Bibliography for Contemporary Hollywood Cinema (FLM020X348A) BETA

A short history of black US indie cinema | BFI (no date). Available at: https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.

A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema (no date). Available at: http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.

Allen, M. (2002) Contemporary US cinema. Harlow: Longman. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u.

Arin Keeble (no date) ‘Why Spike Lee’s 25th Hour is the most enduring film about 9/11’, The Conversation [Preprint]. Available at: http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020.

Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’ (no date). Available at: http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm.

Benson, T.W. and Snee, B.J. (eds) (2015) Michael Moore and the rhetoric of documentary. Carbondale, [Illinois]: Southern Illinois University Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=11071095.

Birkenstein, J. et al. (2010) Reframing 9/11: film, popular culture and the ‘war on terror’ [electronic resource]. New York: Continuum. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10422373.

Biskind, P. (2004) ‘Introduction: The Story Til Now’, in Down and dirty pictures: Miramax, Sundance and the rise of independent film. London: Bloomsbury, pp. 8–26.

Bogdanovich, P. and McMurty, L. (1994) ‘The Last picture show’. London: Channel 4.

Bogle, D. (2016) Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Updated and expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.

‘Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY.

‘Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT.

Bruzzi, S. and NetLibrary, Inc (2006) New documentary [electronic resource]. 2nd ed. London: Routledge. Available at: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085.

Cimino, M. (2000) ‘Heaven’s gate’. [U.K.]: Channel 4.

‘Course: Contemporary Hollywood Cinema- FLM020X348A’ (no date). Available at: https://moodle.roehampton.ac.uk/course/view.php?id=7488.

Diawara, M. and American Film Institute (1993) Black American cinema. New York: Routledge.

Dixon, W.W. (2004) Film and television after 9/11. Carbondale: Southern Illinois University Press. Available at: https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk.

Dyer, R. (2004) Heavenly bodies: film stars and society. 2nd ed. London: Routledge.

Dyer, R. and McDonald, P. (1997) Stars. New ed. London: BFI Publishing.

Ellis, J. (2015) Visible fictions: cinema, television, video. Revised edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323.

‘Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf.

Hayward, S. (2012) Cinema studies: the key concepts [electronic resource]. 4th ed. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u.

Hopper, D. (2001) ‘Easy rider’. [U.K.]: Channel 4.

Jeffords, S. (1994) ‘Hard bodies: the Reagan Heroes’, in Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: Rutgers University Press, pp. 24–63.

Kellner, D. (2013) ‘On Truth, Objectivity and Partisanship’, in B. Winston (ed.) The documentary film book. Basingstoke, Hampshire: Palgrave Macmillan, pp. 59–67.

Kellner, D. and ebrary, Inc (2010) Cinema wars: Hollywood film and politics in the Bush-Cheney era [electronic resource]. Malden, MA: Wiley-Blackwell. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10358886.

King, G. (2002a) New Hollywood cinema: an introduction. New York: Columbia University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u.

King, G. (2002b) New Hollywood cinema: an introduction. New York: Columbia University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u.

King, G. (2009) ‘Being Charlie Kaufman’, in Indiewood, USA: where Hollywood meets independent cinema. London: I. B. Tauris, pp. 47–92.

Lawrence, N. (2007) Blaxploitation films of the 1970s: Blackness and genre [electronic resource]. New York: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u.

Levy, E. (1999) Cinema of outsiders: the rise of American independent film. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783.

McDonald, P. (2000) The star system: Hollywood’s production of popular identities. London: Wallflower.

McDonald, P. and ebrary, Inc (2013) Hollywood stardom [electronic resource]. Malden, Mass: Wiley-Blackwell. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10657816.

McSweeney, T. (2016) American Cinema in the Shadow Of 9. Edinburgh: Edinburgh University Press. Available at: https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK.

Morgan Spurlock (2004) ‘Super Size Me                                                                                                                                                                        The Fast-Food Industry in America’. Samuel Goldwyn Films. Available at: https://roehampton.kanopy.com/video/super-size-me-0.

Nadel, A. (1997) Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. New Brunswick, N.J.: Rutgers University Press.

Neale, S. and Smith, M. (1998) Contemporary Hollywood cinema [electronic resource]. London: Routledge. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u.

Nichols, B. (2017) Introduction to documentary [electronic resource]. Third edition. Bloomington, Indiana: Indiana University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u.

Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London (no date). Available at: https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html.

Prince, S. (2009) Firestorm: American Film in the Age of Terrorism. Jackson, USA: Columbia University Press. Available at: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677.

‘Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB.

‘Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY.

Reid, M.A. (1997) Spike Lee’s do the right thing. Cambridge: Cambridge University Press.

Rosenthal, A. and Corner, J. (2005) New challenges for documentary. 2nd ed. Manchester: Manchester University Press.

Sandler, K.S. and Studlar, G. (1999) Titanic: anatomy of a blockbuster. New Brunswick, NJ: Rutgers University Press.

Schatz, T. (1993) ‘The new Hollywood’, in Film theory goes to the movies. London: Routledge, pp. 8–36. Available at: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243.

Schlesinger, J. and Herlihy, J.L. (1992) ‘Midnight cowboy’. London: BBC.

Shary, T. (2003) Generation multiplex: the image of youth in contemporary American cinema. Austin, Tex: University of Texas Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10245721.

SHARY, T. (2011) ‘Buying Me Love: 1980s Class-Clash Teen Romances’, The Journal of Popular Culture, 44(3), pp. 563–582. Available at: https://doi.org/10.1111/j.1540-5931.2011.00849.x.

Shary, T. (2014) Generation multiplex: the image of youth in American cinema after 1980. Revised edition. Austin: University of Texas Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10846035.

‘Slacker  (1991)’ (no date). Available at: https://www.youtube.com/watch?v=b-U_I1DCGEY.

SPEED, L. (2010) ‘Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film’, The Journal of Popular Culture, 43(4), pp. 820–841. Available at: https://doi.org/10.1111/j.1540-5931.2010.00772.x.

Stacey, J. (1993) Star gazing: Hollywood cinema and female spectatorship. London: Routledge.

Steinberg, Shirley R.Kincheloe, Joe L. (no date) ‘Steinberg, Shirley, R. & Joe L. Kincheloe. “Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth”, Studies in the Literary Imagination. Georgia State University, 1998,  Spring98, Vol. 31, Issue 1, pp. 820-841’, 31(1). Available at: https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live.

Stringer, J. (2003) Movie blockbusters. London: Routledge.

‘The French Connection - Roehampton Online Broadcasts’ (no date). Available at: https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ.

Westwell, G. (2014) Parallel lines: post-9/11 American cinema. New York: Wallflower Press. Available at: https://www.jstor.org/stable/10.7312/west17202.

Williams, R.L. (2015) Black male frames: African Americans in a century of Hollywood cinema, 1903-2003. First edition. Syracuse, New York: Syracuse University Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=11249979.

Wyatt, J. (1994) High concept: movies and marketing in Hollywood. Austin: University of Texas Press. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=11012379.