Alexander, Bill and Billington, Michael. 1990. Approaches to Twelfth Night. Vol. RSC directors’ Shakespeare. London: Hern.
Artaud, Antonin and Corti, Victor. 1970a. The Theatre and Its Double: Essays. Vol. Signature series. London: Calder & Boyars.
———. 1970b. The Theatre and Its Double: Essays. Vol. Signature series. London: Calder & Boyars.
Barba, Eugenio. 1994. The Paper Canoe: A Guide to Theatre Anthropology. Electronic resource. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203360095&uid=^u.
———. 2010. On Directing and Dramaturgy: Burning the House. Electronic resource. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203870297&uid=^u.
Barba, Eugenio and Savarese, Nicola. 2006. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. 2nd ed. London: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=668433.
Barker, Clive. 1977. Theatre Games: A New Approach to Drama Training. London: Eyre Methuen.
Berkoff, Steven and Kafka, Franz. 1995. Meditations on Metamorphosis. London: Faber and Faber.
Bernier, Eric, Lepage, Robert, and Ex Machina. 1996. The Seven Streams of the River Ota. Vol. Methuen modern plays. London: Methuen Drama.
Boal, Augusto. 2002. Games for Actors and Non-Actors. Electronic resource. 2nd ed. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203994818&uid=^u.
Bogart, Anne. 2001a. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge.
———. 2001b. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203165546&uid=^u.
Bogart, Anne and Landau, Tina. 2005a. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. New York: Theatre Communications Group.
———. 2005b. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. New York: Theatre Communications Group.
Bogdanov, Michael and Pennington, Michael. 1990. The English Shakespeare Company: The Story of the Wars of the Roses, 1986-1989. London: Hern.
Braun, Edward. 1982. The Director and the Stage: From Naturalism to Grotowski. London: Methuen.
Brayshaw, T and Witts, N, eds. 2013. The Twentieth Century Performance Reader. 3rd edition. London: Routledge.
Brook, Peter. 1997. The Shifting Point. London: Methuen.
———. 2008a. The Empty Space. Vol. Modern classics. London: Penguin.
———. 2008b. The Empty Space. Vol. Modern classics. London: Penguin.
Chekhov, Michael, Hurst du Prey, Deirdre, and Gordon, Mel. 1985. Lessons for the Professional Actor. New York: Performing Arts Journal.
Clurman, Harold. 1997. On Directing. New York: Fireside Book.
Cole, Susan Letzler. 1992. Directors in Rehearsal: A Hidden World. New York: Routledge.
Cole, Toby and Chinoy, Helen Krich. 1970. Directors on Directing: A Source Book of the Modern Theatre. 3rd ed. London: Owen.
Copeau, Jacques, Rudlin, John, and Paul, Norman H. 1990a. Copeau: Texts on Theatre. London: Routledge.
———. 1990b. Copeau: Texts on Theatre. London: Routledge.
Delgado, Maria M. and Heritage, Paul. 1996. In Contact with the Gods?: Directors Talk Theatre. Manchester: Manchester University Press.
Delgado, Maria M., and Dan Rebellato. 2010. Contemporary European Theatre Directors. London: Routledge.
Dixon, Michael Bigelow, and Joel A. Smith. 1995. Anne Bogart: Viewpoints. 1st ed. Lyme, NH: Smith and Kraus.
Dixon, Steve and ebrary, Inc. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Electronic resource. Vol. Leonardo. Cambridge, MA: MIT Press. http://site.ebrary.com/lib/roehampton/Doc?id=10185585.
Donkin, Ellen and Clement, Susan. 1993. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. Ann Arbor, Mich: University of Michigan Press.
Etchells, Tim and ebrary, Inc. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. Electronic resource. London: Routledge. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=166451.
Fo, Dario and Hood, Stuart. 1991. The Tricks of the Trade. London: Methuen Drama.
Frost, Anthony and Yarrow, Ralph. 1990. Improvisation in Drama. Vol. New directions in theatre. Basingstoke: Macmillan Education.
Gaskill, William. 1988. A Sense of Direction. London: Faber.
Giannachi, Gabriella and Luckhurst, Mary. 1999. On Directing: Interviews with Directors. London: Faber.
Goorney, Howard. 1981. The Theatre Workshop Story. London: Eyre Methuen.
Grotowski, Jerzy and Barba, Eugenio. 2002a. Towards a Poor Theatre. Electronic resource. 1st Routledge ed. New York: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u.
———. 2002b. Towards a Poor Theatre. Electronic resource. 1st Routledge ed. New York: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203819814&uid=^u.
