Alexander, Bill and Billington, Michael (1990) Approaches to Twelfth Night. London: Hern.
Artaud, Antonin and Corti, Victor (1970a) The theatre and its double: essays. London: Calder & Boyars.
Artaud, Antonin and Corti, Victor (1970b) The theatre and its double: essays. London: Calder & Boyars.
Barba, Eugenio (1994) The paper canoe: a guide to theatre anthropology [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u.
Barba, Eugenio (2010) On directing and dramaturgy: burning the house [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u.
Barba, Eugenio and Savarese, Nicola (2006) A dictionary of theatre anthropology: the secret art of the performer. 2nd ed. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433.
Barker, Clive (1977) Theatre games: a new approach to drama training. London: Eyre Methuen.
Berkoff, Steven and Kafka, Franz (1995) Meditations on Metamorphosis. London: Faber and Faber.
Bernier, Eric, Lepage, Robert, and Ex Machina (1996) The seven streams of the River Ota. London: Methuen Drama.
Boal, Augusto (2002) Games for actors and non-actors [electronic resource]. 2nd ed. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u.
Bogart, Anne (2001a) A director prepares: seven essays on art and theatre. London: Routledge.
Bogart, Anne (2001b) A director prepares: seven essays on art and theatre. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u.
Bogart, Anne and Landau, Tina (2005a) The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: Theatre Communications Group.
Bogart, Anne and Landau, Tina (2005b) The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: Theatre Communications Group.
Bogdanov, Michael and Pennington, Michael (1990) The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. London: Hern.
Braun, Edward (1982) The director and the stage: from naturalism to Grotowski. London: Methuen.
Brayshaw, T and Witts, N (eds) (2013) The Twentieth Century Performance Reader. 3rd edition. London: Routledge.
Brook, Peter (1997) The shifting point. London: Methuen.
Brook, Peter (2008a) The empty space. London: Penguin.
Brook, Peter (2008b) The empty space. London: Penguin.
Chekhov, Michael, Hurst du Prey, Deirdre, and Gordon, Mel (1985) Lessons for the professional actor. New York: Performing Arts Journal.
Clurman, Harold (1997) On directing. New York: Fireside Book.
Cole, Susan Letzler (1992) Directors in rehearsal: a hidden world. New York: Routledge.
Cole, Toby and Chinoy, Helen Krich (1970) Directors on directing: a source book of the modern theatre. 3rd ed. London: Owen.
Copeau, Jacques, Rudlin, John, and Paul, Norman H. (1990a) Copeau: texts on theatre. London: Routledge.
Copeau, Jacques, Rudlin, John, and Paul, Norman H. (1990b) Copeau: texts on theatre. London: Routledge.
Delgado, Maria M. and Heritage, Paul (1996) In contact with the Gods?: directors talk theatre. Manchester: Manchester University Press.
Delgado, M.M. and Rebellato, D. (2010) Contemporary European theatre directors. London: Routledge.
Dixon, M.B. and Smith, J.A. (1995) Anne Bogart: viewpoints. 1st ed. Lyme, NH: Smith and Kraus.
Dixon, Steve and ebrary, Inc (2007) Digital performance: a history of new media in theater, dance, performance art, and installation [electronic resource]. Cambridge, MA: MIT Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10185585.
Donkin, Ellen and Clement, Susan (1993) Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor, Mich: University of Michigan Press.
Etchells, Tim and ebrary, Inc (1999) Certain fragments: contemporary performance and forced entertainment [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451.
Fo, Dario and Hood, Stuart (1991) The tricks of the trade. London: Methuen Drama.
Frost, Anthony and Yarrow, Ralph (1990) Improvisation in drama. Basingstoke: Macmillan Education.
Gaskill, William (1988) A sense of direction. London: Faber.
Giannachi, Gabriella and Luckhurst, Mary (1999) On directing: interviews with directors. London: Faber.
Goorney, Howard (1981) The Theatre Workshop story. London: Eyre Methuen.
Grotowski, Jerzy and Barba, Eugenio (2002a) Towards a poor theatre [electronic resource]. 1st Routledge ed. New York: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u.
Grotowski, Jerzy and Barba, Eugenio (2002b) Towards a poor theatre [electronic resource]. 1st Routledge ed. New York: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u.
Heddon, D. and Milling, J. (2015) Devising Performance: a Critical History. 2nd ed. Basingstoke: Palgrave Macmillan.
Hill, Leslie and Paris, Helen (2006) Performance and place. Basingstoke: Palgrave Macmillan.
Hirst, David L. (1993) Giorgio Strehler. Cambridge: Cambridge University Press.
‘Joan Littlewood’s lovely war’ (1994). [U.K.]: Shooting Star for BBC.
Johnstone, Keith (2007) Impro: improvisation and the theatre. London: Methuen Drama. Available at: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u.
Kiernander, Adrian (2008) Ariane Mnouchkine and the Theát̂re du Soleil. Cambridge: Cambridge University Press.
Kumiega, Jennifer (1985) The theatre of Grotowski. London: Methuen.
Lavender, Andy et al. (2001) Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. London: Nick Hern.
Lepage, Robert and Charest, Rémy (1997) Robert Lepage: connecting flights. London: Methuen.
Littlewood, Joan (2003) Joan’s book: the autobiography of Joan Littlewood. London: Methuen.
Manfull, Helen (1999) Taking stage: women directors on directing. London: Methuen Drama.
Marowitz, Charles (1986a) Prospero’s staff: acting and directing in the contemporary theatre. Bloomington: Indiana University Press.
Marowitz, Charles (1986b) Prospero’s staff: acting and directing in the contemporary theatre. Bloomington: Indiana University Press.
Miller, Jonathan (1986) Subsequent performances. London: Faber.
Mitchell, Katie (2009) The director’s craft: a handbook for the theatre. London: Routledge.
Mitter, Shomit and ebrary, Inc (2000) Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=5002486.
Mitter, Shomit and Shevtsova, Maria (2005) Fifty key theatre directors. London: Routledge.
National Theatre (no date) Platform Papers. Available at: http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers.
Nelson, Richard, Jones, David, and Chambers, Colin (1995) Making plays: the writer-director relationship in the theatre today. London: Faber and Faber.
Oddey, A. (2013) Devising theatre: a practical and theoretical handbook. Hoboken: Taylor and Francis. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404.
Patterson, Michael (1981) Peter Stein: Germany’s leading theatre director. Cambridge: Cambridge University Press.
‘[Peter Brook] The South Bank Show Special’ (1989). London: LWT.
Schneider, Rebecca and Cody, Gabrielle H. (2002) Re - direction: a theoretical and practical guide. London: Routledge.
Selbourne, David and Trussler, Simon (1982) The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. London: Methuen.
Spolin, Viola (1999) Improvisation for the theater: a handbook of teaching and directing techniques. 3rd ed. Evanston, Ill: Northwestern University Press.
Thomas, James Michael (1999) Script analysis for actors, directors, and designers. 2nd ed. Boston: Focal Press.
Tufnell, Miranda and Crickmay, Christopher (1993) Body space image: notes towards improvisation and performance. London: Dance Books.
Watson, Ian (1993) Towards a third theatre: Eugenio Barba and the Odin teatret. London: Routledge.
Weber, C and Munk, E (1967) ‘Brecht as Director’, The Drama Review (TDR), 12(1), pp. 101–107. Available at: http://www.jstor.org/stable/1125296.
Whitmore, Jon (1994) Directing postmodern theater: shaping signification in performance. Ann Arbor: University of Michigan Press.
Zarrilli, Phillip B. (2002) Acting (re)considered: a theoretical and practical guide [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u.
