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The French Connection - Roehampton Online Broadcasts.
2.
Allen, M. Contemporary US cinema. (Longman, 2002).
3.
Schatz, T. The new Hollywood. in Film theory goes to the movies vol. AFI film readers 8–36 (Routledge, 1993).
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King, G. New Hollywood cinema: an introduction. (Columbia University Press, 2002).
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Hopper, D. Easy rider. (2001).
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Schlesinger, J. & Herlihy, J. L. Midnight cowboy. (1992).
7.
Bogdanovich, P. & McMurty, L. The Last picture show. (1994).
8.
Cimino, M. Heaven’s gate. (2000).
10.
Levy, E. Cinema of outsiders: the rise of American independent film. (New York University Press, 1999).
11.
King, G. Being Charlie Kaufman. in Indiewood, USA: where Hollywood meets independent cinema 47–92 (I. B. Tauris, 2009).
12.
Biskind, P. Introduction: The Story Til Now. in Down and dirty pictures: Miramax, Sundance and the rise of independent film 8–26 (Bloomsbury, 2004).
13.
King, G. New Hollywood cinema: an introduction. (Columbia University Press, 2002).
14.
Wyatt, J. High concept: movies and marketing in Hollywood. (University of Texas Press, 1994).
15.
Jeffords, S. Hard bodies: the Reagan Heroes. in Hard bodies: Hollywood masculinity in the Reagan era 24–63 (Rutgers University Press, 1994).
16.
Stringer, J. Movie blockbusters. (Routledge, 2003).
17.
Sandler, K. S. & Studlar, G. Titanic: anatomy of a blockbuster. (Rutgers University Press, 1999).
18.
Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream.
19.
Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream.
20.
Kellner, D. On Truth, Objectivity and Partisanship. in The documentary film book (ed. Winston, B.) 59–67 (Palgrave Macmillan, 2013).
21.
Nichols, B. Introduction to documentary. (Indiana University Press, 2017).
22.
Michael Moore and the rhetoric of documentary. (Southern Illinois University Press, 2015).
23.
Bruzzi, S. & NetLibrary, Inc. New documentary. (Routledge, 2006).
24.
Rosenthal, A. & Corner, J. New challenges for documentary. (Manchester University Press, 2005).
25.
Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream.
26.
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream.
27.
Morgan Spurlock. Super Size Me The Fast-Food Industry in America. (2004).
28.
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream.
29.
Shary, T. Generation multiplex: the image of youth in contemporary American cinema. (University of Texas Press, 2003).
30.
Nadel, A. Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. (Rutgers University Press, 1997).
31.
SPEED, L. Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture 43, 820–841 (2010).
32.
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’. http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm.
33.
SHARY, T. Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture 44, 563–582 (2011).
34.
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema. http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.
35.
Steinberg, Shirley R.Kincheloe, Joe L. Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31,.
36.
Dyer, R. & McDonald, P. Stars. (BFI Publishing, 1997).
37.
Ellis, J. Visible fictions: cinema, television, video. (Routledge, 2015).
38.
McDonald, P. The star system: Hollywood’s production of popular identities. (Wallflower, 2000).
39.
Dyer, R. Heavenly bodies: film stars and society. (Routledge, 2004).
40.
McDonald, P. & ebrary, Inc. Hollywood stardom. (Wiley-Blackwell, 2013).
41.
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London.
42.
Stacey, J. Star gazing: Hollywood cinema and female spectatorship. (Routledge, 1993).
43.
Prince, S. Firestorm: American Film in the Age of Terrorism. (Columbia University Press, 2009).
44.
Dixon, W. W. Film and television after 9/11. (Southern Illinois University Press, 2004).
45.
Birkenstein, J., Froula, A., Randell, K., & ebrary, Inc. Reframing 9/11: film, popular culture and the ‘war on terror’. (Continuum, 2010).
46.
Westwell, G. Parallel lines: post-9/11 American cinema. (Wallflower Press, 2014).
47.
Kellner, D. & ebrary, Inc. Cinema wars: Hollywood film and politics in the Bush-Cheney era. (Wiley-Blackwell, 2010).
48.
Arin Keeble. Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation.
49.
McSweeney, T. American Cinema in the Shadow Of 9. (Edinburgh University Press, 2016).
50.
Bogle, D. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. (Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016).
51.
Lawrence, N. Blaxploitation films of the 1970s: Blackness and genre. (Routledge, 2007).
52.
Diawara, M. & American Film Institute. Black American cinema. (Routledge, 1993).
53.
Hayward, S. Cinema studies: the key concepts. (Routledge, 2012).
54.
Williams, R. L. Black male frames: African Americans in a century of Hollywood cinema, 1903-2003. (Syracuse University Press, 2015).
55.
Reid, M. A. Spike Lee’s do the right thing. (Cambridge University Press, 1997).
56.
Shary, T. Generation multiplex: the image of youth in American cinema after 1980. (University of Texas Press, 2014).
57.
A short history of black US indie cinema | BFI. https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
58.
Neale, S. & Smith, M. Contemporary Hollywood cinema. (Routledge, 1998).
59.
Course: Contemporary Hollywood Cinema- FLM020X348A.
