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The French Connection - Roehampton Online Broadcasts.
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Hopper, D. Easy rider. (2001).
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Schlesinger, J. & Herlihy, J. L. Midnight cowboy. (1992).
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Bogdanovich, P. & McMurty, L. The Last picture show. (1994).
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Biskind, P. Introduction: The Story Til Now. in Down and dirty pictures: Miramax, Sundance and the rise of independent film 8–26 (Bloomsbury, 2004).
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King, G. New Hollywood cinema: an introduction. (Columbia University Press, 2002).
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Wyatt, J. High concept: movies and marketing in Hollywood. (University of Texas Press, 1994).
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Jeffords, S. Hard bodies: the Reagan Heroes. in Hard bodies: Hollywood masculinity in the Reagan era 24–63 (Rutgers University Press, 1994).
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Stringer, J. Movie blockbusters. (Routledge, 2003).
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Sandler, K. S. & Studlar, G. Titanic: anatomy of a blockbuster. (Rutgers University Press, 1999).
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Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream.
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Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream.
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Kellner, D. On Truth, Objectivity and Partisanship. in The documentary film book (ed. Winston, B.) 59–67 (Palgrave Macmillan, 2013).
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Nichols, B. Introduction to documentary. (Indiana University Press, 2017).
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Michael Moore and the rhetoric of documentary. (Southern Illinois University Press, 2015).
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Bruzzi, S. & NetLibrary, Inc. New documentary. (Routledge, 2006).
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Rosenthal, A. & Corner, J. New challenges for documentary. (Manchester University Press, 2005).
25.
Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream.
26.
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream.
27.
Morgan Spurlock. Super Size Me The Fast-Food Industry in America. (2004).
28.
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream.
29.
Shary, T. Generation multiplex: the image of youth in contemporary American cinema. (University of Texas Press, 2003).
30.
Nadel, A. Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. (Rutgers University Press, 1997).
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SPEED, L. Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture 43, 820–841 (2010).
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Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’. http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm.
33.
SHARY, T. Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture 44, 563–582 (2011).
34.
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema. http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.
35.
Steinberg, Shirley R.Kincheloe, Joe L. Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31,.
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Dyer, R. & McDonald, P. Stars. (BFI Publishing, 1997).
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Ellis, J. Visible fictions: cinema, television, video. (Routledge, 2015).
38.
McDonald, P. The star system: Hollywood’s production of popular identities. (Wallflower, 2000).
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Dyer, R. Heavenly bodies: film stars and society. (Routledge, 2004).
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McDonald, P. & ebrary, Inc. Hollywood stardom. (Wiley-Blackwell, 2013).
41.
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London.
42.
Stacey, J. Star gazing: Hollywood cinema and female spectatorship. (Routledge, 1993).
43.
Prince, S. Firestorm: American Film in the Age of Terrorism. (Columbia University Press, 2009).
44.
Dixon, W. W. Film and television after 9/11. (Southern Illinois University Press, 2004).
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Birkenstein, J., Froula, A., Randell, K., & ebrary, Inc. Reframing 9/11: film, popular culture and the ‘war on terror’. (Continuum, 2010).
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Westwell, G. Parallel lines: post-9/11 American cinema. (Wallflower Press, 2014).
47.
Kellner, D. & ebrary, Inc. Cinema wars: Hollywood film and politics in the Bush-Cheney era. (Wiley-Blackwell, 2010).
48.
Arin Keeble. Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation.
49.
McSweeney, T. American Cinema in the Shadow Of 9. (Edinburgh University Press, 2016).
50.
Bogle, D. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. (Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016).
51.
Lawrence, N. Blaxploitation films of the 1970s: Blackness and genre. (Routledge, 2007).
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Diawara, M. & American Film Institute. Black American cinema. (Routledge, 1993).
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Hayward, S. Cinema studies: the key concepts. (Routledge, 2012).
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Williams, R. L. Black male frames: African Americans in a century of Hollywood cinema, 1903-2003. (Syracuse University Press, 2015).
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Reid, M. A. Spike Lee’s do the right thing. (Cambridge University Press, 1997).
56.
Shary, T. Generation multiplex: the image of youth in American cinema after 1980. (University of Texas Press, 2014).
57.
A short history of black US indie cinema | BFI. https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
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Neale, S. & Smith, M. Contemporary Hollywood cinema. (Routledge, 1998).
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Course: Contemporary Hollywood Cinema- FLM020X348A.