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The French Connection - Roehampton Online Broadcasts, https://rob.roehampton.ac.uk/View.aspx?id=4682~4u~vA7fUPMZ.
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Allen, M.: Contemporary US cinema. Longman, Harlow (2002).
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King, G.: New Hollywood cinema: an introduction. Columbia University Press, New York (2002).
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Hopper, D.: Easy rider, (2001).
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King, G.: Being Charlie Kaufman. In: Indiewood, USA: where Hollywood meets independent cinema. pp. 47–92. I. B. Tauris, London (2009).
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Biskind, P.: Introduction: The Story Til Now. In: Down and dirty pictures: Miramax, Sundance and the rise of independent film. pp. 8–26. Bloomsbury, London (2004).
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King, G.: New Hollywood cinema: an introduction. Columbia University Press, New York (2002).
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Wyatt, J.: High concept: movies and marketing in Hollywood. University of Texas Press, Austin (1994).
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Jeffords, S.: Hard bodies: the Reagan Heroes. In: Hard bodies: Hollywood masculinity in the Reagan era. pp. 24–63. Rutgers University Press, New Brunswick, N.J. (1994).
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Stringer, J.: Movie blockbusters. Routledge, London (2003).
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Sandler, K.S., Studlar, G.: Titanic: anatomy of a blockbuster. Rutgers University Press, New Brunswick, NJ (1999).
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Rambo – First Blood, Part II : Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream, https://rob.roehampton.ac.uk/View.aspx?id=7840~4t~V3IRjzBB.
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Rambo – First Blood, Part II: Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream, https://rob.roehampton.ac.uk/View.aspx?id=7841~4u~vD7hULMY.
20.
Kellner, D.: On Truth, Objectivity and Partisanship. In: Winston, B. (ed.) The documentary film book. pp. 59–67. Palgrave Macmillan, Basingstoke, Hampshire (2013).
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Nichols, B.: Introduction to documentary. Indiana University Press, Bloomington, Indiana (2017).
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Benson, T.W., Snee, B.J. eds: Michael Moore and the rhetoric of documentary. Southern Illinois University Press, Carbondale, [Illinois] (2015).
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Bruzzi, S., NetLibrary, Inc: New documentary. Routledge, London (2006).
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Rosenthal, A., Corner, J.: New challenges for documentary. Manchester University Press, Manchester (2005).
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Bowling for Columbine Part 1 - Roehampton Online Broadcasts - Powered by Planet eStream, https://rob.roehampton.ac.uk/View.aspx?id=4961~4u~vA7iUNMY.
26.
Bowling for Columbine Part 2 - Roehampton Online Broadcasts - Powered by Planet eStream, https://rob.roehampton.ac.uk/View.aspx?id=4964~4x~8zS88KtT.
27.
Morgan Spurlock: Super Size Me The Fast-Food Industry in America, https://roehampton.kanopy.com/video/super-size-me-0, (2004).
28.
Ferris Bueller’s Day Off - Roehampton Online Broadcasts - Powered by Planet eStream, https://rob.roehampton.ac.uk/View.aspx?id=4860~4s~tdtgzCqf.
29.
Shary, T.: Generation multiplex: the image of youth in contemporary American cinema. University of Texas Press, Austin, Tex (2003).
30.
Nadel, A.: Flatlining on the field of dreams: cultural narratives in the films of President Reagan’s America. Rutgers University Press, New Brunswick, N.J. (1997).
31.
SPEED, L.: Loose Cannons: White Masculinity and the Vulgar Teen Comedy Film. The Journal of Popular Culture. 43, 820–841 (2010). https://doi.org/10.1111/j.1540-5931.2010.00772.x.
32.
Baker, Geoffrey. (2005) ‘Social Mobility in Reagan-era Teen Films: From inaugural Optimism to the Invention of Generation X’, http://www.americanpopularculture.com/archive/politics/reagan_era_films.htm.
33.
SHARY, T.: Buying Me Love: 1980s Class-Clash Teen Romances. The Journal of Popular Culture. 44, 563–582 (2011). https://doi.org/10.1111/j.1540-5931.2011.00849.x.
34.
A World Ruled by Hilarity: Gender and Low Comedy in the Films of Amy Heckerling • Senses of Cinema, http://sensesofcinema.com/2002/filmmaker-profiles/heckerling/.
35.
Steinberg, Shirley R.Kincheloe, Joe L.: Steinberg, Shirley, R. & Joe L. Kincheloe. ‘Privileged and Getting Away With it: The Cultural Studies of White, Middle-Class Youth’, Studies in the Literary Imagination. Georgia State University, 1998, Spring98, Vol. 31, Issue 1, pp. 820-841. 31,.
36.
Dyer, R., McDonald, P.: Stars. BFI Publishing, London (1997).
37.
Ellis, J.: Visible fictions: cinema, television, video. Routledge, London (2015).
38.
McDonald, P.: The star system: Hollywood’s production of popular identities. Wallflower, London (2000).
39.
Dyer, R.: Heavenly bodies: film stars and society. Routledge, London (2004).
40.
McDonald, P., ebrary, Inc: Hollywood stardom. Wiley-Blackwell, Malden, Mass (2013).
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Performing Masculinity: The Star Persona of Tom Cruise - Research - Royal Holloway, University of London, https://pure.royalholloway.ac.uk/portal/en/publications/performing-masculinity-the-star-persona-of-tom-cruise(7eed4f80-b9f3-41e8-bfd3-ea1a1b853528).html.
42.
Stacey, J.: Star gazing: Hollywood cinema and female spectatorship. Routledge, London (1993).
43.
Prince, S.: Firestorm: American Film in the Age of Terrorism. Columbia University Press, Jackson, USA (2009).
44.
Dixon, W.W.: Film and television after 9/11. Southern Illinois University Press, Carbondale (2004).
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Birkenstein, J., Froula, A., Randell, K., ebrary, Inc: Reframing 9/11: film, popular culture and the ‘war on terror’. Continuum, New York (2010).
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Westwell, G.: Parallel lines: post-9/11 American cinema. Wallflower Press, New York (2014).
47.
Kellner, D., ebrary, Inc: Cinema wars: Hollywood film and politics in the Bush-Cheney era. Wiley-Blackwell, Malden, MA (2010).
48.
Arin Keeble: Why Spike Lee’s 25th Hour is the most enduring film about 9/11. The Conversation.
49.
McSweeney, T.: American Cinema in the Shadow Of 9. Edinburgh University Press, Edinburgh (2016).
50.
Bogle, D.: Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York (2016).
51.
Lawrence, N.: Blaxploitation films of the 1970s: Blackness and genre. Routledge, New York (2007).
52.
Diawara, M., American Film Institute: Black American cinema. Routledge, New York (1993).
53.
Hayward, S.: Cinema studies: the key concepts. Routledge, London (2012).
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Williams, R.L.: Black male frames: African Americans in a century of Hollywood cinema, 1903-2003. Syracuse University Press, Syracuse, New York (2015).
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Reid, M.A.: Spike Lee’s do the right thing. Cambridge University Press, Cambridge (1997).
56.
Shary, T.: Generation multiplex: the image of youth in American cinema after 1980. University of Texas Press, Austin (2014).
57.
A short history of black US indie cinema | BFI, https://www.bfi.org.uk/news-opinion/news-bfi/features/short-history-black-us-indie-cinema.
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Neale, S., Smith, M.: Contemporary Hollywood cinema. Routledge, London (1998).
59.
Course: Contemporary Hollywood Cinema- FLM020X348A, https://moodle.roehampton.ac.uk/course/view.php?id=7488.
