‘A Short History of Black US Indie Cinema | BFI’. N.p., n.d. Web. <https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema>.
‘A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema’. N.p., n.d. Web. <http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/>.
Allen, Michael. Contemporary US Cinema. Harlow: Longman, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u>.
Arin Keeble. ‘Why Spike Lee’s 25th Hour Is the Most Enduring Film about 9/11’. The Conversation n. pag. Web. <http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020>.
‘Baker, Geoffrey. (2005) “Social Mobility in Reagan-Era Teen Films: From Inaugural Optimism to the Invention of Generation X”’. N.p., n.d. Web. <http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm>.
Benson, Thomas W., and Brian J. Snee, eds. Michael Moore and the Rhetoric of Documentary. Carbondale, [Illinois]: Southern Illinois University Press, 2015. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=11071095>.
Birkenstein, Jeff et al. Reframing 9/11: Film, Popular Culture and the ‘War on Terror’. New York: Continuum, 2010. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10422373>.
Biskind, Peter. ‘Introduction: The Story Til Now’. Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. London: Bloomsbury, 2004. 8–26. Print.
Bogdanovich, Peter, and Larry McMurty. ‘The Last Picture Show’. 1994 : n. pag. Print.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. Updated and expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016. Print.
‘Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY>.
‘Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT>.
Bruzzi, Stella and NetLibrary, Inc. New Documentary. 2nd ed. London: Routledge, 2006. Web. <http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085>.
Cimino, Michael. ‘Heaven’s Gate’. 2000 : n. pag. Print.
‘Course: Contemporary Hollywood Cinema- FLM020X348A’. Web. <https://moodle.roehampton.ac.uk/course/view.php?id=7488>.
Diawara, Manthia and American Film Institute. Black American Cinema. New York: Routledge, 1993. Print.
Dixon, Wheeler W. Film and Television after 9/11. Carbondale: Southern Illinois University Press, 2004. Web. <https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk>.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. 2nd ed. London: Routledge, 2004. Print.
Dyer, Richard, and Paul McDonald. Stars. New ed. London: BFI Publishing, 1997. Print.
Ellis, John. Visible Fictions: Cinema, Television, Video. Revised edition. London: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323>.
‘Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf>.
Hayward, Susan. Cinema Studies: The Key Concepts. 4th ed. London: Routledge, 2012. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u>.
Hopper, Dennis. ‘Easy Rider’. 2001 : n. pag. Print.
Jeffords, Susan. ‘Hard Bodies: The Reagan Heroes’. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, N.J.: Rutgers University Press, 1994. 24–63. Print.
Kellner, Douglas. ‘On Truth, Objectivity and Partisanship’. The Documentary Film Book. Ed. Brian Winston. Basingstoke, Hampshire: Palgrave Macmillan, 2013. 59–67. Print.
Kellner, Douglas and ebrary, Inc. Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era. Malden, MA: Wiley-Blackwell, 2010. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10358886>.
King, Geoff. ‘Being Charlie Kaufman’. Indiewood, USA: Where Hollywood Meets Independent Cinema. London: I. B. Tauris, 2009. 47–92. Print.
---. New Hollywood Cinema: An Introduction. New York: Columbia University Press, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u>.
---. New Hollywood Cinema: An Introduction. New York: Columbia University Press, 2002. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u>.
Lawrence, Novotny. Blaxploitation Films of the 1970s: Blackness and Genre. New York: Routledge, 2007. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u>.
Levy, Emanuel. Cinema of Outsiders: The Rise of American Independent Film. New York: New York University Press, 1999. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783>.
McDonald, Paul. The Star System: Hollywood’s Production of Popular Identities. London: Wallflower, 2000. Print.
McDonald, Paul and ebrary, Inc. Hollywood Stardom. Malden, Mass: Wiley-Blackwell, 2013. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10657816>.
McSweeney, Terence. American Cinema in the Shadow Of 9. Edinburgh: Edinburgh University Press, 2016. Web. <https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK>.
Morgan Spurlock. ‘Super Size Me The Fast-Food Industry in America’. 2004. Web. <https://roehampton.kanopy.com/video/super-size-me-0>.
Nadel, Alan. Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan’s America. New Brunswick, N.J.: Rutgers University Press, 1997. Print.
Neale, Stephen, and Murray Smith. Contemporary Hollywood Cinema. London: Routledge, 1998. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u>.
Nichols, Bill. Introduction to Documentary. Third edition. Bloomington, Indiana: Indiana University Press, 2017. Web. <https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u>.
‘Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London’. N.p. Web. <https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html>.
Prince, Stephen. Firestorm: American Film in the Age of Terrorism. Jackson, USA: Columbia University Press, 2009. Web. <https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677>.
‘Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB>.
‘Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY>.
Reid, Mark A. Spike Lee’s Do the Right Thing. Cambridge: Cambridge University Press, 1997. Print.
Rosenthal, Alan, and John Corner. New Challenges for Documentary. 2nd ed. Manchester: Manchester University Press, 2005. Print.
Sandler, Kevin S, and Gaylyn Studlar. Titanic: Anatomy of a Blockbuster. New Brunswick, NJ: Rutgers University Press, 1999. Print.
Schatz, Thomas. ‘The New Hollywood’. Film Theory Goes to the Movies. AFI film readers. London: Routledge, 1993. 8–36. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243>.
Schlesinger, John, and James Leo Herlihy. ‘Midnight Cowboy’. 1992 : n. pag. Print.
SHARY, TIMOTHY. ‘Buying Me Love: 1980s Class-Clash Teen Romances’. The Journal of Popular Culture 44.3 (2011): 563–582. Web.
Shary, Timothy. Generation Multiplex: The Image of Youth in American Cinema after 1980. Revised edition. Austin: University of Texas Press, 2014. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10846035>.
---. Generation Multiplex: The Image of Youth in Contemporary American Cinema. Austin, Tex: University of Texas Press, 2003. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=10245721>.
‘Slacker (1991)’. Web. <https://www.youtube.com/watch?v=b-U_I1DCGEY>.
SPEED, LESLEY. ‘Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film’. The Journal of Popular Culture 43.4 (2010): 820–841. Web.
Stacey, Jackie. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1993. Print.
Steinberg, Shirley R.Kincheloe, Joe L. ‘Steinberg, Shirley, R. & Joe L. Kincheloe. “Privileged and Getting Away With It: The Cultural Studies of White, Middle-Class Youth”, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, Pp. 820-841’. 31.1 n. pag. Web. <https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live>.
Stringer, Julian. Movie Blockbusters. London: Routledge, 2003. Print.
‘The French Connection - Roehampton Online Broadcasts’. Web. <https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ>.
Westwell, Guy. Parallel Lines: Post-9/11 American Cinema. New York: Wallflower Press, 2014. Web. <https://www.jstor.org/stable/10.7312/west17202>.
Williams, Roland Leander. Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003. First edition. Syracuse, New York: Syracuse University Press, 2015. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=11249979>.
Wyatt, Justin. High Concept: Movies and Marketing in Hollywood. Austin: University of Texas Press, 1994. Web. <http://site.ebrary.com/lib/roehampton/Doc?id=11012379>.
