[1]
‘The French Connection - Roehampton Online Broadcasts’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ
[2]
M. Allen, Contemporary US cinema. Harlow: Longman, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u
[3]
T. Schatz, ‘The new Hollywood’, in Film theory goes to the movies, vol. AFI film readers, London: Routledge, 1993, pp. 8–36 [Online]. Available: https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243
[4]
G. King, New Hollywood cinema: an introduction. New York: Columbia University Press, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
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D. Hopper, ‘Easy rider’. Channel 4, [U.K.], 2001.
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J. Schlesinger and J. L. Herlihy, ‘Midnight cowboy’. BBC, London, 1992.
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P. Bogdanovich and L. McMurty, ‘The Last picture show’. Channel 4, London, 1994.
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M. Cimino, ‘Heaven’s gate’. Channel 4, [U.K.], 2000.
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‘Slacker (1991)’. [Online]. Available: https://www.youtube.com/watch?v=b-U_I1DCGEY
[10]
E. Levy, Cinema of outsiders: the rise of American independent film. New York: New York University Press, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783
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G. King, ‘Being Charlie Kaufman’, in Indiewood, USA: where Hollywood meets independent cinema, London: I. B. Tauris, 2009, pp. 47–92.
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P. Biskind, ‘Introduction: The Story Til Now’, in Down and dirty pictures: Miramax, Sundance and the rise of independent film, London: Bloomsbury, 2004, pp. 8–26.
[13]
G. King, New Hollywood cinema: an introduction. New York: Columbia University Press, 2002 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
[14]
J. Wyatt, High concept: movies and marketing in Hollywood. Austin: University of Texas Press, 1994 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=11012379
[15]
S. Jeffords, ‘Hard bodies: the Reagan Heroes’, in Hard bodies: Hollywood masculinity in the Reagan era, New Brunswick, N.J.: Rutgers University Press, 1994, pp. 24–63.
[16]
J. Stringer, Movie blockbusters. London: Routledge, 2003.
[17]
K. S. Sandler and G. Studlar, Titanic: anatomy of a blockbuster. New Brunswick, NJ: Rutgers University Press, 1999.
[18]
‘Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB
[19]
‘Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY
[20]
D. Kellner, ‘On Truth, Objectivity and Partisanship’, in The documentary film book, B. Winston, Ed. Basingstoke, Hampshire: Palgrave Macmillan, 2013, pp. 59–67.
[21]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana: Indiana University Press, 2017 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u
[22]
T. W. Benson and B. J. Snee, Eds., Michael Moore and the rhetoric of documentary. Carbondale, [Illinois]: Southern Illinois University Press, 2015 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=11071095
[23]
S. Bruzzi and NetLibrary, Inc, New documentary, 2nd ed. London: Routledge, 2006 [Online]. Available: http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085
[24]
A. Rosenthal and J. Corner, New challenges for documentary, 2nd ed. Manchester: Manchester University Press, 2005.
[25]
‘Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY
[26]
‘Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT
[27]
Morgan Spurlock, ‘Super Size Me The Fast-Food Industry in America’. Samuel Goldwyn Films, 2004 [Online]. Available: https://roehampton.kanopy.com/video/super-size-me-0
[28]
‘Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream’. [Online]. Available: https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf
[29]
T. Shary, Generation multiplex: the image of youth in contemporary American cinema. Austin, Tex: University of Texas Press, 2003 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10245721
[30]
A. Nadel, Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. New Brunswick, N.J.: Rutgers University Press, 1997.
[31]
L. SPEED, ‘Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film’, The Journal of Popular Culture, vol. 43, no. 4, pp. 820–841, Jul. 2010, doi: 10.1111/j.1540-5931.2010.00772.x.
[32]
‘Baker, Geoffrey. (2005) “Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X”’. [Online]. Available: http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm
[33]
T. SHARY, ‘Buying Me Love: 1980s Class-Clash Teen Romances’, The Journal of Popular Culture, vol. 44, no. 3, pp. 563–582, Jun. 2011, doi: 10.1111/j.1540-5931.2011.00849.x.
[34]
‘A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema’. [Online]. Available: http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/
[35]
Steinberg, Shirley R.Kincheloe, Joe L., ‘Steinberg, Shirley, R. & Joe L. Kincheloe. “Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth”, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841’, vol. 31, no. 1 [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live
[36]
R. Dyer and P. McDonald, Stars, New ed. London: BFI Publishing, 1997.
[37]
J. Ellis, Visible fictions: cinema, television, video, Revised edition. London: Routledge, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323
[38]
P. McDonald, The star system: Hollywood’s production of popular identities. London: Wallflower, 2000.
[39]
R. Dyer, Heavenly bodies: film stars and society, 2nd ed. London: Routledge, 2004.
[40]
P. McDonald and ebrary, Inc, Hollywood stardom. Malden, Mass: Wiley-Blackwell, 2013 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10657816
[41]
‘Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London’ [Online]. Available: https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html
[42]
J. Stacey, Star gazing: Hollywood cinema and female spectatorship. London: Routledge, 1993.
[43]
S. Prince, Firestorm: American Film in the Age of Terrorism. Jackson, USA: Columbia University Press, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677
[44]
W. W. Dixon, Film and television after 9/11. Carbondale: Southern Illinois University Press, 2004 [Online]. Available: https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk
[45]
J. Birkenstein, A. Froula, K. Randell, and ebrary, Inc, Reframing 9/11: film, popular culture and the ‘war on terror’. New York: Continuum, 2010 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10422373
[46]
G. Westwell, Parallel lines: post-9/11 American cinema. New York: Wallflower Press, 2014 [Online]. Available: https://www.jstor.org/stable/10.7312/west17202
[47]
D. Kellner and ebrary, Inc, Cinema wars: Hollywood film and politics in the Bush-Cheney era. Malden, MA: Wiley-Blackwell, 2010 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10358886
[48]
Arin Keeble, ‘Why Spike Lee’s 25th Hour is the most enduring film about 9/11’, The Conversation [Online]. Available: http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020
[49]
T. McSweeney, American Cinema in the Shadow Of 9. Edinburgh: Edinburgh University Press, 2016 [Online]. Available: https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK
[50]
D. Bogle, Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films, Updated and Expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016.
[51]
N. Lawrence, Blaxploitation films of the 1970s: Blackness and genre. New York: Routledge, 2007 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u
[52]
M. Diawara and American Film Institute, Black American cinema. New York: Routledge, 1993.
[53]
S. Hayward, Cinema studies: the key concepts, 4th ed. London: Routledge, 2012 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u
[54]
R. L. Williams, Black male frames: African Americans in a century of Hollywood cinema, 1903-2003, First edition. Syracuse, New York: Syracuse University Press, 2015 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=11249979
[55]
M. A. Reid, Spike Lee’s do the right thing. Cambridge: Cambridge University Press, 1997.
[56]
T. Shary, Generation multiplex: the image of youth in American cinema after 1980, Revised edition. Austin: University of Texas Press, 2014 [Online]. Available: http://site.ebrary.com/lib/roehampton/Doc?id=10846035
[57]
‘A short history of black US indie cinema | BFI’. [Online]. Available: https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
[58]
S. Neale and M. Smith, Contemporary Hollywood cinema. London: Routledge, 1998 [Online]. Available: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u
[59]
‘Course: Contemporary Hollywood Cinema- FLM020X348A’. [Online]. Available: https://moodle.roehampton.ac.uk/course/view.php?id=7488
