1.
Bogart, Anne. A Director Prepares: Seven Essays on Art and Theatre. Routledge; 2001.
2.
Bogart, Anne, Landau, Tina. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. Theatre Communications Group; 2005.
3.
Delgado MM, Rebellato D. Contemporary European Theatre Directors. Routledge; 2010.
4.
Artaud, Antonin, Corti, Victor. The Theatre and Its Double: Essays. Vol Signature series. Calder & Boyars; 1970.
5.
Artaud, Antonin, Corti, Victor. The Theatre and Its Double: Essays. Vol Signature series. Calder & Boyars; 1970.
6.
Barba, Eugenio, Savarese, Nicola. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. 2nd ed. Routledge; 2006. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433
7.
Barba, Eugenio. On Directing and Dramaturgy: Burning the House. Routledge; 2010. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u
8.
Braun, Edward. The Director and the Stage: From Naturalism to Grotowski. Methuen; 1982.
9.
Brook, Peter. The Empty Space. Vol Modern classics. Penguin; 2008.
10.
Brook, Peter. The Shifting Point. Methuen; 1997.
11.
Cole, Susan Letzler. Directors in Rehearsal: A Hidden World. Routledge; 1992.
12.
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: Texts on Theatre. Routledge; 1990.
13.
Delgado, Maria M., Heritage, Paul. In Contact with the Gods?: Directors Talk Theatre. Manchester University Press; 1996.
14.
Dixon MB, Smith JA. Anne Bogart: Viewpoints. 1st ed. Smith and Kraus; 1995.
15.
Dixon, Steve, ebrary, Inc. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Vol Leonardo. MIT Press; 2007. http://site.ebrary.com/lib/roehampton/Doc?id=10185585
16.
Donkin, Ellen, Clement, Susan. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. University of Michigan Press; 1993.
17.
Fo, Dario, Hood, Stuart. The Tricks of the Trade. Methuen Drama; 1991.
18.
Grotowski, Jerzy, Barba, Eugenio. Towards a Poor Theatre. 1st Routledge ed. Routledge; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
19.
Hill, Leslie, Paris, Helen. Performance and Place. Vol Performance interventions. Palgrave Macmillan; 2006.
20.
Kiernander, Adrian. Ariane Mnouchkine and the Theát̂re Du Soleil. Vol Directors in perspective. Cambridge University Press; 2008.
21.
Marowitz, Charles. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Vol Indiana studies in theatre and drama. Indiana University Press; 1986.
22.
Mitchell, Katie. The Director’s Craft: A Handbook for the Theatre. Routledge; 2009.
23.
Mitter, Shomit, ebrary, Inc. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Routledge; 2000. http://site.ebrary.com/lib/roehampton/Doc?id=5002486
24.
Mitter, Shomit, Shevtsova, Maria. Fifty Key Theatre Directors. Vol Routledge key guides. Routledge; 2005.
25.
Nelson, Richard, Jones, David, Chambers, Colin. Making Plays: The Writer-Director Relationship in the Theatre Today. Faber and Faber; 1995.
26.
Schneider, Rebecca, Cody, Gabrielle H. Re - Direction: A Theoretical and Practical Guide. Vol Worlds of performance. Routledge; 2002.
27.
Thomas, James Michael. Script Analysis for Actors, Directors, and Designers. 2nd ed. Focal Press; 1999.
28.
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Vol Theater--theory/text/performance. University of Michigan Press; 1994.
29.
Zarrilli, Phillip B. Acting (Re)Considered: A Theoretical and Practical Guide. Vol Worlds of performance. Routledge; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u
30.
Etchells, Tim, ebrary, Inc. Certain Fragments: Contemporary Performance and Forced Entertainment. Routledge; 1999. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451
31.
Frost, Anthony, Yarrow, Ralph. Improvisation in Drama. Vol New directions in theatre. Macmillan Education; 1990.
32.
Goorney, Howard. The Theatre Workshop Story. Eyre Methuen; 1981.
33.
Heddon D, Milling J. Devising Performance: A Critical History. 2nd ed. Palgrave Macmillan; 2015.
34.
Oddey A. Devising Theatre: A Practical and Theoretical Handbook. Taylor and Francis; 2013. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404
35.
Alexander, Bill, Billington, Michael. Approaches to Twelfth Night. Vol RSC directors’ Shakespeare. Hern; 1990.
