1
The French Connection - Roehampton Online Broadcasts. https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ
2
Allen M. Contemporary US cinema. Harlow: : Longman 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u
3
Schatz T. The new Hollywood. In: Film theory goes to the movies. London: : Routledge 1993. 8–36.https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243
4
King G. New Hollywood cinema: an introduction. New York: : Columbia University Press 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
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Hopper D. Easy rider. 2001.
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Schlesinger J, Herlihy JL. Midnight cowboy. 1992.
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Bogdanovich P, McMurty L. The Last picture show. 1994.
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Cimino M. Heaven’s gate. 2000.
9
Slacker (1991). https://www.youtube.com/watch?v=b-U_I1DCGEY
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Levy E. Cinema of outsiders: the rise of American independent film. New York: : New York University Press 1999. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783
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King G. Being Charlie Kaufman. In: Indiewood, USA: where Hollywood meets independent cinema. London: : I. B. Tauris 2009. 47–92.
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Biskind P. Introduction: The Story Til Now. In: Down and dirty pictures: Miramax, Sundance and the rise of independent film. London: : Bloomsbury 2004. 8–26.
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King G. New Hollywood cinema: an introduction. New York: : Columbia University Press 2002. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
14
Wyatt J. High concept: movies and marketing in Hollywood. Austin: : University of Texas Press 1994. http://site.ebrary.com/lib/roehampton/Doc?id=11012379
15
Jeffords S. Hard bodies: the Reagan Heroes. In: Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: : Rutgers University Press 1994. 24–63.
16
Stringer J. Movie blockbusters. London: : Routledge 2003.
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Sandler KS, Studlar G. Titanic: anatomy of a blockbuster. New Brunswick, NJ: : Rutgers University Press 1999.
18
Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB
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Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY
20
Kellner D. On Truth, Objectivity and Partisanship. In: Winston B, ed. The documentary film book. Basingstoke, Hampshire: : Palgrave Macmillan 2013. 59–67.
21
Nichols B. Introduction to documentary. Third edition. Bloomington, Indiana: : Indiana University Press 2017. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u
22
Benson TW, Snee BJ, editors. Michael Moore and the rhetoric of documentary. Carbondale, [Illinois]: : Southern Illinois University Press 2015. http://site.ebrary.com/lib/roehampton/Doc?id=11071095
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Bruzzi S, NetLibrary, Inc. New documentary. 2nd ed. London: : Routledge 2006. http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085
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Rosenthal A, Corner J. New challenges for documentary. 2nd ed. Manchester: : Manchester University Press 2005.
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Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY
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Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT
27
Morgan Spurlock. Super Size Me The Fast-Food Industry in America. 2004.https://roehampton.kanopy.com/video/super-size-me-0
28
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream. https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf
29
Shary T. Generation multiplex: the image of youth in contemporary American cinema. Austin, Tex: : University of Texas Press 2003. http://site.ebrary.com/lib/roehampton/Doc?id=10245721
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Nadel A. Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. New Brunswick, N.J.: : Rutgers University Press 1997.
31
SPEED L. Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture 2010;43:820–41. doi:10.1111/j.1540-5931.2010.00772.x
32
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’. http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm
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SHARY T. Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture 2011;44:563–82. doi:10.1111/j.1540-5931.2011.00849.x
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A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema. http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/
35
Steinberg, Shirley R.Kincheloe, Joe L. Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. ;31.https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live
36
Dyer R, McDonald P. Stars. New ed. London: : BFI Publishing 1997.
37
Ellis J. Visible fictions: cinema, television, video. Revised edition. London: : Routledge 2015. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323
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McDonald P. The star system: Hollywood’s production of popular identities. London: : Wallflower 2000.
39
Dyer R. Heavenly bodies: film stars and society. 2nd ed. London: : Routledge 2004.
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McDonald P, ebrary, Inc. Hollywood stardom. Malden, Mass: : Wiley-Blackwell 2013. http://site.ebrary.com/lib/roehampton/Doc?id=10657816
41
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London. https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html
42
Stacey J. Star gazing: Hollywood cinema and female spectatorship. London: : Routledge 1993.
43
Prince S. Firestorm: American Film in the Age of Terrorism. Jackson, USA: : Columbia University Press 2009. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677
44
Dixon WW. Film and television after 9/11. Carbondale: : Southern Illinois University Press 2004. https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk
45
Birkenstein J, Froula A, Randell K, et al. Reframing 9/11: film, popular culture and the ‘war on terror’. New York: : Continuum 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10422373
46
Westwell G. Parallel lines: post-9/11 American cinema. New York: : Wallflower Press 2014. https://www.jstor.org/stable/10.7312/west17202
47
Kellner D, ebrary, Inc. Cinema wars: Hollywood film and politics in the Bush-Cheney era. Malden, MA: : Wiley-Blackwell 2010. http://site.ebrary.com/lib/roehampton/Doc?id=10358886
48
Arin Keeble. Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversationhttp://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020
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McSweeney T. American Cinema in the Shadow Of 9. Edinburgh: : Edinburgh University Press 2016. https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK
50
Bogle D. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Updated and expanded 5th edition. New York: : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc 2016.
51
Lawrence N. Blaxploitation films of the 1970s: Blackness and genre. New York: : Routledge 2007. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u
52
Diawara M, American Film Institute. Black American cinema. New York: : Routledge 1993.
53
Hayward S. Cinema studies: the key concepts. 4th ed. London: : Routledge 2012. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u
54
Williams RL. Black male frames: African Americans in a century of Hollywood cinema, 1903-2003. First edition. Syracuse, New York: : Syracuse University Press 2015. http://site.ebrary.com/lib/roehampton/Doc?id=11249979
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Reid MA. Spike Lee’s do the right thing. Cambridge: : Cambridge University Press 1997.
56
Shary T. Generation multiplex: the image of youth in American cinema after 1980. Revised edition. Austin: : University of Texas Press 2014. http://site.ebrary.com/lib/roehampton/Doc?id=10846035
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A short history of black US indie cinema | BFI. https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
58
Neale S, Smith M. Contemporary Hollywood cinema. London: : Routledge 1998. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u
59
Course: Contemporary Hollywood Cinema- FLM020X348A. https://moodle.roehampton.ac.uk/course/view.php?id=7488
