Alexander, Bill & Billington, Michael. (1990). Approaches to Twelfth Night: Vol. RSC directors’ Shakespeare. Hern.
Artaud, Antonin & Corti, Victor. (1970a). The theatre and its double: essays: Vol. Signature series. Calder & Boyars.
Artaud, Antonin & Corti, Victor. (1970b). The theatre and its double: essays: Vol. Signature series. Calder & Boyars.
Barba, Eugenio. (1994). The paper canoe: a guide to theatre anthropology [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u
Barba, Eugenio. (2010). On directing and dramaturgy: burning the house [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u
Barba, Eugenio & Savarese, Nicola. (2006). A dictionary of theatre anthropology: the secret art of the performer (2nd ed). Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433
Barker, Clive. (1977). Theatre games: a new approach to drama training. Eyre Methuen.
Berkoff, Steven & Kafka, Franz. (1995). Meditations on Metamorphosis. Faber and Faber.
Bernier, Eric, Lepage, Robert, & Ex Machina. (1996). The seven streams of the River Ota: Vol. Methuen modern plays. Methuen Drama.
Boal, Augusto. (2002). Games for actors and non-actors (2nd ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u
Bogart, Anne. (2001a). A director prepares: seven essays on art and theatre. Routledge.
Bogart, Anne. (2001b). A director prepares: seven essays on art and theatre. Routledge. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u
Bogart, Anne & Landau, Tina. (2005a). The viewpoints book: a practical guide to viewpoints and composition (1st ed). Theatre Communications Group.
Bogart, Anne & Landau, Tina. (2005b). The viewpoints book: a practical guide to viewpoints and composition (1st ed). Theatre Communications Group.
Bogdanov, Michael & Pennington, Michael. (1990). The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. Hern.
Braun, Edward. (1982). The director and the stage: from naturalism to Grotowski. Methuen.
Brayshaw, T & Witts, N (Eds.). (2013). The Twentieth Century Performance Reader (3rd edition). Routledge.
Brook, Peter. (1997). The shifting point. Methuen.
Brook, Peter. (2008a). The empty space: Vol. Modern classics. Penguin.
Brook, Peter. (2008b). The empty space: Vol. Modern classics. Penguin.
Chekhov, Michael, Hurst du Prey, Deirdre, & Gordon, Mel. (1985). Lessons for the professional actor. Performing Arts Journal.
Clurman, Harold. (1997). On directing. Fireside Book.
Cole, Susan Letzler. (1992). Directors in rehearsal: a hidden world. Routledge.
Cole, Toby & Chinoy, Helen Krich. (1970). Directors on directing: a source book of the modern theatre (3rd ed). Owen.
Copeau, Jacques, Rudlin, John, & Paul, Norman H. (1990a). Copeau: texts on theatre. Routledge.
Copeau, Jacques, Rudlin, John, & Paul, Norman H. (1990b). Copeau: texts on theatre. Routledge.
Delgado, M. M., & Rebellato, D. (2010). Contemporary European theatre directors. Routledge.
Delgado, Maria M. & Heritage, Paul. (1996). In contact with the Gods?: directors talk theatre. Manchester University Press.
Dixon, M. B., & Smith, J. A. (1995). Anne Bogart: viewpoints (1st ed). Smith and Kraus.
Dixon, Steve & ebrary, Inc. (2007). Digital performance: a history of new media in theater, dance, performance art, and installation: Vol. Leonardo [Electronic resource]. MIT Press. http://site.ebrary.com/lib/roehampton/Doc?id=10185585
Donkin, Ellen & Clement, Susan. (1993). Upstaging Big Daddy: directing theater as if gender and race matter. University of Michigan Press.
Etchells, Tim & ebrary, Inc. (1999). Certain fragments: contemporary performance and forced entertainment [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451
Fo, Dario & Hood, Stuart. (1991). The tricks of the trade. Methuen Drama.
Frost, Anthony & Yarrow, Ralph. (1990). Improvisation in drama: Vol. New directions in theatre. Macmillan Education.
Gaskill, William. (1988). A sense of direction. Faber.
