1.
The French Connection - Roehampton Online Broadcasts. https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ
2.
Allen M. Contemporary US Cinema. Longman; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u
3.
Schatz T. The new Hollywood. In: Film Theory Goes to the Movies. Vol AFI film readers. Routledge; 1993:8-36. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243
4.
King G. New Hollywood Cinema: An Introduction. Columbia University Press; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
5.
Hopper D. Easy rider. Published online 2001.
6.
Schlesinger J, Herlihy JL. Midnight cowboy. Published online 1992.
7.
Bogdanovich P, McMurty L. The Last picture show. Published online 1994.
8.
Cimino M. Heaven’s gate. Published online 2000.
9.
Slacker (1991). https://www.youtube.com/watch?v=b-U_I1DCGEY
10.
Levy E. Cinema of Outsiders: The Rise of American Independent Film. New York University Press; 1999. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783
11.
King G. Being Charlie Kaufman. In: Indiewood, USA: Where Hollywood Meets Independent Cinema. I. B. Tauris; 2009:47-92.
12.
Biskind P. Introduction: The Story Til Now. In: Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. Bloomsbury; 2004:8-26.
13.
King G. New Hollywood Cinema: An Introduction. Columbia University Press; 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
14.
Wyatt J. High Concept: Movies and Marketing in Hollywood. University of Texas Press; 1994. http://site.ebrary.com/lib/roehampton/Doc?id=11012379
15.
Jeffords S. Hard bodies: the Reagan Heroes. In: Hard Bodies: Hollywood Masculinity in the Reagan Era. Rutgers University Press; 1994:24-63.
16.
Stringer J. Movie Blockbusters. Routledge; 2003.
17.
Sandler KS, Studlar G. Titanic: Anatomy of a Blockbuster. Rutgers University Press; 1999.
18.
Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB
19.
Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY
20.
Kellner D. On Truth, Objectivity and Partisanship. In: Winston B, ed. The Documentary Film Book. Palgrave Macmillan; 2013:59-67.
21.
Nichols B. Introduction to Documentary. Third edition. Indiana University Press; 2017. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u
22.
Benson TW, Snee BJ, eds. Michael Moore and the Rhetoric of Documentary. Southern Illinois University Press; 2015. http://site.ebrary.com/lib/roehampton/Doc?id=11071095
23.
Bruzzi S, NetLibrary, Inc. New Documentary. 2nd ed. Routledge; 2006. http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085
24.
Rosenthal A, Corner J. New Challenges for Documentary. 2nd ed. Manchester University Press; 2005.
25.
Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY
26.
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT
27.
Morgan Spurlock. Super Size Me The Fast-Food Industry in America. Published online 2004. https://roehampton.kanopy.com/video/super-size-me-0
28.
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf
29.
Shary T. Generation Multiplex: The Image of Youth in Contemporary American Cinema. University of Texas Press; 2003. http://site.ebrary.com/lib/roehampton/Doc?id=10245721
30.
Nadel A. Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan’s America. Rutgers University Press; 1997.
31.
SPEED L. Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture. 2010;43(4):820-841. doi:10.1111/j.1540-5931.2010.00772.x
32.
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’. http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm
33.
SHARY T. Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture. 2011;44(3):563-582. doi:10.1111/j.1540-5931.2011.00849.x
34.
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema. http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/
35.
Steinberg, Shirley R.Kincheloe, Joe L. Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31(1). https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live
36.
Dyer R, McDonald P. Stars. New ed. BFI Publishing; 1997.
37.
Ellis J. Visible Fictions: Cinema, Television, Video. Revised edition. Routledge; 2015. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323
38.
McDonald P. The Star System: Hollywood’s Production of Popular Identities. Wallflower; 2000.
39.
Dyer R. Heavenly Bodies: Film Stars and Society. 2nd ed. Routledge; 2004.
40.
McDonald P, ebrary, Inc. Hollywood Stardom. Wiley-Blackwell; 2013. http://site.ebrary.com/lib/roehampton/Doc?id=10657816
41.
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London. https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html
42.
Stacey J. Star Gazing: Hollywood Cinema and Female Spectatorship. Routledge; 1993.
43.
Prince S. Firestorm: American Film in the Age of Terrorism. Columbia University Press; 2009. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677
44.
Dixon WW. Film and Television after 9/11. Southern Illinois University Press; 2004. https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk
45.
Birkenstein J, Froula A, Randell K, ebrary, Inc. Reframing 9/11: Film, Popular Culture and the ‘War on Terror’. Continuum; 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10422373
46.
Westwell G. Parallel Lines: Post-9/11 American Cinema. Wallflower Press; 2014. https://www.jstor.org/stable/10.7312/west17202
47.
Kellner D, ebrary, Inc. Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era. Wiley-Blackwell; 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10358886
48.
Arin Keeble. Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation. http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020
49.
McSweeney T. American Cinema in the Shadow Of 9. Edinburgh University Press; 2016. https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK
50.
Bogle D. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. Updated and expanded 5th edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc; 2016.
51.
Lawrence N. Blaxploitation Films of the 1970s: Blackness and Genre. Routledge; 2007. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u
52.
Diawara M, American Film Institute. Black American Cinema. Routledge; 1993.
53.
Hayward S. Cinema Studies: The Key Concepts. 4th ed. Routledge; 2012. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u
54.
Williams RL. Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003. First edition. Syracuse University Press; 2015. http://site.ebrary.com/lib/roehampton/Doc?id=11249979
55.
Reid MA. Spike Lee’s Do the Right Thing. Cambridge University Press; 1997.
56.
Shary T. Generation Multiplex: The Image of Youth in American Cinema after 1980. Revised edition. University of Texas Press; 2014. http://site.ebrary.com/lib/roehampton/Doc?id=10846035
57.
A short history of black US indie cinema | BFI. https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
58.
Neale S, Smith M. Contemporary Hollywood Cinema. Routledge; 1998. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u
59.
Course: Contemporary Hollywood Cinema- FLM020X348A. https://moodle.roehampton.ac.uk/course/view.php?id=7488
