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The French Connection - Roehampton Online Broadcasts [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ
2.
Allen M. Contemporary US cinema [Internet]. Harlow: Longman; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u
3.
Schatz T. The new Hollywood. In: Film theory goes to the movies [Internet]. London: Routledge; 1993. p. 8–36. Available from: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243
4.
King G. New Hollywood cinema: an introduction [Internet]. New York: Columbia University Press; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
5.
Hopper D. Easy rider. Widescreen format. [U.K.]: Channel 4; 2001.
6.
Schlesinger J, Herlihy JL. Midnight cowboy. London: BBC; 1992.
7.
Bogdanovich P, McMurty L. The Last picture show. London: Channel 4; 1994.
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Cimino M. Heaven’s gate. [U.K.]: Channel 4; 2000.
9.
Slacker (1991) [Internet]. Available from: https://www.youtube.com/watch?v=b-U_I1DCGEY
10.
Levy E. Cinema of outsiders: the rise of American independent film [Internet]. New York: New York University Press; 1999. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783
11.
King G. Being Charlie Kaufman. In: Indiewood, USA: where Hollywood meets independent cinema. London: I. B. Tauris; 2009. p. 47–92.
12.
Biskind P. Introduction: The Story Til Now. In: Down and dirty pictures: Miramax, Sundance and the rise of independent film. London: Bloomsbury; 2004. p. 8–26.
13.
King G. New Hollywood cinema: an introduction [Internet]. New York: Columbia University Press; 2002. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
14.
Wyatt J. High concept: movies and marketing in Hollywood [Internet]. Austin: University of Texas Press; 1994. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=11012379
15.
Jeffords S. Hard bodies: the Reagan Heroes. In: Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: Rutgers University Press; 1994. p. 24–63.
16.
Stringer J. Movie blockbusters. London: Routledge; 2003.
17.
Sandler KS, Studlar G. Titanic: anatomy of a blockbuster. New Brunswick, NJ: Rutgers University Press; 1999.
18.
Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB
19.
Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY
20.
Kellner D. On Truth, Objectivity and Partisanship. In: Winston B, editor. The documentary film book. Basingstoke, Hampshire: Palgrave Macmillan; 2013. p. 59–67.
21.
Nichols B. Introduction to documentary [Internet]. Third edition. Bloomington, Indiana: Indiana University Press; 2017. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u
22.
Benson TW, Snee BJ, editors. Michael Moore and the rhetoric of documentary [Internet]. Carbondale, [Illinois]: Southern Illinois University Press; 2015. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=11071095
23.
Bruzzi S, NetLibrary, Inc. New documentary [Internet]. 2nd ed. London: Routledge; 2006. Available from: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085
24.
Rosenthal A, Corner J. New challenges for documentary. 2nd ed. Manchester: Manchester University Press; 2005.
25.
Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY
26.
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT
27.
Morgan Spurlock. Super Size Me The Fast-Food Industry in America [Internet]. Samuel Goldwyn Films; 2004. Available from: https://roehampton.kanopy.com/video/super-size-me-0
28.
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream [Internet]. Available from: https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf
29.
Shary T. Generation multiplex: the image of youth in contemporary American cinema [Internet]. Austin, Tex: University of Texas Press; 2003. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10245721
30.
Nadel A. Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. New Brunswick, N.J.: Rutgers University Press; 1997.
31.
SPEED L. Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture. 2010 Jul 19;43(4):820–41.
32.
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’ [Internet]. Available from: http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm
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SHARY T. Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture. 2011 Jun;44(3):563–82.
34.
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema [Internet]. Available from: http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/
35.
Steinberg, Shirley R.Kincheloe, Joe L. Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31(1). Available from: https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live
36.
Dyer R, McDonald P. Stars. New ed. London: BFI Publishing; 1997.
37.
Ellis J. Visible fictions: cinema, television, video [Internet]. Revised edition. London: Routledge; 2015. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323
38.
McDonald P. The star system: Hollywood’s production of popular identities. London: Wallflower; 2000.
39.
Dyer R. Heavenly bodies: film stars and society. 2nd ed. London: Routledge; 2004.
40.
McDonald P, ebrary, Inc. Hollywood stardom [Internet]. Malden, Mass: Wiley-Blackwell; 2013. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10657816
41.
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London [Internet]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html
42.
Stacey J. Star gazing: Hollywood cinema and female spectatorship. London: Routledge; 1993.
43.
Prince S. Firestorm: American Film in the Age of Terrorism [Internet]. Jackson, USA: Columbia University Press; 2009. Available from: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677
44.
Dixon WW. Film and television after 9/11 [Internet]. Carbondale: Southern Illinois University Press; 2004. Available from: https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk
45.
Birkenstein J, Froula A, Randell K, ebrary, Inc. Reframing 9/11: film, popular culture and the ‘war on terror’ [Internet]. New York: Continuum; 2010. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10422373
46.
Westwell G. Parallel lines: post-9/11 American cinema [Internet]. New York: Wallflower Press; 2014. Available from: https://www.jstor.org/stable/10.7312/west17202
47.
Kellner D, ebrary, Inc. Cinema wars: Hollywood film and politics in the Bush-Cheney era [Internet]. Malden, MA: Wiley-Blackwell; 2010. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10358886
48.
Arin Keeble. Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation [Internet]. Available from: http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020
49.
McSweeney T. American Cinema in the Shadow Of 9 [Internet]. Edinburgh: Edinburgh University Press; 2016. Available from: https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK
50.
Bogle D. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Updated and expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc; 2016.
51.
Lawrence N. Blaxploitation films of the 1970s: Blackness and genre [Internet]. New York: Routledge; 2007. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u
52.
Diawara M, American Film Institute. Black American cinema. New York: Routledge; 1993.
53.
Hayward S. Cinema studies: the key concepts [Internet]. 4th ed. London: Routledge; 2012. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u
54.
Williams RL. Black male frames: African Americans in a century of Hollywood cinema, 1903-2003 [Internet]. First edition. Syracuse, New York: Syracuse University Press; 2015. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=11249979
55.
Reid MA. Spike Lee’s do the right thing. Cambridge: Cambridge University Press; 1997.
56.
Shary T. Generation multiplex: the image of youth in American cinema after 1980 [Internet]. Revised edition. Austin: University of Texas Press; 2014. Available from: http://site.ebrary.com/lib/roehampton/Doc?id=10846035
57.
A short history of black US indie cinema | BFI [Internet]. Available from: https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
58.
Neale S, Smith M. Contemporary Hollywood cinema [Internet]. London: Routledge; 1998. Available from: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u
59.
Course: Contemporary Hollywood Cinema- FLM020X348A [Internet]. Available from: https://moodle.roehampton.ac.uk/course/view.php?id=7488
