A short history of black US indie cinema | BFI. (n.d.). https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema. (n.d.). http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/
Allen, M. (2002). Contemporary US cinema. Longman. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u
Arin Keeble. (n.d.). Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation. http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’. (n.d.). http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm
Benson, T. W., & Snee, B. J. (Eds.). (2015). Michael Moore and the rhetoric of documentary. Southern Illinois University Press. http://site.ebrary.com/lib/roehampton/Doc?id=11071095
Birkenstein, J., Froula, A., Randell, K., & ebrary, Inc. (2010). Reframing 9/11: film, popular culture and the ‘war on terror’ [Electronic resource]. Continuum. http://site.ebrary.com/lib/roehampton/Doc?id=10422373
Biskind, P. (2004). Introduction: The Story Til Now. In Down and dirty pictures: Miramax, Sundance and the rise of independent film (pp. 8–26). Bloomsbury.
Bogdanovich, P., & McMurty, L. (1994). The Last picture show [Videorecording]. Channel 4.
Bogle, D. (2016). Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films (Updated and expanded 5th edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT
Bruzzi, S. & NetLibrary, Inc. (2006). New documentary (2nd ed) [Electronic resource]. Routledge. http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085
Cimino, M. (2000). Heaven’s gate [Videorecording]. Channel 4.
Course: Contemporary Hollywood Cinema- FLM020X348A. (n.d.). https://moodle.roehampton.ac.uk/course/view.php?id=7488
Diawara, M. & American Film Institute. (1993). Black American cinema. Routledge.
Dixon, W. W. (2004). Film and television after 9/11. Southern Illinois University Press. https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk
Dyer, R. (2004). Heavenly bodies: film stars and society (2nd ed). Routledge.
Dyer, R., & McDonald, P. (1997). Stars (New ed). BFI Publishing.
Ellis, J. (2015). Visible fictions: cinema, television, video (Revised edition). Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf
Hayward, S. (2012). Cinema studies: the key concepts (4th ed) [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u
Hopper, D. (2001). Easy rider (Widescreen format) [Videorecording]. Channel 4.
Jeffords, S. (1994). Hard bodies: the Reagan Heroes. In Hard bodies: Hollywood masculinity in the Reagan era (pp. 24–63). Rutgers University Press.
Kellner, D. (2013). On Truth, Objectivity and Partisanship. In B. Winston (Ed.), The documentary film book (pp. 59–67). Palgrave Macmillan.
Kellner, D. & ebrary, Inc. (2010). Cinema wars: Hollywood film and politics in the Bush-Cheney era [Electronic resource]. Wiley-Blackwell. http://site.ebrary.com/lib/roehampton/Doc?id=10358886
King, G. (2002a). New Hollywood cinema: an introduction. Columbia University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
King, G. (2002b). New Hollywood cinema: an introduction. Columbia University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u
King, G. (2009). Being Charlie Kaufman. In Indiewood, USA: where Hollywood meets independent cinema (pp. 47–92). I. B. Tauris.
Lawrence, N. (2007). Blaxploitation films of the 1970s: Blackness and genre [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u
Levy, E. (1999). Cinema of outsiders: the rise of American independent film. New York University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783
McDonald, P. (2000). The star system: Hollywood’s production of popular identities. Wallflower.
McDonald, P. & ebrary, Inc. (2013). Hollywood stardom [Electronic resource]. Wiley-Blackwell. http://site.ebrary.com/lib/roehampton/Doc?id=10657816
McSweeney, T. (2016). American Cinema in the Shadow Of 9. Edinburgh University Press. https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK
Morgan Spurlock. (2004). Super Size Me The Fast-Food Industry in America. Samuel Goldwyn Films. https://roehampton.kanopy.com/video/super-size-me-0
Nadel, A. (1997). Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. Rutgers University Press.
Neale, S., & Smith, M. (1998). Contemporary Hollywood cinema [Electronic resource]. Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u
Nichols, B. (2017). Introduction to documentary (Third edition) [Electronic resource]. Indiana University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u
Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London. (n.d.). https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html
Prince, S. (2009). Firestorm: American Film in the Age of Terrorism. Columbia University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677
Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB
Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY
Reid, M. A. (1997). Spike Lee’s do the right thing. Cambridge University Press.
Rosenthal, A., & Corner, J. (2005). New challenges for documentary (2nd ed). Manchester University Press.
Sandler, K. S., & Studlar, G. (1999). Titanic: anatomy of a blockbuster. Rutgers University Press.
Schatz, T. (1993). The new Hollywood. In Film theory goes to the movies: Vol. AFI film readers (pp. 8–36). Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243
Schlesinger, J., & Herlihy, J. L. (1992). Midnight cowboy [Videorecording]. BBC.
Shary, T. (2003). Generation multiplex: the image of youth in contemporary American cinema. University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=10245721
SHARY, T. (2011). Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture, 44(3), 563–582. https://doi.org/10.1111/j.1540-5931.2011.00849.x
Shary, T. (2014). Generation multiplex: the image of youth in American cinema after 1980 (Revised edition). University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=10846035
Slacker (1991). (n.d.). https://www.youtube.com/watch?v=b-U_I1DCGEY
SPEED, L. (2010). Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture, 43(4), 820–841. https://doi.org/10.1111/j.1540-5931.2010.00772.x
Stacey, J. (1993). Star gazing: Hollywood cinema and female spectatorship. Routledge.
Steinberg, Shirley R.Kincheloe, Joe L. (n.d.). Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31(1). https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live
Stringer, J. (2003). Movie blockbusters. Routledge.
The French Connection - Roehampton Online Broadcasts. (n.d.). https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ
Westwell, G. (2014). Parallel lines: post-9/11 American cinema. Wallflower Press. https://www.jstor.org/stable/10.7312/west17202
Williams, R. L. (2015). Black male frames: African Americans in a century of Hollywood cinema, 1903-2003 (First edition). Syracuse University Press. http://site.ebrary.com/lib/roehampton/Doc?id=11249979
Wyatt, J. (1994). High concept: movies and marketing in Hollywood. University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=11012379
