and directing in the contemporary theatre. Bloomington: : Indiana University Press 1986.
22
Mitchell, Katie. The director’s craft: a handbook for the theatre. London: : Routledge 2009.
23
Mitter, Shomit, ebrary, Inc. Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. London: : Routledge 2000. http://site.ebrary.com/lib/roehampton/Doc?id=5002486
24
Mitter, Shomit, Shevtsova, Maria. Fifty key theatre directors. London: : Routledge 2005.
25
Nelson, Richard, Jones, David, Chambers, Colin. Making plays: the writer-director relationship in the theatre today. London: : Faber and Faber 1995.
26
Schneider, Rebecca, Cody, Gabrielle H. Re - direction: a theoretical and practical guide. London: : Routledge 2002.
27
Thomas, James Michael. Script analysis for actors, directors, and designers. 2nd ed. Boston: : Focal Press 1999.
28
Whitmore, Jon. Directing postmodern theater: shaping signification in performance. Ann Arbor: : University of Michigan Press 1994.
29
Zarrilli, Phillip B. Acting (re)considered: a theoretical and practical guide. London: : Routledge 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u
30
Etchells, Tim, ebrary, Inc. Certain fragments: contemporary performance and forced entertainment. London: : Routledge 1999. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451
31
Frost, Anthony, Yarrow, Ralph. Improvisation in drama. Basingstoke: : Macmillan Education 1990.
32
Goorney, Howard. The Theatre Workshop story. London: : Eyre Methuen 1981.
33
Heddon D, Milling J. Devising Performance: a Critical History. 2nd ed. Basingstoke: : Palgrave Macmillan 2015.
34
Oddey A. Devising theatre: a practical and theoretical handbook. Hoboken: : Taylor and Francis 2013. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404
35
Alexander, Bill, Billington, Michael. Approaches to Twelfth Night. London: : Hern 1990.
36
Barba, Eugenio. The paper canoe: a guide to theatre anthropology. London: : Routledge 1994. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u
37
Berkoff, Steven, Kafka, Franz. Meditations on Metamorphosis. London: : Faber and Faber 1995.
38
Bernier, Eric, Lepage, Robert, Ex Machina. The seven streams of the River Ota. London: : Methuen Drama 1996.
39
Bogart, Anne. A director prepares: seven essays on art and theatre. London: : Routledge 2001. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u
40
Bogart, Anne, Landau, Tina. The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: : Theatre Communications Group 2005.
41
Bogdanov, Michael, Pennington, Michael. The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. London: : Hern 1990.
42
[Peter Brook] The South Bank Show Special. 1989;The SouthBank show.
43
Brook, Peter. The empty space. London: : Penguin 2008.
44
Clurman, Harold. On directing. New York: : Fireside Book 1997.
45
Cole, Toby, Chinoy, Helen Krich. Directors on directing: a source book of the modern theatre. 3rd ed. London: : Owen 1970.
46
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: texts on theatre. London: : Routledge 1990.
47
Gaskill, William. A sense of direction. London: : Faber 1988.
48
Giannachi, Gabriella, Luckhurst, Mary. On directing: interviews with directors. London: : Faber 1999.
49
Grotowski, Jerzy, Barba, Eugenio. Towards a poor theatre. 1st Routledge ed. New York: : Routledge 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
50
Hirst, David L. Giorgio Strehler. Cambridge: : Cambridge University Press 1993.
51
Brayshaw, T, Witts, N, editors. The Twentieth Century Performance Reader. 3rd edition. London: : Routledge 2013.
52
Kumiega, Jennifer. The theatre of Grotowski. London: : Methuen 1985.
53
Lavender, Andy, Brook, Peter, Lepage, Robert, et al. Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. London: : Nick Hern 2001.
54
Lepage, Robert, Charest, Rémy. Robert Lepage: connecting flights. London: : Methuen 1997.
55
Joan Littlewood’s lovely war. 1994;Omnibus.
56
Littlewood, Joan. Joan’s book: the autobiography of Joan Littlewood. London: : Methuen 2003.
57
Manfull, Helen. Taking stage: women directors on directing. London: : Methuen Drama 1999.
58
Marowitz, Charles. Prospero’s staff: acting and directing in the contemporary theatre. Bloomington: : Indiana University Press 1986.
59
Miller, Jonathan. Subsequent performances. London: : Faber 1986.
60
National Theatre. Platform Papers. http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers
61
Patterson, Michael. Peter Stein: Germany’s leading theatre director. Cambridge: : Cambridge University Press 1981.
62
Selbourne, David, Trussler, Simon. The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. London: : Methuen 1982.
63
Watson, Ian. Towards a third theatre: Eugenio Barba and the Odin teatret. London: : Routledge 1993.
64
Weber, C, Munk, E. Brecht as Director. The Drama Review (TDR) 1967;12:101–7.http://www.jstor.org/stable/1125296
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Barker, Clive. Theatre games: a new approach to drama training. London: : Eyre Methuen 1977.
66
Boal, Augusto. Games for actors and non-actors. 2nd ed. London: : Routledge 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u
67
Chekhov, Michael, Hurst du Prey, Deirdre, Gordon, Mel. Lessons for the professional actor. New York: : Performing Arts Journal 1985.
68
Johnstone, Keith. Impro: improvisation and the theatre. London: : Methuen Drama 2007. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u
69
Tufnell, Miranda, Crickmay, Christopher. Body space image: notes towards improvisation and performance. London: : Dance Books 1993.
70
Spolin, Viola. Improvisation for the theater: a handbook of teaching and directing techniques. 3rd ed. Evanston, Ill: : Northwestern University Press 1999.
