@book{Allen_2002, address={Harlow}, title={Contemporary US cinema}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u}, publisher={Longman}, author={Allen, Michael}, year={2002} }
@article{Arin Keeble, title={Why Spike Lee’s 25th Hour is the most enduring film about 9/11}, url={http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020}, journal={The Conversation}, author={Arin Keeble} }
@book{Birkenstein_Froula_Randell_ebrary, Inc_2010, address={New York}, title={Reframing 9/11: film, popular culture and the ‘war on terror’}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10422373}, publisher={Continuum}, author={Birkenstein, Jeff and Froula, Anna and Randell, Karen and ebrary, Inc}, year={2010} }
@inbook{Biskind_2004, address={London}, title={Introduction: The Story Til Now}, booktitle={Down and dirty pictures: Miramax, Sundance and the rise of independent film}, publisher={Bloomsbury}, author={Biskind, Peter}, year={2004}, pages={8–26} }
@misc{Bogdanovich_McMurty_1994, address={London}, title={The Last picture show}, publisher={Channel 4}, author={Bogdanovich, Peter and McMurty, Larry}, year={1994} }
@book{Bogle_2016, address={New York}, edition={Updated and expanded 5th edition}, title={Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films}, publisher={Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc}, author={Bogle, Donald}, year={2016} }
@book{Bruzzi_NetLibrary, Inc_2006, address={London}, edition={2nd ed}, title={New documentary}, url={http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085}, publisher={Routledge}, author={Bruzzi, Stella and NetLibrary, Inc}, year={2006} }
@misc{Cimino_2000, address={[U.K.]}, title={Heaven’s gate}, publisher={Channel 4}, author={Cimino, Michael}, year={2000} }
@book{Diawara_American Film Institute_1993, address={New York}, title={Black American cinema}, publisher={Routledge}, author={Diawara, Manthia and American Film Institute}, year={1993} }
@book{Dixon_2004, address={Carbondale}, title={Film and television after 9/11}, url={https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk}, publisher={Southern Illinois University Press}, author={Dixon, Wheeler W.}, year={2004} }
@book{Dyer_2004, address={London}, edition={2nd ed}, title={Heavenly bodies: film stars and society}, publisher={Routledge}, author={Dyer, Richard}, year={2004} }
@book{Dyer_McDonald_1997, address={London}, edition={New ed}, title={Stars}, publisher={BFI Publishing}, author={Dyer, Richard and McDonald, Paul}, year={1997} }
@book{Ellis_2015, address={London}, edition={Revised edition}, title={Visible fictions: cinema, television, video}, url={https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323}, publisher={Routledge}, author={Ellis, John}, year={2015} }
@book{Hayward_2012, address={London}, edition={4th ed}, title={Cinema studies: the key concepts}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u}, publisher={Routledge}, author={Hayward, Susan}, year={2012} }
@misc{Hopper_2001, address={[U.K.]}, edition={Widescreen format}, title={Easy rider}, publisher={Channel 4}, author={Hopper, Dennis}, year={2001} }
@inbook{Jeffords_1994, address={New Brunswick, N.J.}, title={Hard bodies: the Reagan Heroes}, booktitle={Hard bodies: Hollywood masculinity in the Reagan era}, publisher={Rutgers University Press}, author={Jeffords, Susan}, year={1994}, pages={24–63} }
@inbook{Kellner_2013, address={Basingstoke, Hampshire}, title={On Truth, Objectivity and Partisanship}, booktitle={The documentary film book}, publisher={Palgrave Macmillan}, author={Kellner, Douglas}, editor={Winston, Brian}, year={2013}, pages={59–67} }
@book{Kellner_ebrary, Inc_2010, address={Malden, MA}, title={Cinema wars: Hollywood film and politics in the Bush-Cheney era}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10358886}, publisher={Wiley-Blackwell}, author={Kellner, Douglas and ebrary, Inc}, year={2010} }
@book{King_2002a, address={New York}, title={New Hollywood cinema: an introduction}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u}, publisher={Columbia University Press}, author={King, Geoff}, year={2002} }
@book{King_2002b, address={New York}, title={New Hollywood cinema: an introduction}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u}, publisher={Columbia University Press}, author={King, Geoff}, year={2002} }
@inbook{King_2009, address={London}, title={Being Charlie Kaufman}, booktitle={Indiewood, USA: where Hollywood meets independent cinema}, publisher={I. B. Tauris}, author={King, Geoff}, year={2009}, pages={47–92} }
@book{Lawrence_2007, address={New York}, title={Blaxploitation films of the 1970s: Blackness and genre}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u}, publisher={Routledge}, author={Lawrence, Novotny}, year={2007} }
@book{Levy_1999, address={New York}, title={Cinema of outsiders: the rise of American independent film}, url={https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783}, publisher={New York University Press}, author={Levy, Emanuel}, year={1999} }
@book{McDonald_2000, address={London}, title={The star system: Hollywood’s production of popular identities}, publisher={Wallflower}, author={McDonald, Paul}, year={2000} }
@book{McDonald_ebrary, Inc_2013, address={Malden, Mass}, title={Hollywood stardom}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10657816}, publisher={Wiley-Blackwell}, author={McDonald, Paul and ebrary, Inc}, year={2013} }
@book{McSweeney_2016, address={Edinburgh}, title={American Cinema in the Shadow Of 9}, url={https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK}, publisher={Edinburgh University Press}, author={McSweeney, Terence}, year={2016} }
@misc{Morgan Spurlock_2004, title={Super Size Me The Fast-Food Industry in America}, url={https://roehampton.kanopy.com/video/super-size-me-0}, publisher={Samuel Goldwyn Films}, author={Morgan Spurlock}, year={2004} }
