1.
Bogart, Anne. A director prepares: seven essays on art and theatre. London: Routledge; 2001.
2.
Bogart, Anne, Landau, Tina. The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: Theatre Communications Group; 2005.
3.
Delgado MM, Rebellato D. Contemporary European theatre directors. London: Routledge; 2010.
4.
Artaud, Antonin, Corti, Victor. The theatre and its double: essays. Vol. Signature series. London: Calder & Boyars; 1970.
5.
Artaud, Antonin, Corti, Victor. The theatre and its double: essays. Vol. Signature series. London: Calder & Boyars; 1970.
6.
Barba, Eugenio, Savarese, Nicola. A dictionary of theatre anthropology: the secret art of the performer [Internet]. 2nd ed. London: Routledge; 2006. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433
7.
Barba, Eugenio. On directing and dramaturgy: burning the house [Internet]. London: Routledge; 2010. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u
8.
Braun, Edward. The director and the stage: from naturalism to Grotowski. London: Methuen; 1982.
9.
Brook, Peter. The empty space. Vol. Modern classics. London: Penguin; 2008.
10.
Brook, Peter. The shifting point. London: Methuen; 1997.
11.
Cole, Susan Letzler. Directors in rehearsal: a hidden world. New York: Routledge; 1992.
12.
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: texts on theatre. London: Routledge; 1990.
13.
Delgado, Maria M., Heritage, Paul. In contact with the Gods?: directors talk theatre. Manchester: Manchester University Press; 1996.
14.
Dixon MB, Smith JA. Anne Bogart: viewpoints. 1st ed. Lyme, NH: Smith and Kraus; 1995.
15.
Dixon, Steve, ebrary, Inc. Digital performance: a history of new media in theater, dance, performance art, and installation [Internet]. Vol. Leonardo. Cambridge, MA: MIT Press; 2007. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10185585
16.
Donkin, Ellen, Clement, Susan. Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor, Mich: University of Michigan Press; 1993.
17.
Fo, Dario, Hood, Stuart. The tricks of the trade. London: Methuen Drama; 1991.
18.
Grotowski, Jerzy, Barba, Eugenio. Towards a poor theatre [Internet]. 1st Routledge ed. New York: Routledge; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
19.
Hill, Leslie, Paris, Helen. Performance and place. Vol. Performance interventions. Basingstoke: Palgrave Macmillan; 2006.
20.
Kiernander, Adrian. Ariane Mnouchkine and the Theát̂re du Soleil. Vol. Directors in perspective. Cambridge: Cambridge University Press; 2008.
21.
Marowitz, Charles. Prospero’s staff: acting and directing in the contemporary theatre. Vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press; 1986.
22.
Mitchell, Katie. The director’s craft: a handbook for the theatre. London: Routledge; 2009.
23.
Mitter, Shomit, ebrary, Inc. Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [Internet]. London: Routledge; 2000. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=5002486
24.
Mitter, Shomit, Shevtsova, Maria. Fifty key theatre directors. Vol. Routledge key guides. London: Routledge; 2005.
25.
Nelson, Richard, Jones, David, Chambers, Colin. Making plays: the writer-director relationship in the theatre today. London: Faber and Faber; 1995.
26.
Schneider, Rebecca, Cody, Gabrielle H. Re - direction: a theoretical and practical guide. Vol. Worlds of performance. London: Routledge; 2002.
27.
Thomas, James Michael. Script analysis for actors, directors, and designers. 2nd ed. Boston: Focal Press; 1999.
28.
Whitmore, Jon. Directing postmodern theater: shaping signification in performance. Vol. Theater--theory/text/performance. Ann Arbor: University of Michigan Press; 1994.
29.
Zarrilli, Phillip B. Acting (re)considered: a theoretical and practical guide [Internet]. Vol. Worlds of performance. London: Routledge; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u
30.
Etchells, Tim, ebrary, Inc. Certain fragments: contemporary performance and forced entertainment [Internet]. London: Routledge; 1999. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451
31.
Frost, Anthony, Yarrow, Ralph. Improvisation in drama. Vol. New directions in theatre. Basingstoke: Macmillan Education; 1990.
32.
Goorney, Howard. The Theatre Workshop story. London: Eyre Methuen; 1981.
33.
Heddon D, Milling J. Devising Performance: a Critical History. 2nd ed. Basingstoke: Palgrave Macmillan; 2015.
34.
Oddey A. Devising theatre: a practical and theoretical handbook [Internet]. Hoboken: Taylor and Francis; 2013. Available from: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404
35.