Giannachi, Gabriella & Luckhurst, Mary. (1999). On directing: interviews with directors. Faber.
Goorney, Howard. (1981). The Theatre Workshop story. Eyre Methuen.
Grotowski, Jerzy & Barba, Eugenio. (2002a). Towards a poor theatre (1st Routledge ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
Grotowski, Jerzy & Barba, Eugenio. (2002b). Towards a poor theatre (1st Routledge ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
Heddon, D., & Milling, J. (2015). Devising Performance: a Critical History (2nd ed). Palgrave Macmillan.
Hill, Leslie & Paris, Helen. (2006). Performance and place: Vol. Performance interventions. Palgrave Macmillan.
Hirst, David L. (1993). Giorgio Strehler: Vol. Directors in perspective. Cambridge University Press.
Joan Littlewood’s lovely war: Vol. Omnibus. (1994). [Videorecording]. Shooting Star for BBC.
Johnstone, Keith. (2007). Impro: improvisation and the theatre. Methuen Drama. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u
Kiernander, Adrian. (2008). Ariane Mnouchkine and the Theát̂re du Soleil: Vol. Directors in perspective. Cambridge University Press.
Kumiega, Jennifer. (1985). The theatre of Grotowski. Methuen.
Lavender, Andy, Brook, Peter, Lepage, Robert, & Wilson, Robert. (2001). Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson: Vol. A Nick Hern book. Nick Hern.
Lepage, Robert & Charest, Rémy. (1997). Robert Lepage: connecting flights. Methuen.
Littlewood, Joan. (2003). Joan’s book: the autobiography of Joan Littlewood. Methuen.
Manfull, Helen. (1999). Taking stage: women directors on directing. Methuen Drama.
Marowitz, Charles. (1986a). Prospero’s staff: acting and directing in the contemporary theatre: Vol. Indiana studies in theatre and drama. Indiana University Press.
Marowitz, Charles. (1986b). Prospero’s staff: acting and directing in the contemporary theatre: Vol. Indiana studies in theatre and drama. Indiana University Press.
Miller, Jonathan. (1986). Subsequent performances. Faber.
Mitchell, Katie. (2009). The director’s craft: a handbook for the theatre. Routledge.
Mitter, Shomit & ebrary, Inc. (2000). Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [Electronic resource]. Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=5002486
Mitter, Shomit & Shevtsova, Maria. (2005). Fifty key theatre directors: Vol. Routledge key guides. Routledge.
National Theatre. (n.d.). Platform Papers. http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers
Nelson, Richard, Jones, David, & Chambers, Colin. (1995). Making plays: the writer-director relationship in the theatre today. Faber and Faber.
Oddey, A. (2013). Devising theatre: a practical and theoretical handbook. Taylor and Francis. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404
Patterson, Michael. (1981). Peter Stein: Germany’s leading theatre director: Vol. Directors in perspective. Cambridge University Press.
[Peter Brook] The South Bank Show Special: Vol. The SouthBank show. (1989). [Videorecording]. LWT.
Schneider, Rebecca & Cody, Gabrielle H. (2002). Re - direction: a theoretical and practical guide: Vol. Worlds of performance. Routledge.
Selbourne, David & Trussler, Simon. (1982). The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. Methuen.
Spolin, Viola. (1999). Improvisation for the theater: a handbook of teaching and directing techniques (3rd ed). Northwestern University Press.
Thomas, James Michael. (1999). Script analysis for actors, directors, and designers (2nd ed). Focal Press.
Tufnell, Miranda & Crickmay, Christopher. (1993). Body space image: notes towards improvisation and performance. Dance Books.
Watson, Ian. (1993). Towards a third theatre: Eugenio Barba and the Odin teatret. Routledge.
Weber, C & Munk, E. (1967). Brecht as Director. The Drama Review (TDR), 12(1), 101–107. http://www.jstor.org/stable/1125296
Whitmore, Jon. (1994). Directing postmodern theater: shaping signification in performance: Vol. Theater--theory/text/performance. University of Michigan Press.
Zarrilli, Phillip B. (2002). Acting (re)considered: a theoretical and practical guide: Vol. Worlds of performance [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u