@book{Nadel_1997, address={New Brunswick, N.J.}, title={Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America}, publisher={Rutgers University Press}, author={Nadel, Alan}, year={1997} }
@book{Neale_Smith_1998, address={London}, title={Contemporary Hollywood cinema}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u}, publisher={Routledge}, author={Neale, Stephen and Smith, Murray}, year={1998} }
@book{Nichols_2017, address={Bloomington, Indiana}, edition={Third edition}, title={Introduction to documentary}, url={https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u}, publisher={Indiana University Press}, author={Nichols, Bill}, year={2017} }
@book{Prince_2009, address={Jackson, USA}, title={Firestorm: American Film in the Age of Terrorism}, url={https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677}, publisher={Columbia University Press}, author={Prince, Stephen}, year={2009} }
@book{Reid_1997, address={Cambridge}, title={Spike Lee’s do the right thing}, publisher={Cambridge University Press}, author={Reid, Mark A.}, year={1997} }
@book{Rosenthal_Corner_2005, address={Manchester}, edition={2nd ed}, title={New challenges for documentary}, publisher={Manchester University Press}, author={Rosenthal, Alan and Corner, John}, year={2005} }
@book{Sandler_Studlar_1999, address={New Brunswick, NJ}, title={Titanic: anatomy of a blockbuster}, publisher={Rutgers University Press}, author={Sandler, Kevin S and Studlar, Gaylyn}, year={1999} }
@inbook{Schatz_1993, address={London}, title={The new Hollywood}, volume={AFI film readers}, url={https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243}, booktitle={Film theory goes to the movies}, publisher={Routledge}, author={Schatz, Thomas}, year={1993}, pages={8–36} }
@misc{Schlesinger_Herlihy_1992, address={London}, title={Midnight cowboy}, publisher={BBC}, author={Schlesinger, John and Herlihy, James Leo}, year={1992} }
@book{Shary_2003, address={Austin, Tex}, title={Generation multiplex: the image of youth in contemporary American cinema}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10245721}, publisher={University of Texas Press}, author={Shary, Timothy}, year={2003} }
@article{SHARY_2011, title={Buying Me Love: 1980s Class-Clash Teen Romances}, volume={44}, DOI={10.1111/j.1540-5931.2011.00849.x}, number={3}, journal={The Journal of Popular Culture}, author={SHARY, TIMOTHY}, year={2011}, month={Jun}, pages={563–582} }
@book{Shary_2014, address={Austin}, edition={Revised edition}, title={Generation multiplex: the image of youth in American cinema after 1980}, url={http://site.ebrary.com/lib/roehampton/Doc?id=10846035}, publisher={University of Texas Press}, author={Shary, Timothy}, year={2014} }
@article{SPEED_2010, title={Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film}, volume={43}, DOI={10.1111/j.1540-5931.2010.00772.x}, number={4}, journal={The Journal of Popular Culture}, author={SPEED, LESLEY}, year={2010}, month={Jul}, pages={820–841} }
@book{Stacey_1993, address={London}, title={Star gazing: Hollywood cinema and female spectatorship}, publisher={Routledge}, author={Stacey, Jackie}, year={1993} }
@article{Steinberg, Shirley R.Kincheloe, Joe L., title={Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841}, volume={31}, url={https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live}, number={1}, author={Steinberg, Shirley R.Kincheloe, Joe L.} }
@book{Stringer_2003, address={London}, title={Movie blockbusters}, publisher={Routledge}, author={Stringer, Julian}, year={2003} }
@book{Westwell_2014, address={New York}, title={Parallel lines: post-9/11 American cinema}, url={https://www.jstor.org/stable/10.7312/west17202}, publisher={Wallflower Press}, author={Westwell, Guy}, year={2014} }
@book{Williams_2015, address={Syracuse, New York}, edition={First edition}, title={Black male frames: African Americans in a century of Hollywood cinema, 1903-2003}, url={http://site.ebrary.com/lib/roehampton/Doc?id=11249979}, publisher={Syracuse University Press}, author={Williams, Roland Leander}, year={2015} }
@book{Wyatt_1994, address={Austin}, title={High concept: movies and marketing in Hollywood}, url={http://site.ebrary.com/lib/roehampton/Doc?id=11012379}, publisher={University of Texas Press}, author={Wyatt, Justin}, year={1994} }
@book{Benson_Snee_2015, address={Carbondale, [Illinois]}, title={Michael Moore and the rhetoric of documentary}, url={http://site.ebrary.com/lib/roehampton/Doc?id=11071095}, publisher={Southern Illinois University Press}, year={2015} }
@misc{The French Connection - Roehampton Online Broadcasts, url={https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ} }
@misc{Slacker (1991), url={https://www.youtube.com/watch?v=b-U_I1DCGEY} }
@misc{Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream, url={https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB} }
@misc{Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream, url={https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY} }
@misc{Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream, url={https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY} }
@misc{Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream, url={https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT} }
@misc{Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream, url={https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf} }
@misc{Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’, url={http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm} }
@misc{A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema, url={http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/} }
@phdthesis{Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London, url={https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html} }
@misc{A short history of black US indie cinema | BFI, url={https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema} }
@misc{Course: Contemporary Hollywood Cinema- FLM020X348A, url={https://moodle.roehampton.ac.uk/course/view.php?id=7488} }
