‘A Short History of Black US Indie Cinema | BFI’. n.d. https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
‘A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema’. n.d. http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.
Allen, Michael. 2002. Contemporary US Cinema. Harlow: Longman. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9781317874195&uid=^u.
Arin Keeble. n.d. ‘Why Spike Lee’s 25th Hour Is the Most Enduring Film about 9/11’. The Conversation. http://theconversation.com/why-spike-lees-25th-hour-is-the-most-enduring-film-about-9-11-82020.
‘Baker, Geoffrey. (2005) “Social Mobility in Reagan-Era Teen Films: From Inaugural Optimism to the Invention of Generation X”’. n.d. http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm.
Benson, Thomas W., and Brian J. Snee, eds. 2015. Michael Moore and the Rhetoric of Documentary. Carbondale, [Illinois]: Southern Illinois University Press. http://site.ebrary.com/lib/roehampton/Doc?id=11071095.
Birkenstein, Jeff, Anna Froula, Karen Randell, and ebrary, Inc. 2010. Reframing 9/11: Film, Popular Culture and the ‘War on Terror’. Electronic resource. New York: Continuum. http://site.ebrary.com/lib/roehampton/Doc?id=10422373.
Biskind, Peter. 2004. ‘Introduction: The Story Til Now’. In Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, 8–26. London: Bloomsbury.
Bogdanovich, Peter, and Larry McMurty. 1994. ‘The Last Picture Show’. Videorecording. London: Channel 4.
Bogle, Donald. 2016. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. Updated and Expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
‘Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY.
‘Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT.
Bruzzi, Stella and NetLibrary, Inc. 2006. New Documentary. Electronic resource. 2nd ed. London: Routledge. http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=171085.
Cimino, Michael. 2000. ‘Heaven’s Gate’. Videorecording. [U.K.]: Channel 4.
‘Course: Contemporary Hollywood Cinema- FLM020X348A’. n.d. https://moodle.roehampton.ac.uk/course/view.php?id=7488.
Diawara, Manthia and American Film Institute. 1993. Black American Cinema. New York: Routledge.
Dixon, Wheeler W. 2004. Film and Television after 9/11. Carbondale: Southern Illinois University Press. https://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=7c5cdc1f-0d1d-4401-96ea-bbdbcf37b680%40pdc-v-sessmgr01&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=176227&db=nlebk.
Dyer, Richard. 2004. Heavenly Bodies: Film Stars and Society. 2nd ed. London: Routledge.
Dyer, Richard, and Paul McDonald. 1997. Stars. New ed. London: BFI Publishing.
Ellis, John. 2015. Visible Fictions: Cinema, Television, Video. Revised edition. London: Routledge. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=178323.
‘Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf.
Hayward, Susan. 2012. Cinema Studies: The Key Concepts. Electronic resource. 4th ed. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203075555&uid=^u.
Hopper, Dennis. 2001. ‘Easy Rider’. Videorecording. [U.K.]: Channel 4.
Jeffords, Susan. 1994. ‘Hard Bodies: The Reagan Heroes’. In Hard Bodies: Hollywood Masculinity in the Reagan Era, 24–63. New Brunswick, N.J.: Rutgers University Press.
Kellner, Douglas. 2013. ‘On Truth, Objectivity and Partisanship’. In The Documentary Film Book, edited by Brian Winston, 59–67. Basingstoke, Hampshire: Palgrave Macmillan.
Kellner, Douglas and ebrary, Inc. 2010. Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era. Electronic resource. Malden, MA: Wiley-Blackwell. http://site.ebrary.com/lib/roehampton/Doc?id=10358886.
King, Geoff. 2002a. New Hollywood Cinema: An Introduction. New York: Columbia University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u.
———. 2002b. New Hollywood Cinema: An Introduction. New York: Columbia University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9786000006914&uid=^u.
———. 2009. ‘Being Charlie Kaufman’. In Indiewood, USA: Where Hollywood Meets Independent Cinema, 47–92. London: I. B. Tauris.
Lawrence, Novotny. 2007. Blaxploitation Films of the 1970s: Blackness and Genre. Electronic resource. New York: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203932223&uid=^u.