Alexander, Bill, Billington, Michael. Approaches to Twelfth Night. Vol. RSC directors’ Shakespeare. London: Hern; 1990.
36.
Barba, Eugenio. The paper canoe: a guide to theatre anthropology [Internet]. London: Routledge; 1994. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u
37.
Berkoff, Steven, Kafka, Franz. Meditations on Metamorphosis. London: Faber and Faber; 1995.
38.
Bernier, Eric, Lepage, Robert, Ex Machina. The seven streams of the River Ota. Vol. Methuen modern plays. London: Methuen Drama; 1996.
39.
Bogart, Anne. A director prepares: seven essays on art and theatre [Internet]. London: Routledge; 2001. Available from: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u
40.
Bogart, Anne, Landau, Tina. The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: Theatre Communications Group; 2005.
41.
Bogdanov, Michael, Pennington, Michael. The English Shakespeare Company: the story of the Wars of the Roses, 1986-1989. London: Hern; 1990.
42.
[Peter Brook] The South Bank Show Special. Vol. The SouthBank show. London: LWT; 1989.
43.
Brook, Peter. The empty space. Vol. Modern classics. London: Penguin; 2008.
44.
Clurman, Harold. On directing. New York: Fireside Book; 1997.
45.
Cole, Toby, Chinoy, Helen Krich. Directors on directing: a source book of the modern theatre. 3rd ed. London: Owen; 1970.
46.
Copeau, Jacques, Rudlin, John, Paul, Norman H. Copeau: texts on theatre. London: Routledge; 1990.
47.
Gaskill, William. A sense of direction. London: Faber; 1988.
48.
Giannachi, Gabriella, Luckhurst, Mary. On directing: interviews with directors. London: Faber; 1999.
49.
Grotowski, Jerzy, Barba, Eugenio. Towards a poor theatre [Internet]. 1st Routledge ed. New York: Routledge; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u
50.
Hirst, David L. Giorgio Strehler. Vol. Directors in perspective. Cambridge: Cambridge University Press; 1993.
51.
Brayshaw, T, Witts, N, editors. The Twentieth Century Performance Reader. 3rd edition. London: Routledge; 2013.
52.
Kumiega, Jennifer. The theatre of Grotowski. London: Methuen; 1985.
53.
Lavender, Andy, Brook, Peter, Lepage, Robert, Wilson, Robert. Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. Vol. A Nick Hern book. London: Nick Hern; 2001.
54.
Lepage, Robert, Charest, Rémy. Robert Lepage: connecting flights. London: Methuen; 1997.
55.
Joan Littlewood’s lovely war. Vol. Omnibus. [U.K.]: Shooting Star for BBC; 1994.
56.
Littlewood, Joan. Joan’s book: the autobiography of Joan Littlewood. London: Methuen; 2003.
57.
Manfull, Helen. Taking stage: women directors on directing. London: Methuen Drama; 1999.
58.
Marowitz, Charles. Prospero’s staff: acting and directing in the contemporary theatre. Vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press; 1986.
59.
Miller, Jonathan. Subsequent performances. London: Faber; 1986.
60.
National Theatre. Platform Papers [Internet]. Available from: http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers
61.
Patterson, Michael. Peter Stein: Germany’s leading theatre director. Vol. Directors in perspective. Cambridge: Cambridge University Press; 1981.
62.
Selbourne, David, Trussler, Simon. The making of a Midsummer Night’s Dream: an eye-witness account of Peter Brook’s production from first rehearsal to first night. London: Methuen; 1982.
63.
Watson, Ian. Towards a third theatre: Eugenio Barba and the Odin teatret. London: Routledge; 1993.
64.
Weber, C, Munk, E. Brecht as Director. The Drama Review (TDR) [Internet]. 1967;12(1):101–7. Available from: http://www.jstor.org/stable/1125296
65.
Barker, Clive. Theatre games: a new approach to drama training. London: Eyre Methuen; 1977.
66.
Boal, Augusto. Games for actors and non-actors [Internet]. 2nd ed. London: Routledge; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u
67.
Chekhov, Michael, Hurst du Prey, Deirdre, Gordon, Mel. Lessons for the professional actor. New York: Performing Arts Journal; 1985.
68.
Johnstone, Keith. Impro: improvisation and the theatre [Internet]. London: Methuen Drama; 2007. Available from: https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u
69.
Tufnell, Miranda, Crickmay, Christopher. Body space image: notes towards improvisation and performance. London: Dance Books; 1993.
70.
Spolin, Viola. Improvisation for the theater: a handbook of teaching and directing techniques. 3rd ed. Evanston, Ill: Northwestern University Press; 1999.