36.
Barba, Eugenio. The Paper Canoe: A Guide to Theatre Anthropology. Routledge; 1994. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u
37.
Berkoff, Steven, Kafka, Franz. Meditations on Metamorphosis. Faber and Faber; 1995.
38.
Bernier, Eric, Lepage, Robert, Ex Machina. The Seven Streams of the River Ota. Vol Methuen modern plays. Methuen Drama; 1996.
39.
Bogart, Anne. A Director Prepares: Seven Essays on Art and Theatre. Routledge; 2001. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u
40.
Bogart, Anne, Landau, Tina. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. Theatre Communications Group; 2005.
41.
Bogdanov, Michael, Pennington, Michael. The English Shakespeare Company: The Story of the Wars of the Roses, 1986-1989. Hern; 1990.
42.
[Peter Brook] The South Bank Show Special. 1989;The SouthBank show.
43.
Brook, Peter. The Empty Space. Vol Modern classics. Penguin; 2008.
44.
Clurman, Harold. On Directing. Fireside Book; 1997.
45.
Cole, Toby, Chinoy, Helen Krich. Directors on Directing: A Source Book of the Modern Theatre. 3rd ed. Owen; 1970.
46.
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: Texts on Theatre. Routledge; 1990.
47.
Gaskill, William. A Sense of Direction. Faber; 1988.
48.
Giannachi, Gabriella, Luckhurst, Mary. On Directing: Interviews with Directors. Faber; 1999.
49.
Grotowski, Jerzy, Barba, Eugenio. Towards a Poor Theatre. 1st Routledge ed. Routledge; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
50.
Hirst, David L. Giorgio Strehler. Vol Directors in perspective. Cambridge University Press; 1993.
51.
Brayshaw, T, Witts, N, eds. The Twentieth Century Performance Reader. 3rd edition. Routledge; 2013.
52.
Kumiega, Jennifer. The Theatre of Grotowski. Methuen; 1985.
53.
Lavender, Andy, Brook, Peter, Lepage, Robert, Wilson, Robert. Hamlet in Pieces: Shakespeare Reworked : Peter Brook, Robert Lepage, Robert Wilson. Vol A Nick Hern book. Nick Hern; 2001.
54.
Lepage, Robert, Charest, Rémy. Robert Lepage: Connecting Flights. Methuen; 1997.
55.
Joan Littlewood’s lovely war. 1994;Omnibus.
56.
Littlewood, Joan. Joan’s Book: The Autobiography of Joan Littlewood. Methuen; 2003.
57.
Manfull, Helen. Taking Stage: Women Directors on Directing. Methuen Drama; 1999.
58.
Marowitz, Charles. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Vol Indiana studies in theatre and drama. Indiana University Press; 1986.
59.
Miller, Jonathan. Subsequent Performances. Faber; 1986.
60.
National Theatre. Platform Papers. http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers
61.
Patterson, Michael. Peter Stein: Germany’s Leading Theatre Director. Vol Directors in perspective. Cambridge University Press; 1981.
62.
Selbourne, David, Trussler, Simon. The Making of a Midsummer Night’s Dream: An Eye-Witness Account of Peter Brook’s Production from First Rehearsal to First Night. Methuen; 1982.
63.
Watson, Ian. Towards a Third Theatre: Eugenio Barba and the Odin Teatret. Routledge; 1993.
64.
Weber, C, Munk, E. Brecht as Director. The Drama Review (TDR). 1967;12(1):101-107. http://www.jstor.org/stable/1125296
65.
Barker, Clive. Theatre Games: A New Approach to Drama Training. Eyre Methuen; 1977.
66.
Boal, Augusto. Games for Actors and Non-Actors. 2nd ed. Routledge; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u
67.
Chekhov, Michael, Hurst du Prey, Deirdre, Gordon, Mel. Lessons for the Professional Actor. Performing Arts Journal; 1985.
68.
Johnstone, Keith. Impro: Improvisation and the Theatre. Methuen Drama; 2007. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u
69.
Tufnell, Miranda, Crickmay, Christopher. Body Space Image: Notes towards Improvisation and Performance. Dance Books; 1993.
70.
Spolin, Viola. Improvisation for the Theater: A Handbook of Teaching and Directing Techniques. 3rd ed. Northwestern University Press; 1999.