Levy, Emanuel. 1999. Cinema of Outsiders: The Rise of American Independent Film. New York: New York University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=865783.
McDonald, Paul. 2000. The Star System: Hollywood’s Production of Popular Identities. London: Wallflower.
McDonald, Paul and ebrary, Inc. 2013. Hollywood Stardom. Electronic resource. Malden, Mass: Wiley-Blackwell. http://site.ebrary.com/lib/roehampton/Doc?id=10657816.
McSweeney, Terence. 2016. American Cinema in the Shadow Of 9. Edinburgh: Edinburgh University Press. https://www.cambridge.org/core/product/identifier/9781474413824/type/BOOK.
Morgan Spurlock. 2004. ‘Super Size Me The Fast-Food Industry in America’. Samuel Goldwyn Films. https://roehampton.kanopy.com/video/super-size-me-0.
Nadel, Alan. 1997. Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan’s America. New Brunswick, N.J.: Rutgers University Press.
Neale, Stephen, and Murray Smith. 1998. Contemporary Hollywood Cinema. Electronic resource. London: Routledge. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780203349847&uid=^u.
Nichols, Bill. 2017. Introduction to Documentary. Electronic resource. Third edition. Bloomington, Indiana: Indiana University Press. https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Roehampton&isbn=9780253026903&uid=^u.
‘Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London’. n.d. https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html.
Prince, Stephen. 2009. Firestorm: American Film in the Age of Terrorism. Jackson, USA: Columbia University Press. https://ebookcentral.proquest.com/lib/roehampton-ebooks/detail.action?docID=908677.
‘Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB.
‘Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY.
Reid, Mark A. 1997. Spike Lee’s Do the Right Thing. Cambridge: Cambridge University Press.
Rosenthal, Alan, and John Corner. 2005. New Challenges for Documentary. 2nd ed. Manchester: Manchester University Press.
Sandler, Kevin S, and Gaylyn Studlar. 1999. Titanic: Anatomy of a Blockbuster. New Brunswick, NJ: Rutgers University Press.
Schatz, Thomas. 1993. ‘The New Hollywood’. In Film Theory Goes to the Movies, AFI film readers:8–36. London: Routledge. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.roehampton.ac.uk/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873243.
Schlesinger, John, and James Leo Herlihy. 1992. ‘Midnight Cowboy’. Videorecording. London: BBC.
Shary, Timothy. 2003. Generation Multiplex: The Image of Youth in Contemporary American Cinema. Austin, Tex: University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=10245721.
SHARY, TIMOTHY. 2011. ‘Buying Me Love: 1980s Class-Clash Teen Romances’. The Journal of Popular Culture 44 (3): 563–82. https://doi.org/10.1111/j.1540-5931.2011.00849.x.
Shary, Timothy. 2014. Generation Multiplex: The Image of Youth in American Cinema after 1980. Revised edition. Austin: University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=10846035.
‘Slacker (1991)’. n.d. https://www.youtube.com/watch?v=b-U_I1DCGEY.
SPEED, LESLEY. 2010. ‘Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film’. The Journal of Popular Culture 43 (4): 820–41. https://doi.org/10.1111/j.1540-5931.2010.00772.x.
Stacey, Jackie. 1993. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge.
Steinberg, Shirley R.Kincheloe, Joe L. n.d. ‘Steinberg, Shirley, R. & Joe L. Kincheloe. “Privileged and Getting Away With It: The Cultural Studies of White, Middle-Class Youth”, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, Pp. 820-841’ 31 (1). https://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=952150&site=ehost-live.
Stringer, Julian. 2003. Movie Blockbusters. London: Routledge.
‘The French Connection - Roehampton Online Broadcasts’. n.d. https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ.
Westwell, Guy. 2014. Parallel Lines: Post-9/11 American Cinema. New York: Wallflower Press. https://www.jstor.org/stable/10.7312/west17202.
Williams, Roland Leander. 2015. Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003. First edition. Syracuse, New York: Syracuse University Press. http://site.ebrary.com/lib/roehampton/Doc?id=11249979.
Wyatt, Justin. 1994. High Concept: Movies and Marketing in Hollywood. Austin: University of Texas Press. http://site.ebrary.com/lib/roehampton/Doc?id=11012379.