Heddon, Deirdre, and Jane Milling. 2015. Devising Performance: A Critical History. 2nd ed. Basingstoke: Palgrave Macmillan.
Hill, Leslie and Paris, Helen. 2006. Performance and Place. Vol. Performance interventions. Basingstoke: Palgrave Macmillan.
Hirst, David L. 1993. Giorgio Strehler. Vol. Directors in perspective. Cambridge: Cambridge University Press.
‘Joan Littlewood’s Lovely War’. 1994. Videorecording. [U.K.]: Shooting Star for BBC.
Johnstone, Keith. 2007. Impro: Improvisation and the Theatre. London: Methuen Drama. https://roe.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203446294&uid=^u.
Kiernander, Adrian. 2008. Ariane Mnouchkine and the Theát̂re Du Soleil. Vol. Directors in perspective. Cambridge: Cambridge University Press.
Kumiega, Jennifer. 1985. The Theatre of Grotowski. London: Methuen.
Lavender, Andy, Brook, Peter, Lepage, Robert, and Wilson, Robert. 2001. Hamlet in Pieces: Shakespeare Reworked : Peter Brook, Robert Lepage, Robert Wilson. Vol. A Nick Hern book. London: Nick Hern.
Lepage, Robert and Charest, Rémy. 1997. Robert Lepage: Connecting Flights. London: Methuen.
Littlewood, Joan. 2003. Joan’s Book: The Autobiography of Joan Littlewood. London: Methuen.
Manfull, Helen. 1999. Taking Stage: Women Directors on Directing. London: Methuen Drama.
Marowitz, Charles. 1986a. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press.
———. 1986b. Prospero’s Staff: Acting and Directing in the Contemporary Theatre. Vol. Indiana studies in theatre and drama. Bloomington: Indiana University Press.
Miller, Jonathan. 1986. Subsequent Performances. London: Faber.
Mitchell, Katie. 2009. The Director’s Craft: A Handbook for the Theatre. London: Routledge.
Mitter, Shomit and ebrary, Inc. 2000. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Electronic resource. London: Routledge. http://site.ebrary.com/lib/roehampton/Doc?id=5002486.
Mitter, Shomit and Shevtsova, Maria. 2005. Fifty Key Theatre Directors. Vol. Routledge key guides. London: Routledge.
National Theatre. n.d. ‘Platform Papers’. http://www.nationaltheatre.org.uk/discover-more/platforms/platform-papers.
Nelson, Richard, Jones, David, and Chambers, Colin. 1995. Making Plays: The Writer-Director Relationship in the Theatre Today. London: Faber and Faber.
Oddey, Alison. 2013. Devising Theatre: A Practical and Theoretical Handbook. Hoboken: Taylor and Francis. https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=1474404.
Patterson, Michael. 1981. Peter Stein: Germany’s Leading Theatre Director. Vol. Directors in perspective. Cambridge: Cambridge University Press.
‘[Peter Brook] The South Bank Show Special’. 1989. Videorecording. London: LWT.
Schneider, Rebecca and Cody, Gabrielle H. 2002. Re - Direction: A Theoretical and Practical Guide. Vol. Worlds of performance. London: Routledge.
Selbourne, David and Trussler, Simon. 1982. The Making of a Midsummer Night’s Dream: An Eye-Witness Account of Peter Brook’s Production from First Rehearsal to First Night. London: Methuen.
Spolin, Viola. 1999. Improvisation for the Theater: A Handbook of Teaching and Directing Techniques. 3rd ed. Evanston, Ill: Northwestern University Press.
Thomas, James Michael. 1999. Script Analysis for Actors, Directors, and Designers. 2nd ed. Boston: Focal Press.
Tufnell, Miranda and Crickmay, Christopher. 1993. Body Space Image: Notes towards Improvisation and Performance. London: Dance Books.
Watson, Ian. 1993. Towards a Third Theatre: Eugenio Barba and the Odin Teatret. London: Routledge.
Weber, C and Munk, E. 1967. ‘Brecht as Director’. The Drama Review (TDR) 12 (1): 101–7. http://www.jstor.org/stable/1125296.
Whitmore, Jon. 1994. Directing Postmodern Theater: Shaping Signification in Performance. Vol. Theater--theory/text/performance. Ann Arbor: University of Michigan Press.
Zarrilli, Phillip B. 2002. Acting (Re)Considered: A Theoretical and Practical Guide. Electronic resource. Vol. Worlds of performance. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203991473&uid=^u.
